Showing posts with label translations. Show all posts
Showing posts with label translations. Show all posts

Thursday, May 14, 2026

A Secret Birth

     by Brett Rutherford

     After a Callimachus fragment, Aetia, 48

Three hundred Titan years old Kronos slept
while young Zeus and his enamor’d Hera
coupled without let-up, nights — and days, too!
Nectars narcotic they sent
     to the watchful and jealous father,
by the hands of garlanded Dryads,
and, from the lips of Iris, distracting
rumors of some trifles and petty strifes
whose answered he could delegate, then turn
his pillows over for another nap.

Then from Zeus’s labors
     and Hera’s womb’s machinery,
with clank and clatter,
     there came such a birth,
red-light the sky from pole to pole, a cry
as loud as a factory whistle, a smack
as of the first bright anvil, ever, struck
by the world’s first hammer, forged from ore.

Hera, whom Zeus hung upside down, cut cord
with her own sickle knife and cried the name
of their dear new Olympian:
“Hephaestos, the gods’ armory, be born!”

The Ox of Dryops

     by Brett Rutherford

     After a Fragment from Callimachus, Aetia, 24

Now Heracles, in company
of his young son, was slowed
when a thorn, which pierced
the boy’s tender foot
made him unable to walk.
The way was long, across
the plowed fields of Dryops,
and the solar disk seemed
uncommonly hot upon them.
Hungry and out of sorts,
young Hyllus tore at Heracles’ hair.

Just then came Thiodamus,
spindly on nimble feet,
yet still a mighty man
from the looks of him,
into the might hero’s sight.
Across the deep, dry fallow
the old man goaded on,
a ten-foot snapping pole
in one arm, a lazy brown ox.

Hailing the stranger, Heracles,
the generous donor of so many
deeds and labors, and once
he had praised the land and the fields,
and the beneficent orb
whose heat beat down upon them,
inquired, “I great pray a boon.
This wounded child calls out
for nourishment. If anything
your shoulder-bag can spare,
a mouse-size morsel, bread,
or a mouthful of fruit or nut,
would make our moving on
more swift, and quiet him.
I shall always remember you,
how amid your labors,
you were kind to another.”

The arrogant ox-herd
whipped out the floating pole
from ox-back to the very nose
of Heracles. “You, beggar,
and a fool to boot, know
ye not I am King of these parts?
Only a knave can claim
to hunger here. Pass on,
and may the burning noon
     finish you.” The King spat
and turned his back to them.

So what was a demi-god to do?
He seized the howling ox
and hurled it so far up
it looked no bigger than
a starling in silhouette,
and when it came down, its back
was broken. It bellowed. It died.

As Thiodamus fled
to summon his forces,
or hide beneath his blankets,
father and son devoured
the beast from tongue to tail.

Thus, ever and anon,
the uncharitable must pay.


Friday, May 1, 2026

Envy and Apollo (After Callimachus)

by Brett Rutherford

    After Callimachus, Hymn to Apollo

And Envy whispered
into Apollo’s ear,
“Who cares about the writer
     of mere epigrams?
What matters it that some comedian
     sends jokes into a thousand ears
         and laughter propagates
               like mushrooms gone mad
               in a spring sweat?
What matters is that someone swoons
    while playing a harpsichord
          or that high C’s bounce off
             the opera house balcony?

Give favor instead
     to only the grandest things:
arches imperial and gold pavilions,
fights to the death on an even bet,
treasures piled up beyond account,
and the kind of art that goes along
with a thousand-year reign.
Give favor instead to heroic sagas,
to lines that outlast
the tuning of the lyre,
to epics long-lined
and even longer-winded.
Embrace Hyperbole.
Bless nothing that’s not as big
as the world-girding Ocean.”

Apollo turned, and with one foot,
he stamped on Envy’s pretty neck,
just as he had once crushed
the mighty Python.
“Wide is the torrent wild
of the great Euphrates,”
the god explained
    to Vanity’s idiot daughter,
“Yet half its flow is silt and muck.
And not from any common flow
do priestesses fill Demeter’s bowl.
From one small stream
whose origin is a holy fountain
from there the best of waters come.

“Look here, at the world’s navel,
at the blessed spot of Delphi.
None come in chariots,
     but one by one, on foot,
         each must ascend and wait.
Do horns call out
     if something that calls itself
          a king arrives here? No!
Does some triumphal arch offend
     the sight of sea and cliff and sky?
Again, Envy, no.
That which is least, is best:
Greeks hurl their epigrams
as well as I my arrows.

