Showing posts with label Zeus. Show all posts
Showing posts with label Zeus. Show all posts

Tuesday, August 1, 2023

Fire Is Not Easy

Coustou, statue of Vulcan/Hephaestus (Louvre Museum)

 

by Brett Rutherford

     After Callimachus, Aetia, 48

Why did mankind
in dark and cold endure
so many eons without fire?

Fire is no easy thing.
Rock does not yield it easily,
and zealous Zeus
strikes seldom where a blaze
survives the onslaught
of rain and hail that follow.

There was a time
before bronze, before
the metals coursed
like water in the smithy’s forge.

Once the Olympian father
had the thing in mind,
he had to make a personage
whose job it would be
to lord it over volcanoes,
and be the patron god
of weapons-makers.

Three hundred years it took
on top of Hera, laboring
at the sweaty act of love.
The cosmos shook as though
some vast machinery
of pistons and gears
warred with itself

in gasp and groan,
laughter and love-cry
until we got, full-grown,
and unapologetic for the pain
he caused his mother,
that sour grump god
they call Hephaestus.

 

 

Thursday, January 12, 2023

To Antiochus

by Brett Rutherford

     Adapted from Meleager, The Greek Anthology, xii, 133

Few understand Zeus
who for a millennium
keeps Ganymede
     a happy captive,
his youth preserved.

Is it the way two hands
tip water to cup
from a silver amphora,
or the sweet savor
of never-aging lips?

Now I have kissed
Antiochus, fairest
of all the young men
     hereabouts,
and so, I understand.

Ah, after clear water
from an ice-cold spring,
the soul’s sweet honey.

Tuesday, January 3, 2023

Hubris

by Brett Rutherford

Adapted from Meleager, The Greek Anthology, xii, 101

Myiscus, one morning after,
dismisses my library
with a bored glance,
tugs at my sleeve
as I write a poem.

“Do you love me better
than those old epigrams
you collect and copy?”
he asks me, inserting
his question mid-stanza.

I put the stylus down.
“I lived for poetry
     until you struck me down.
Now I am not so sure.”

He laughs. In him,
some demon triumphs,
as if to boast,
     “See what I’ve done.
The proud scholar
     is now debased. My foot
is on his neck.
I’ve furrowed his wise brow
with lines of worry and jealousy.”

“Don’t be so smug,”
I caution him.
Nobody makes anybody
do anything
    unless some force compels.
Eros makes even Zeus
     do things his wife
would never countenance.”

Smugly, the boy leaves me
to go off to discus practice,
while I return to poetry.
This line,
     was it mine?
or did Callimachus,
as drunk with this love
as I am, say it already?

 

Monday, December 26, 2022

Property of Zeus



by Brett Rutherford

     After Meleager, The Greek Anthology, xii, 68

A fool said: “Spare the pretty ones,
for they are property of Zeus.”
Does he, the son of Kronos, require
more than his thousand-year
     Ganymede, than whom
no mortal youth can be
     more handsome?

I want Charidemus.
I told him so. Some fool
advised him to seek only Zeus
as his lover, the prize so high —
good food, and life eternal.
But the price, boy:
     a boyfriend as old
     as the mountains of Atlas.

How vain the lad becomes.
He goes about now,
     chlamys flapping,
exposing his attributes
    to the blue sky above.
He wears an eagle pendant,
   the little flirt.

Elsewhere I’d better turn
my attentions, the busybody
advises me. With all
my other troubles piled up,
     do I need cloudbursts
     and thunderbolts, too?

At risk, I follow him about.
Courting his little ascension
he might go off some cliff
or get his eyes pecked out
by lesser avians. Dare I,
if an eagle lifted him
     on giant pinions,
grab hold, pull back,
aghast and weeping,
hot tears on my empty hand
my only reward? I fear
I am not so brave as that.

Zeus, take him then! Let’s
get the waiting over with.
Glut your eyes on beauty.
And having taken one, oh,
Charidemus has brothers,
cousins, all of one mold.

Or, if the sophist is right,
you’d might as well scoop up
the whole town square’s
ephebes, young loiterers
of a Saturday afternoon
with nothing better to do
than bask bright-eyed
in the blue-white day?
Take all, greedy god,
till none are left
but the lame and homely.

Consider, King of Heaven,
how I am denied ambrosia,
     and a poet, no less.
Harvest the earth
    of all its beauties,
and no more poems will come!

You want hymns,
     encomiums, prayers
        and rituals?  Fine.
In return, let each of us
cherish and keep his own
    Charidemus!

