Tuesday, January 9, 2018

Snofru the Mad


One of the oddest-sounding names for a ruler (at least to English ears) is the Egyptian "Snofru." My poem starts with a child's embarrassment about the sound of his name, and leads to more and more outre and outrageous obsessions. This is a fantasy, of course, but grounded in an obscure chapter in Egyptian history.
Snofru or Snefru was Pharaoh in the Fourth Dynasty and the immediate predecessor of Khufu (Cheops), builder of the Great Pyramid. Historians are baffled as to why Snofru built himself three separate pyramids. Snofru was the first Pharaoh to enclose his name in a cartouche on monuments.

SNOFRU THE MAD

With a name like Snofru
you’d better be good
as a Pharaoh, as a survivor.
Would the gods laugh, he wondered,
when his weighing time came up —
his heart against a feather
on the fatal balance —
would tittering among them
make his recitation falter?

A careful planner,
he lays four boats in his pyramid,
one pointed in each direction —
he’d launch all four
so his soul could elude
the pursuing god Set
and confound old Ammit,
the Eater of the Dead.

Grave robbers? He’d baffle them,
build three great pyramids
for Snofru the Pharaoh —
hang the cost!
He’d bury an imposter
in each sarcophagus.
The gods alone would know
his final resting place,
a well-appointed tomb
whose architect he’d strangled.

As for his Queen Hetephras,
dead these three years now,
he left her innards
in an alabaster jar,
yet carried her mummy away.

Nights, he unwinds her wrappings,
kisses her natron-scented lips,
caresses her sewn-up belly,
then carefully restores
her royal bandages,
her mask and jewels.

His courtiers avoid him,
smell death despite
the unguents and incense.
An impudent general
already makes eyes
at his daughter. They shceme.
There is talk, there is talk.
He will neither make war, nor peace,
turns back ambassadors

as he spends his days divining
how to turn his eye-blink life
into the gods’ eternity.

One night he slips away.
The upstart will assume his name,
bed his black-eyed daughter,
inherit his unused pyramid —
the better to advance his stratagem.

With pride and pomp
he circled his name
on a hundred monuments,
but he is far from Memphis now,
where he speaks to his servants
in but a whisper.

His modest sarcophagus,
when that time comes,
is inscribed with another name.
His journey West
will be uneventful.
Then, coming and going
among the living the dead,
he’ll watch as the proud
are judged and eaten,

then take his place, unsandaled,
plain as the commonest slave,
serving his mummy-bride
at the table of the gods.


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