“Temples may come and go.
No glint of gold spells out
my name upon the pediment.
One Doric column suffices."

Persilere's Daughter, Dead

by Brett Rutherford

     After Theocritus

Seven, just seven, when Fate
saw fit to hurl her down
to Hades! What do they say below
when a mere child comes among them?
Will she drink the black wine,
and will her young lips curl back
at the sour bite of cornelian cherries?
Will she have leave to search
for the infant brother preceding her,
himself not even three years old?

Nurse them, Persephone, and place
some honeyed water near them,
that they, poor bees, may slumber.
Send some consoling dream at least
to Persilere, their mother.

The Stranger's Tombstone

by Brett Rutherford

     After Theocritus

I did not live out my days.
Too young I died, among Greeks
who scorned my Syracusan accent.
Subsisted, I, and borrowed not:
small point of pride for a man,
but I did not return in triumph
to an arbor’d rest, and a grave
with native soil around me.
Here, even the gnawing worms
avoid my humble shroud and say
to one another, “A foreigner!”

An Ox-Herder's Holiday

by Brett Rutherford

     After Theocritus

Camped in the hills
to get away from it all,
on a leaf-bed hastily made,
the beauteous Daphnis slumbers.
Such arms, such legs, such line
of neck and shoulder
ought not be bared
beneath the snitching stars.

You might, at least, flap closed,
conceal yourself within that tent
so artfully constructed, but no,
the warm night air seduces.

No rest for you, fair Daphnis,
for wicked Pan has got your scent,
and not far off, Priapus springs
to full attention in his own lair,
and hearing the pan-pipe summons
primps all his attributes and dons
his yellow ivy garland. The game
is on as fleet-hoofed feet
bound this way and that
among the somnolent sheep.

Wake up! Wake up
and get away,
poor Daphnis. Sleep
holds you down,
while lust makes mighty leaps
in your direction. Oh, flee!
You’ve not a moment to lose.

The underbrush stirs.
The pipe of one
draws the tread of the other.
A long priapic shadow
precedes the intruders.
Flee, Daphnis! No lad
should have to endure
what they might do to you.
No witnesses, for even
the oxen will avert their eyes,
embarrassed.  Unless,
of course, you’d rather stay.
Unless all along
this is exactly what
you meant by camping out.

Muses the Roses Love

by Brett Rutherford

     After Theocritus, The Greek Anthology

Muses the roses love
and thyme grows thick
where nervous poets lean
into sweet-clotted air
around Mount Helicon,

but where I climb
for healing and inspiration,
pulling behind me
some reluctant goat
dumb to the sacrifice
ahead of him — there,
no simpering flowers bloom.

Bay trees, leaves dark and sharp
cover the cliff entire.
Delphi means business.
Apollo expects no less than blood
as the horned billy-goat
quelled by the branch he gnaws
would understand
if he had half a brain.


Monday, March 16, 2026

Night Vigil

 by Brett Rutherford

After Asclepiades,
     The Greek Anthology, v, 189

It is night.
The dead of winter.
Her rooftop grinds
against the setting
     Pleiades.
She is no gift
from the love-goddess;
these icy pangs I feel
resemble bee-stings
     or tiny thunderbolts.
The more she betrays me
behind those bolted doors,
the deeper it cuts at me.
The more I pace,
the longer the dawn delays.
Whose hand will emerge,
whose hooded head pop out
from the gaping entryway
at cock-crow, and skulk away?
Does it even matter?
Sea-salt, tear-salt, heart-jab —
love is an open wound.

Thursday, February 26, 2026

Against Love

by Brett Rutherford

     Adapted from Alcaeus of Messene.
         The Greek Anthology, v, 10

I hate the love-god,
I really do.

Animals need none
of his interruptions
and do what they do
in time and season.

Why shoot at me
with those piercing arrows
when I am empty-pocketed
and all the streets are drenched
with rain and clotted mud?
I make a sorry sight
courting, all limp and soggy.

Must I go out
blind-folded now
so that my sight
of any bright-eyed
person does not
concur with the fall
of some random arrow?

What profits it to him
to burn so many mortal hearts?
Does Love have a quota to fill?
Or does he pursue me
with a particular relish
so I will write a poem
that will win some prize,
and, named in it,
the little god smirks.