 

Saturday, December 17, 2022

Spare This Ox!


 

by Brett Rutherford

     Adapted from Meleager, The Greek Anthology, ix, 453

Priests of the temple, forbear
on behalf of a suppliant.
If he had tongue to speak,
     this animal,
brought at great cost by one
who cannot afford to lose him,
might bow its head and utter:

Zeus on your Olympian throne,
this lowly ox, unspotted but old,
lows as the priest approaches,
knife upraised, and cries out
     “Spare me!”

For who serves all with better heart
than one who pulls the plow?
     Son of Cronus,
remember when you bore Europa
over the broad sea on your back —
and in what form? — the untiring bull.
Remember, and spare your fellow creature!

 

 

On Wine and Water


 

by Brett Rutherford

     Adapted from Meleager, The Greek Anthology, ix, 931

“Show me!” said Semele,
and, weeping, Zeus obliged.
One sight of his true face
and she was burnt to ash.
Out of the lightning sprang
the infant Bacchus.

Nymphs rushed to cool
his flaming limbs,
diverting a stream,
and from the steam
and boiling cloud he rose.

Zeus never noticed
his accidental offspring,
skulking away to Hera
and his smug marriage.
Bacchus reached out
and twined the vine
of the grape about him.

Only a fool drinks wine
from the cask, unwatered.
He is too soon drunk,
     useless for love;
his limbs give way, and
into the gutter he tumbles.

All know that wine,
full-strength, is fire,
driving men mad.
So draw from a spring
the Nymphs’ portion:
slake fire with ice.

Thus mingled, the red,
the gold, the purple
vintages flow,
fierce spirits quelled,
a blessing to all.

 

Friday, November 11, 2022

Father and Son

The Titans were a nasty lot. Saturn (Kronos in Greek) always devoured his own offspring to prevent a new generation of gods. A rock was substituted for Zeus, so that the boy could be reared in secret in an oak tree. Later he would attack his father, cutting him open and releasing his brothers and sisters from the Titan's belly.

All of which provoked me to write this little epigram this morning:

FATHER AND SON
Saturn, thou sluggard,
swallowing stone,
mistaking a rock
for a swaddled babe,
you will pay!

Zeus slipped away,
oak-coddled
by his mother Rhea,
taking with acorn-milk
the seed of rebellion.

One day your bloated
belly will be cut,
the never-digested
rocks and Titans
spewn out to make
a whole new Mythos,

somewhat less cruel
and capricious
than the elder
monstrosities.

Monday, October 24, 2022

The Customer

by Brett Rutherford

    after Palladus, Greek Anthology V, 257.

Last night I saw Zeus --
I ought to know from how
my eyes hurt, flashed
as they were with a glint
of his visage. Oh yes,

I averted my view,
but no other one
than the boss of Olympus
left Lydia's bedroom
just as her candle dimmed

and a rooster, premature,
announced that rosy-
fingered morning to come.
Now Lydia's no Leda,
Danae or Europa.

No swan flew off,
no bull destroyed
her household gods
as he made a new door
to the back garden,
and no umbrella
was needed as Zeus
slipped out solidly.

Virgin princesses get
raging bulls and birds
puffed out with feathers,
or the warm inflow
of golden waters --

Lydia, the commonest
of common women,
for whom courtesan
is too polite a term,

she gets a rag-robed
shaggy old man,
counting out coppers
as he negotiates
how long, and at what
angle they engaged.

Only his eyes, cerulean
gave him away
as he slunk off after.
Hera would never suspect.

Gods here in Greece
are too close for comfort.


Thursday, August 25, 2022

Gaze Not Upon Her


by Brett Rutherford

after Callimachus, Hymn V, 56-130


Whom the gods bless
     they also blast,
heedless of hurt
     and frail mortality.

What maid would not want
to be Athena’s girl-friend,
to idle afternoons
in sheltered forests, and dine
on fine fruit and ambrosia?

Even so, one nymph of Thebes
was beloved by Pallas.
Hither and yon, to Thespiae,
Corneia and Boetia,
she rode the goddess’s chariot.
In every place the maidens dallied,
inhaling the altar offerings
or watching the ritual dances,
favored Chariclo always led them.
Although a mother she was,
neither her son nor husband dared
be jealous of an immortals’ favor.

One day Athena led her,
overlooking Thebes,
to the sweet-water fountain
of Pegasus on Mount Helicon, 
where they undid their robes
and, never blushing, bathed.

