The Ten-Letter Sign

95 Hope Street, Providence RI

by Brett Rutherford

A man who loved books, and who
assumed that others loved them too,
was inclined, in a town so rich
as Providence, to open a shop,
on Hope Street no less! What street
could be more auspicious?

With pride he marched down
to the sign-maker’s emporium
and ordered his name inscribed
in gilded and calligraphic
letters: J. J. COUTANCHE,

and then, in ten bright red
hand-carven woodblocks,
to be nailed above the window:
B O O K S E L L E R.

It was 1902. Streets teemed
with merchants and salesmen,
workers and well-dressed men
hurrying downtown and back.

Newspapers all folded up
they carried, for lack of better
things to occupy their time.
He would see to that.

He had Dickens by the boxcar,
Shakespeare in every mode
from pocket-plays to massive
collections of all the dramas.

From the French, there was
de Maupassant, so droll and moderne.
From the Russian, the latest
novels, from London, fine
bindings in leather rows,
their marbled edges butterflies.

Although he opened early,
stayed late, only a few
impoverished old ladies came.
Seeing his prices,
    they did not come again.

Gradually he came to see
that much of the day-time traffic
was Irish men and women
headed for mass at Saint Joseph’s
directly across the street.
At noontime, men hurtled by,
on their way to saloons
and boxing matches.
No books in their lunch pails!

After five years of this,
Coutanche developed
the most profound contempt
for the people of Providence.
If only he had gone to Boston.

And then, hearing the bells
that rang when his cash-register
did not, watching smug priests
and the resplendent funerals
one after another, 

it dawn upon him
     to change his profession.
He who had once sewn books
would now sew flesh. He who
had rubbed his hands along
the ribs of a leather binding

would now caress the cheeks
of the freshly-dead. The glue
that repaired and made books
whole when they were damaged,
would now be formaldehyde.

He read up on his new
profession. He would learn
as he went; no need
to take lessons or earn
a certificate. Ready at last

to start his new trade,
he laddered up his storefront,
removing the letters
B O O K S E L L
and had the sign-maker’s
emporium make up and paint
in the same block style
U N D E R T A K

His bargain-basement room
with all its penny discards
and damaged bindings
would now house coffins.

The Irish were not particular.
They needed Granny buried
cheaply and lickedy-split.
The priests, for a commission,
would send the grieving
relatives to his door.

He could not make them read,
but, damn, he would
bind them up handsomely
in shiny black caskets!

 

I Dreamt I Was Dante (Revised)

Henry Holiday - Dante and Beatrice (Google Art Project)

by Brett Rutherford 

I dream in mezzanotte silver-gray,
donning the robes of aging Alighieri,
sandalled and aching with brittle legs,
heeding the call of Thanatos —
waking or sleeping? —
I do not know! I feel the dew
upon my ankles, but these feet are numb,
my ankles bony knobs, my toes
the neglected bird-claws of an exile.

The years have browned and scourged
my limbs. An umber moon,
senile amid the drooling clouds,
tilts earthward and winks at me,
changeless and blistering.
the knowing eye of eternity, 

Amid a cypress grove, whose rippled leaves
cat-fur the rigid columns of the sky,
the tree-trunks are deeply furrowed
with weeping moss, and blue drear tears,
unbearable in daylight, collect. How cool
they are, how wise, reflecting in leaf-cups
each one the tiny faces of moon and Venus
(so must we mortals, in mirror'd shields
look on the Gorgon face of Love!) 

Among the trees, close-packed, a maze
made from slab-walls of quarry stone —
square blocks of some god’s
abandoned temple? — an idle Pharaoh’s
never-completed pyramid? —
now an unpeopled catacomb roofed by a vault
of stars! The maze invites my errant feet
to tread its ever-regressive avenues.

You need not tell me what is there.
No carving, no placard
    with a pointing arrow
has been prepared for me,
yet I already know the place
my demon-guided steps will take me. 

At the far heart of this stone-cypress maze,
in a niche cut out of purest marble,
on a pediment of onyx, Beatrice waits.
She is already dead, and I may die
before I ever find her resting place.
There may be stairs beneath it,
     too many to count.

That is the journey, and there is no Virgil,
and although I have read him, his silver lines
fade now to dust motes in my memory.

Beatrice! No matter how long, how fast
I walk, I am no nearer you
than that first sight, when you,
thirteen, scorned to return my gaze.

 --November 16, 2018
Revised and expanded June 22, 2026

Where the Ashes Went

by Brett Rutherford

Drunken half-brother blurts out
his memories of the dead.
Having no funds
for plot or stone,
they dug with bare hands
a hole for grandma,
right next to grandpa’s grave.
No one was looking
as the spade went in,
disturbing the thick turf grass,
soft clover, tough dandelions,
How deep? Who knows?
They dug until it seemed enough,
then in went the ashes,
and the little bone fragments
from the paper bag’s bottom.
No marker, no paperwork,
no money spent
on the damn undertaker —
serves them right.
At least they would always know
where grandma rested.

As for our mother,
she always said, laughing,
“Just throw my ashes
mid-bridge, right into
the mighty Youghiogheny.”
Vaguely she knew how the Monongehela,
then the Ohio, then the Mississippi
currents might carry her
(unless she silted down).
“At last I’ll get to see the world,”
she said. That’s what they did:
the ashes, in the humid air,
fell in a straight line
to the dark and rapid waters.
The inedible fish
flapped with their fins
to spread the ashes.

So now when someone asks.
“So, where is your mother buried?”
I am able to say, with some assurance,
“A coral reef somewhere
inside the Bermuda Triangle.”

At Homer's Grave on Ios

 

by Brett Rutherford

     Adapted from Antipater, The Greek Anthology, vii, 2

What, no marble tomb? No arching eagle,
no piled up swords and spears, no line
of weeping maidens or expiring youths?
No harbor, no city, no temples high
on clifftop to catch the gold of sunrise?
See, stranger, this craggy rock of Ios,
covers the scant bones of Maconides’ son,
he of the mighty voice, one envied by
the Muses themselves. A dozen islands
claim him, but only here he breathed his last.

His sightless eyes perceived the nod of Zeus;
the doings of kings and men, love’s madness,
and of Olympus, too, where gods contended
and human blood stood in for ichor blue.
His ears heard all, from dove-flight to war-cry
as Ajax held back the Trojan advance
and made men shake and vomit with terror.
His stylus did not hesitate to tell
how the flesh of Hector was stripped away
as Achilles dragged him thrice around Troy,
a freight of gore behind Thessalian steeds.

Visitor, this grave is no counterfeit.
This sorry height, desolate, is honest.
This is a small stone, you charge. I answer:
one slab just high and wide enough to hold
these words, suffices. Men come from nowhere,
and nowhere but here is where his bones rest.

(Peleus, the hardy spouse of Thetis,
warrants no more than just such piled-up stones
on Ikos, an insignificant isle
if ever I saw one. Go there yourself,
and see if the old dead be not astir
when you recite the lines of Homer and
the sky leans cloud-ears to the sea to hear.)