Tuesday, October 28, 2025

In the Shadow

by Brett Rutherford

Adapted from Victor Hugo, l'Annee Terrible, Epilogue 

 

SPIRIT OF THE OLD WORLD:

A flood? Oh, very well — floods come and go.

Just go about your business now.
You do what you have to, as water
is what it is and gravity and wind prevail.

So high and deep? You mean to break a record.

But why such gloom and ferocity?
Why whirl about with that hole
in the middle so like a crying mouth?

 

Why do you hulk about
howling in a made-up shadow,
your black winds bugle-blowing
as if to turn day to night? We know the sky
is still azure-blue above you!

Your mounting waves are impolite,
they murmur the rude songs
of some child prodigy.

This much and no more!
That’s quite enough, I tell you!

 

You do your thing out there. In here,
we stand for old laws, old obstacles,
brakes harnessing every bold thought.
We hoard our misery and nothingness,
our little dungeons where we put hopes
into slow starvation, and lock up souls
within the cells they willingly abide.
No sudden gust will overturn the way
we men keep women in their places.
No random wave can splash across
those delicacy-laden banquet boards
the dispossessed can never savor.

Waters, do you mean to rob us of all
our cherished fatal memories, our shield
of superstition none dare to doubt?

Touch nothing inside these walls!
Just go away. Our holy things, our feasts,

down to the last dumpling, are sacrosanct!

 

Now humble yourself, and flatten out,
and above all, be quiet, now!

So who am I to issue commands to the wave?

I built these enclosures, you know,
I hem in humankind; my towers
shade and humble them aways.

Still roaring, fool? And rising, still?

Chaos I smell in your frenzied impact.
Is that a Bible floating by? Are those
the graven tablets of law
     you just now toppled over?

No, not the scaffold, tumbling down —
we need that! We use it all the time.

There on that high dais, the king —
you must not — oh, he is swept away!

 

I have here a list of sacred men.
If you know what’s good for you,
you will spare their houses. Oh, dear,
they tell me the Sacred College
is inundated and only fish
are left to wear a white collar there.

Where judges sat, their robes erupt
from out the broken windows.
Their bones will host corals now.

Is nothing sacred? What sound
is battering my palace door?

My bomb-proof bunker is safe.
Or was. Up come the currents
from down below; and from on high
the torn roof lets icy torrents in.

 

Do you have any idea
    just who you are dealing with?
Kings, priests, and presidents
     take orders from me.

It cannot be — I am engulfed.
I am floating to who knows where!

 

How can the sea disobey me?
I made up the God of Nature, did I not?
Whatever I will, men make it so!

Disobedient Sea! How dare you!

The waters are reaching my chin!

 

THE FLOOD:

Old One, you mistook me.

Accustomed as you were to tides,
that come and go, and rise and fall,

nothing prepared you for the inevitable.

I am the flood that comes, and stays.

 

 

 


Wednesday, March 5, 2025

Has God Gone Bankrupt?

by Brett Rutherford 

Adapted from Victor Hugo, l’Année Terrible, “July 1871”


[POEM XII]

 

The earth below, and the heavens above!

If evil reigned, if there was nothing down here
but forced labor, followed by futile protests;
if the evil past kept on returning;
if black water, vomited, came back
as the only thing to slake one’s thirst;
if midnight could insult
     the high noon’s azure
and boast, “Look here, I killed the sun!”;

if nothing was certain
    and no one could be counted on,
then God would have to hide in shame.
Nature would be a timid impostor.

The constellations would shine for nothing.

 

That all this time
     the empyrean concealed
          immortal villainy,

that in the black cosmos
     between the galaxies
          there hides an entity
whose delight is inventing crimes,
that mankind giving everything,
     days, tears, and blood
is the literal-minded plaything
of an Almighty coward,
that the future one walks
     is a colonnade of black wickedness —
that for my part
     I refuse to believe.

 

Would it be worth the wind’s while
to stir the stormy flood of the living?
Should morning, draped
     in the mist of frozen seas,
even bother to announce itself
by casting icy diamonds down
onto the vaguely dazzled flowers?

Does the bird sing for nothing?

Does the world exist for nothing?