In the stillness of noon,
     not even a bird sang —
O silence ominous
     in which the splash of water
and its spray alone prevailed.

If only some young huntsman,
oblivious of the place made holy,
had not come charging through
to the very brim of fountain,
high on his horse, and looking down
on the faces, breasts, and bellies —
all taken in, in one astonished
glance, by a  nearly beardless
boy, quiver and bow and fletched
arrows behind him lie an aureole
of tiny, angry spear-heads.
The hounds came up behind;
the horse reared, the young man
choked back his cry of astonishment.

Athena’s wrath flashed out as quick
as the glance of a Gorgon.
Just as a boiled egg goes white, 
so blanched the orbs of the intruder.
He fell to the ground, and only foam
came from his still-opened mouth.
Such is the punishment
for any mortal who looks upon
a god when he is uninvited.

Chariclo, wrapped fast in her discarded
robes, now rushed to hold the fallen youth.
Athena raged: “What thirst or madness
made you come up to this flowing madness,
servant of Thebes? Did some dire spirit
compel you and your dogs to ride this way?

Still he lay speechless. “What have you done,
Athena — goddess of power supreme! — you
must undo this very moment. Not servant
of my husband lies before you — ah, no! —
but his own son, my errant son, whom you,
the goddess, have blinded! ”

                                               “Foolhardy he
came, and he has seen the breast and body
of Athena, the closest thing to Zeus
that has ever ranged the earth and heavens.
That even one doe or one gazelle should fall
to an arrow while we bathe here in peace —”

Here the companion wailed aloud in grief.
“Sad hill, sad Helicon, sad Thebes! Goddess
of inhuman pride and malice! I’d give
a hecatomb of deer if I could this avert!
With this, you have destroyed my life. No more
shall I to this fountain come, but share
in the night eternal to which you curse my son.
No more have I to do with goddesses.”
With keening voice the nightingale might
study for a lesson in mourning, she fled,
leading the stiff and stumbling victim away.

Athena, startled, drew up her raiment,
and, putting on her Pallas-wise helmet,
the opposite of her war-like demeanor,
strode after them and spoke again.

“Take back, o noble lady, these angry words.
I did not will his blindness. Think you I love
to take the sight from some mother’s son?
This law goes back to Kronos and is inbuilt
into the interplay of Titan, god and man.
Those who look upon a god unbidden,
see not; as one who overhears the counsel
of gods is stricken deaf and mute. As fixed
into the scheme of things as threads of Fate
is this cruel law. My anger triggered it,
and I cannot call it back.”

                                          “Then I,”
Chariclo said, “must never look again
on she I loved beyond all others.” 
Her eyes she then averted, nevermore
to look on those grey orbs she cherished.
“I can do this, Chariclo, so that you may
not curse me and my memory entirely:
Know that your son shall honored be,
so that his name shall echo in history.
I will make him a seer whom poets name,
and when he speaks from deep inside
the well of wisdom and foresight I grant,
priests will kneel and kings tremble.
He shall know the birds and their omens,
from their mere shadow falling on
his otherwise unseeing eyes. An oracle
shall he be, and live to many years beyond
a normal human span. Boetia shall know him,
and Cadmus, and the Kings of Thebes.
His feet shall not stumble, for a seeing staff,
taller than his own head, shall he bear,
and it shall guide him on land and sea,
and when he joins the shades, he shall not
be there among the ones made sightless
or speechless by their own evil doings.
He shall dine at the table of great Hades.”

The goddess spoke, and bowed her head, by which
great sign her Father Zeus was likewise bound,
for this was the power he gave her, since
no mother gave her birth, but from the brow
of the mighty Olympian she was delivered.
Fitting that Wisdom had no mother, nor did
she stumble childish on the way to power.

With thunder above, Zeus gave assent.
Thus ever were Wisdom and Power
in true accord. Hail goddess, and hail
to Chariclo and her god-empowered son.

Where shall fame take him, and who
shall tremble when his low voice speaks
the truth that those with eyes deny?
Who shall know and hear Tiresias?


His Final Play

by Brett Rutherford

Nothing was right. The promised theater
was nothing but a drafty church, whose pews
a squirming, grumpy audience assured.

 The sets, by a master painter, were lost
when rising waters tipped a truck over
and pillars, statues, trees and all
were turned from plaster to rubbish.

 The props, the lights, the engine
made to carry the gods’ chariots
aloft, sank into a hole that suddenly
swallowed a Brooklyn warehouse.