If Destiny were only
     some random huntsman
who shoots whatever comes along;
if human effort were only good
     at manufacturing chimeras;
if shadows emerged from wombs
      instead of daughters
and wives, on giving birth
     turned into piles of ash:

if ships set sail,
    and after endless rowing.

         can never come to port;
if everything one craved and bled for,
    each act of crafting something new,
led only to defeat and nothingness —

 

No! I do not consent
     to this bankruptcy,
this zero-sum of everything!

The end of all roads
cannot be nothingness,
like the falling-off
    of some idiot flat-earth.

The Infinite is better than that!

 

Is life to be crushed between two stones —
Charybdis the cradle
     and Scylla the tomb?

Paris, your muscles
     are strong enough
          to get the better of this!

France, you great star:
     you have done your duty
          and God owes you.

 

Rise up, and keep on fighting.
I know that God now
     seems only a glimmer
seen through the mown-down path
     of dire destiny. This God,
I repeat, has often in ages past, cast doubt
upon himself as old wise men
reckoned with him and shook their heads.

The Unknown does not yield itself
     to the summons of metaphysics
with its morose and heavy calculations,
nor will the scalpel reveal elan vital,
     explaining everything away
     in tables and formulae.

Something always eludes the thinker.
That being said, I have my faith.
I think it to be a higher light.
My conscience is there in me,
and there, my guest is God.

By drawing a circle around everything,
using a dubious compass I can say:
this is all, and God is nowhere in it.
Outside, somewhere, if such a place there be,
is his only possible residence.

Yet that circle has not contained me.
He is not outside myself, but in.
He is the rudder when I sail randomly
at loss of direction on the foamy sea.

If I listen to my heart,
     I hear a dialogue.

 

Call me mad if you will.
     In the depths of my mind
         there are two of us:
               him, me.
He is my only hope,
     and the only thing I fear.

If by some chance a reverie
    presents to me an evil I would like to embrace,
a deep rumbling swiftly follows
    from deep within me. I say,
“Who is there? Does someone speak
      to me? And why?
And my soul that trembles
     in that moment of second-thought
says to me, “That was God. Be still.”

 

*

 

What should we do? Does not the world,
united, adhere to some sense of progress?
Deny this, and deny all reason to be.

 

No, no! If it turns out
     that this God deceived me,
placing the bait of hope
     in front of me,

laying the snare,
to take me, a humble atom,
and make me know myself
     a phantom caught
between the present, a dream,
     and the actual future,
if God intends only
     to gloat and deride me’

 

I, the sincere eye and he, the false vision;
if he deceived me with some deplorable mirage;
if he handed me a compass
only to dash my ship against the rocks,
if through my conscience
     he made me falsify my reason
so that I knew not true from false,
then I, whom am only one speck
     a mite on the horizon,
I, the nothingness
would be his dark accuser.

 

I would call upon all beings
      across all time and space
to be my witnesses.
I would line up all infinity
against this God.

Ether and nebulas,
black holes and empty space,
even the vacuum would take up my cause.

Against this evil-doer
     I would line up the stars themselves.
I would throw our evils and disasters
into his face. I have oceans enough
to wash my own hands clean;
the errors I made, were of his making.
In this high court the accuser
     can never be the accused.

I accuse, and God would be the guilty one.

 

Anger against a god has no limits.

No matter how inaccessible,
     impalpable, invisible he is,
I would persist and find him out.

I would see his true form.
I would seize him in the heavens,
as one takes a wolf in the forest,
and, terrible, indignant and calm,
a prosecutor extraordinaire,
I would denounce him
     amid his own thunder.

 

If Evil it is that reigns and rules,
if some immense lie
     is the root of all,
then everything would revolt!

Oh! if the sky man contemplates
is no longer a temple before his eyes,
if under all creation there seems to ooze
some odious and obnoxious secret,
that pillar of glory has nothing on top;
it is a pole of servitude and chains.

 

I would bring down this confidence man,
this forger, and lean him there,
where he would blame everyone else.
He would insult our mourning,
    and scorn our rags and rubble,
     shrug at our thirst and hunger,
     keep tally of our vices and crimes.

Victims would turn back
     their executioners to face him.
He would answer for war and hatred,
for the eyes gouged out
     that saw too much,
for the bloody stumps of despair.