 Costumes, at least, the actors had —
or so they thought — until the news came
of the all-day standoff between police
and terrorists, at the designer’s loft,

 nothing coming, nothing going
from Greenwich Village as sirens wailed
and helicopters circled overhead.
“No, sets, no props, no lights,”

 the prim director wailed. “How now
shall we go forward? “Street clothes!”
one actor chimed. “Naked!” said one.
“In underwear!” another insisted.

Reluctantly they all agreed to share
whatever items best suited the characters
they played, regardless of fit, like children
dressed from an attic trunk of castaways.

The audience assembled. The playwright,
afflicted with a sudden itch from knee
to ankle, kept scratching thereabouts
as he addressed the audience. Just then

the words were whispered in his ears
that two lead actors had amnesia
out of nowhere and not a word
could they speak without a script.

“A staged reading,” the playwright explained.
“You have all been invited to an intimate,
once-in-a-lifetime, behind-the-scenes
staged reading. Not to be repeated!”

They stirred, they grumbled, but they all
agreed, critics and all, to suffer out
the play’s performance. The actors
sat unmoving, except for soliloquies,

where they did dance about, and fall,
and rise again, as though possessed,
and they pulled it off – a triumph! 

Still did the playwright fuss and fidget.
The itching was unbearable, till
in the shadow of the back-of-stage
he lifted his trousers and peeked —

at stiff green stems and shiny leaves,
at sprouting yellow and purple flowers
growing this way and that from out
his living flesh. As tough as wood,

they would not break, nor would
the petals of the flower loosen.
He nearly fainted. The audience pressed
on every side, hands grasping his.

“The greatest drama ever!” a critic crowed.
“Shakespeare, Euripides, and thee!” one cried.
The beaming lead actors, their memories
now restored, fell to his arms and wept.

“Tomorrow,” a wealthy patron told him,
“we will order new sets, costumes, and all.
A theater on Broadway will be cleared for you.
This is the triumph of the era!”

The actress, Claudia, dear friend, he took aside,
and showed her the botanic horror, whose host
upon his calves and thighs had doubled.
“I need to see a doctor at once” What can this be?”

“You took a lover recently?” she asked.
He nodded. “He was special, wasn’t he?”
He nodded. “Oh, not some new disease, oh, no!”
Then Claudia took his hand and continued:

“No, not a disease, not really. Tell me of him.
Was he a lover extraordinaire?” He nodded.
“A lover surpassing all human lovers?”
Again he nodded. “Did he inspire this play?”

“Again and again yes. It was as though
his voice dictated everything. I felt as though
I had been written through, as though
I were seven feet tall and made of steel.”

“Well, then, my dear, you have been blessed
and blasted both. You have been Zeus’s lover,
and you have birthed a play with him.
All fine and good, but now Queen Hera knows.”

“He said he had a wife. I said it didn’t matter.
We were perfect together. Perfect! now this?
What have I done to merit some parasite
like mistletoe all over my beautiful legs?” —

“This is his way of saving you. You must have
read old Ovid’s stories. You’ll be dead
in twenty-four hours, transformed into
a beautiful shrub I shall plant to honor you.”

At this the playwright fainted, and the rest
remains at the Botanical Gardens to see.

 

Tuesday, August 23, 2022

Times Four

 by Brett Rutherford 

     after Callimachus, Epigram 53

Rival: if young Theocritus,
who is mine if only
for his many poems,
hates me, as you say he does,

four times as much
shall you hate him
and shun his company.
You hate all poets anyway.

But if Theocritus loves me,
as he protested earlier,
let that be multiplied by four,
to the heat of a burning star.

As Zeus had Ganymede,
fair-haired and ever-loving,
Theocritus, whose face
is fringed with a young man’s
first beard, shall be mine.

The gods will it.
I say no more.

 

Wednesday, August 17, 2022

The Birth of Zeus

 by Brett Rutherford

     From Callimachus Hymn 1, 1-16

If this is to be a hymn sung to Zeus,
then keep to the subject: the god himself,
the king eternal, mighty forever,
he in whose name we crushed the Pelagones,
who to the quarreling Olympians
stands as their judge and arbiters?

 But just which Zeus do we raise glasses to?
He of Mt. Dikte on the island of Crete?
Or he of our own loved Arcady
where sturdy Mt. Lycaeum claims his birth?
What am I to do (not libations two!)
since the one and only Zeus attends us?
My spirit is torn. Some hold for Ida,
others swear it must be Arcadia.

 Well, Cretans are always liars. If one
says “this,” he ever means “that.” Yes, a tomb
by those prevaricators was built up,
and offerings collected, you can be sure,
but what a cheat this is. Zeus did not die,
nor was he ever mortal, seeding myth.

 The Oak-Tree Goddess, brown Rhea, bore him,
upon a hillside in a brushy shelter,
a place so dense that neither wolf nor boar
entered to disturb his infant slumber,
nor would the Arcadian women hear
his cries as they descended for water
to the banks of Eileithyia. Sacred
the place is still, Titan Rhea’s child-bed.

 Alone in dark of moon, Rhea strode down
to cleanse herself of ichor’d afterbirth,
and to bathe the newborn child of thunder.

 

Monday, July 11, 2011

Ganymede

The following poem is the first of three poems that comprise a "prequel" to Homer's Iliad. Don't be daunted: this is a love poem about a young man abducted by an eagle, who turns out to the the Olympian god Zeus. Ovid devotes only a few stanzas to this story, one of the most-painted and most-sculpted episodes in all Greek Myth. It is related to Troy, since the boy's father is the precursor of the Kings of Troy. I weave it all together in a Shelleyan manner. This was published in 1991, and when it appeared in a British magazine, the journal was seized by the authorities. For the upcoming 20th Anniversary edition of my book, Poems from Providence, I have revised the Ganymede poems. Here is Part One, which stands alone as a rhapsodic poem about the Alternate Lifestyles of the Gods. By the way, the Greeks approved of this kind of behavior and emulated it: although Zeus's girlfriends were usually hunted down by jealous Hera and either killed or turned into animals or inanimate objects, Ganymede is still up there, the favored cup-bearer, known to us as "Aquarius."


1
Night after night the pack of wolves came down
to stalk and ravage the peaceful flocks. Rams
fled and bellowed, ewes wailed while white lambs fell
and blood, black in the moonlight, stained the rocks.
Teeth gnashed at tender necks, bellies gave way
to serpent-sprawling innards, torn apart.
Dark silhouettes dragged limbs, ribs and gore
off to their own awaiting young ones. “Likos!”
the wolf-cry, made the blood run cold,
Likos” made mothers reach for children,
elders to run for gorse-piles to increase
the fire that kept the hungry ones at bay.

At dawn, in cover of iron-gray clouds,
the men set out to find the lupine lairs,
hoping to slay the mothers and cubs,
then track and destroy the rest of the pack.
Never had so many wolves run wild;
never had so many flocks ’round Ilion
suffered such losses repeatedly,
as though a new kind of night-beast,
wily as man himself, strode on long legs,
feeding with jaws that never seemed
to fill a belly, as though they killed for sport,
Likos, then, or likanthropos
the wolves that once were human?

The chief's son, young Ganymede,
too young to hunt, too gentle and kind
for the ways of killing,
remained at the shelter-cave with the women.
Tros took his nephews,
leaving his own son to guard the clan mothers,
the virgin sisters, the incoherent babes.
One torch at cave-mouth would be enough,
for no beast dared a burning brand.

All day, no enemies appeared.
Had not his mother thirsted for spring-fresh
water, had she not sent him with empty pouch
to the hillside source
(oh, as she later rued it!)
nothing might have happened.

But one low-hanging cloud which spread
from Ilion’s walls to these high shepherd crags
was no mere storm — it was a god,
the dozing presence of Zeus himself,
who sometimes sleepwalks, unmoored from Olympus,
drifting from Hellas to the ends of Ocean,
or grazing the firetips of spouting Oeta,
or waking at the bruise of Caucasus,
scattering beneficent rain and the random strokes
of hubris-guided fire to some impious target.
Had not the thunder god awakened then
and seen the slender boy, filling the pouch
from the patient trickle of rock-pure water
(oh, how they wept and rued it!)
nothing might have happened.

2
The boy felt the tense of lightning poise.
His reddish hair stood on the nape of his neck,
his ivory skin, his eye-whites luminous.
He froze when the cloud unveiled itself —

A terrible eye regarded him
     from the black moil of suspended rain —
a place of cerulean blue, windless and calm,
the all-perceiving eye of the son of Cronus.

In one rock-rending thunderclap
     the heavens shattered.
The bowl of sky-clouds spiraled in,
the self-annihilating storm
consumed itself —

3
                    For that immaterial
blink-out the heir of Titans nearly ceased:
the strength to make a storm
was but the night sweat of his stupor,
the strength to stop one
a nearly impossible act of will
for even the hoary father of Olympus.
He caught his breath, feared
that the quake might tremble the arms
suspending the Earth from Chaos —

And then he hovered there, vast hawk
over hapless sparrow, assuming eagle spread
and talon grasp to assure the taking.
He pitied the tiny boy, frozen in his shadow.