 

The fields themselves, wind-shaken woods,
the mountains with their hearts of iron,
the flowers poisoned by the fall of ash,
from the furious and mad chaos
     of destinies cut and re-cut,

from every last thing that has a name,
appearing to be, then vanishing,
then re-appearing again out of the realm
of wish-forms where matter is not,

from all a dreary accusation emerges.
Reality would seep through horrible cracks.

Tearing their hair, the comets would come.
The air itself would press him down,
accusing him with its rainy breath.

 

In such a world turned upside-down,
the worm would say to the star:
He envies you, and in his jealousy
he makes us both gleam at night.

The reef would say, “I wish no harm
to anyone. His wind and tide
make me a destroyer.”

The sea would say, “My spite and storm
are all his doing. So I avow.”

The universe would be God’s pillory.

 

*

Ah! Faced with this bankrupt God,
reality would serve
     as one sublime payment.
I would be the quiet creditor of the abyss.

My eye already open, I would wait
     for great awakenings.
Those other suns
     across the gulfs of space —
I do not doubt them.

 

I think the vacuum empties out
where I see a new star begin to bloom.
The black at the far reach
     of the azure sky,
retreats from the well of dawn.

These fleeing shadows are loyal to nothing;
they make no promises they are able to keep.

 

The darkness above us
     may seem to eclipse the rays,
but is it not by night,
     that, pensive and wandering,
         we actually believe?
The sky may be troubled,
     dark and mysterious,
but what does it matter?
Nothing righteous need fear
that dawn’s door will fail to open.

 

Complaint is vain, and “Evil”
     is only a word, an empty one.

It is good that I have fulfilled my duty.
It is my nature to suffer happily,
knowing all justice is in me,
invisible as I seem to be,
     a grain of sand.

 

When we do what we can,
    we hold God responsible,

so forward I go,
     knowing that Nature does not lie,
sure of the honesty of the deep firmament.

 

“Hope!: I proclaim,
    to whoever lives and thinks.
I affirm that the unknown Being
     who spends, without counting,
the splendors, the flowers, the universes;
and as if emptying great sacks
     that are always open,
dispenses stars, and winds, and seasons;

and who lavishes on the cloud-piercing
     mountains, the seas that gnaw
         at cliff and dike, without respite,
the azure, the lightning, the day, the sky;

that he who spreads light’s torrent out,

and life and love to all space and time;

I affirm that he who neither dies
     nor passes away, who made the world,
(a book so awfully mis-read by priests),
who gives Beauty as a form to the Absolute,
     real despite doubt,
          and true despite fable,
the eternal, the infinite,
God is not insolvent.

 

 

Tuesday, March 4, 2025

Martyr, Volcano, Goddess, Avatar, Part 2



 by Brett Rutherford

Adapted from Victor Hugo, l’Année Terrible, “July 1871”

 

[Poem XI]

III

City, your fate is beautiful!

High on a hill, and at the heart
of all humanity, you re-enact
an almost-biblical Passion.
None can approach without hearing
how your tender voice emerges

from your august torture,

because you suffer this for all
and for them all your blood is shed.

The peoples before you
will form a circle on their knees.

 

The nimbus glow at the top of Aetna
fears not Aeolus or any other wind.

Just so, your fierce halo
     cannot be smothered out.
Illustrious and terrible at once,
your light burns everything
    that threatens life,

     defending honor, and work and talent,
     upholding duty and right,
     healing with balm, perfume, and medicine.

You gleam the future purple
     even as you burn the past away,

because in your clarity, sad
     and pure, pale flowers spring
to life amid the embers.

In your immense love,
     gnaws an immenser pain.

 

Because you exist, and will continue so,
O city, mankind believes in progress,
seeing it born clean and viable once more.

Your tragic fate attracts the Muses’ envy.
Your death would orphan the whole universe.

The star in your wound, would, if it could,
ascend and join the heavens, but no!
Empires would trade their plunder in,
yes, even Berlin, or Carthage,
to lay hands on your crown of thorns.

Never was an anvil so hammer-bright.

 

City, no matter what,
     Europe will call your name
          as its founding goddess,
but what you must suffer
     until that day arrives!

Paris, what your glory attracts,

the tribute they come to pay you,

     costs you a martyrdom.
The challenge is accepted.

Go on, live large. Let the people show her
they always know how to be heroic.

She is still calm, you see,
     after the tyrants flee,
     after the executioners
have done their worst,
    look, there she stands!

 

It happened so gradually
    no one saw how you managed it:
the sword in your hand

     became a branch of palm.

City, do as the Greeks did,
     the Romans and Hebrews,
breaking the urn of war
     to offer up the splendid bowl
          of unity and peace.

 

The peoples will have seen you,

O magnanimous city,

after having been the light of the abyss,

after having fought as was her duty,

after having been reduced to a crater,

after the churning of volcanic chaos
    whose lava bubbled forth
    the visage of Vesuvius,
        the memory of circuses and forums
               reduced to ash,
the freedom of the world at risk
     until you returned from ash in glory
after having chased away Prussia,
     that frightful giant,

 

now rising anew from the yawning abyss,
     you, bronze-robed deity of eternity,
from flaming lava cooled,
a colossal statue, Paris!

 

IV

The “men of the past” imagine
they still exist. Just barely, I would say.
They imagine themselves living;
and the work they perform
     is all done in the shadows.
In the viscous sliding
     of their numberless folds,
     their comings and goings
     all flat on their belllies,
they are only a swarm
     of deluded earthworms.
The dead weight of the sepulcher
     presses them down to ooze.

 

Ignore them, sacred city!

Nothing of you is dead,
for, Paris, your own agony
gives birth, and your defeat
was an onset of new creation.

We will refuse you nothing.

Whatever you want, will come to pass.

The day you were born, the Impossible
reached and surpassed its expiration date.

I will affirm and will repeat it tirelessly
to the face of the perjurer,

into the ears of the deceiver,
plain on the page, where traitors
and cowards cannot avoid it.

They wounded you, oh queen,
but you live! Oh goddess, you live!

 

Against you they added insult to injury,
but still you live, Paris! From your aorta,
earth’s blood, man’s blood, alike
spurt out in never-stopping flow.
It seems the wound might never heal.

Yet in your womb, o mother in labor,
we felt the whole city move. Fetal,
an unknown universe stirs there.
We feel the beat and pulse of the future.

 

Who cares about these sinister clowns?
All will be well. No doubt, there are clouds.
We search, we see nothing. Well, it is night.
Around us is a fenced-in horizon.
Crown of future Europe, we fear for you.

Alas, what a ruin! She seems more fit
for a coffin than for a temple mount;
no model for a civic goddess here,
but instead the type of eternal mourning.

 

On looking upon her, even a man
of firm resolve must hesitate,
give out a shiver instead of a sigh.

Doubting, we weep and tremble,
but pacing around to listen,
we vaguely hear,
    from the walled shadow no torch can light,
    from the depth of defeat’s sink-hole,
from what they called your tomb,
arising, the song of a soul immense.
Huge and indomitable
     something is indeed beginning.

From out of the mist it comes:
     a new century!

 

All of our steps down here might seem
to be no more than a dark procession,
in vain, nocturnal, dubious.
“Men of the past” will scoff at me.
To them, all life, despite our work,
despite desire, is earthy stuff.
Nothing can be divine to them
until implacable eternity
     devours all in quest
of that one great living Thing.
Their pretext for doing nothing,
or doing ill, is that they’re blessed.
Death always offers a getaway.

 

For “men of the past”
     sure happiness awaits in Heaven.

Earth offers only hope,
     and nothing more.
I say that growing hope,
and waiting out the time
   it takes regrets to fade,
is Progress. One atom of hope
is a new seedling star.
Greater well-being dawns

in lesser misery.
My critics prefer the dreary darkness.

Darkness they love, to the point of blindness.

They hate the seer and would blind the soul.
What a terrible dream!

 

You hold the shroud of the city
before us and cry, “She is dead!”
That shroud for us is pricked with holes
through which the flames appear.

What does the dark zenith matter
when rays shine forth,
and constellations never seen before
arise, suns beaming to one another
profound and august affirmations.
There! The True. There! The Beautiful!
There! The Great! There! The Just!
On each and every world a form of life
with a thousand golden halos,

each life of Life partaking!

 

Amid this fest of hope,
you only contemplate the shadow.

“Look over there! A shadow!” —

“No use! There’s yet another shadow!”

Be that as it may. You cannot help yourselves.

Caught under triple veils,
you want us all to stumble about
in what you think is darkness.

 

“Men of the past,” we seek what serves.
You scurry about to invent new harms.

Our clock ascends to midnight
     and hopes for what will come;
your midnight, vertiginous,
     seems only a falling-off.
Each has his own way of seeing night.