No one had ever done this to Zeus —
no love at first sight for Io and Semele
(the prayers of suitors to Eros had scented
them out and lured a curious deity,
misunderstood by goddesses, to sample
the charms of mortal womanhood.)

But this was only a shepherd boy,
sprung from the loins of the chieftain Tros,
unsung in any lover’s plea, a boy
whose beauty would bloom
for an instant as dew on hyacinth
or frost upon a frozen bowl —
a face, an eye, a cheek, a brow
so great as to transfix the storm
and make the mid-day Phaeton
     stumble in his headlong course.

Beauty too soft for marble, subtle for wood,
too unrepeatable to risk to memory,
too human to transform to star or shrubbery:
Ganymede, a happy accident of nature,
spared by the Fates until this imperious peak
of his brief, unnoticed existence.

4
It was worth the wrath of Hera
and the mockery of the wine-drunk gods.
“Zeus with a boy? A stripling boy!
Poor child, he’ll waste away on arid Olympus,
turn to a withered ancient while Zeus
forgets him in one of his longer slumbers.”

To their astonishment, the Titan forfeits sleep,
sends to the boy each dawn a cup
of nectar and a slice of Pomona’s apples.

5
He summons the troupe of ageless gods,
puts on his grey-beard visage and says:
“None but Ganymede shall bear this cup,
none but Ganymede shall serve me wine,
     and his the hands that pour clear water.
None but Ganymede shall turn the clouds
on which I rest and forge my thunder.
One tithe of my lot of immortal life I give
so that this boy will never age. His voice
will stay at the threshold of manhood,
his locks unshorn, his beard withheld.
He shall not shed even the salt of a tear,
immutable in my affections, semidivine,
safe from the envy of goddesses.
Let him attend me always.”

As seal of his oath, great Zeus displays
the form of Ganymede among the elder worlds,
joining the sun-path zodiac, the faithful boy,
star-striding Aquarius.


6
Ganymede feared the eagle.
He was relieved when great Zeus came to him
as the gray-beard god, almost a grandfather.
He came again in shepherd’s robes,
younger by decades than before, hugged him
with great arms like a loving father.
Zeus laughed, then leaped into a waiting cloud,
his ever-ready tapestries and anterooms.
That night, he returned to the boy
     as a handsome youth,
fringed with first beard, tightened
     with muscle on arm and calf.
The boy did not resist, but let his hand
touch the hard lines of the lover’s chest,
slipped to his knees in terror and awe,
not breathing when the athlete’s body
     covered him,
thrilled with the priapic thrust against
     his loins,
not caring that a seedburst could cinder him,
not fearing the rending of flesh by godhood.

And there was no pain — the ardent god
gave him, and took, a thousand pleasure strokes,
and every one was joy to both of them.
No one has ever been raped by a god.

7
Zeus steals again to look at the sleeping boy.
At last there is a question he cannot answer,
a riddle whose solving no manner of trickery
or Titan bluster can achieve. He asks himself:
Suppose I withhold a month of apples
from Ganymede? Suppose I let him age
just that much more? It maddens me
to hold a perfect Ganymede if Ganymede
plus Time were yet more perfect still.

The god turns sleepless on his mountain peak,
frozen between beauty and a mystery.

8
Ganymede thinks only of Zeus.
No one could imagine a greater joy.
And yet his delicate fingers shake
as he takes the green-peeled apple.
He puts it down on the golden tray,
looks at his blushing cheeks
     reflected there,
his hair still tousled by passion,
his lesser size, his frailer limbs.
He wonders: if I refuse the gift,
and let but one day’s aging pass.
If I were older, fuller, stronger —
would Zeus love me better?

The boy turns sleepless in his sheltered bed,
frozen between love and uncertainty.

9
Hera paces outside the banquet hall.
Each night the men gods revel there:
Hephaestus, Apollo, blood-stained Ares,
Hades with his burning gaze, tide-worn
     Poseidon.
Each night they sing more merrily,
trade dangerous boasts about the Titan wars
as if Tartarus held no sleepers,
wax even stronger in their tales of love
for maids, and goddesses — and mortal boys.
Each night they leave, brawling with shields
and swords and tridents and staffs,
down to the waiting chariot hall,
until the room holds none but Zeus and Ganymede,
Ganymede and Zeus. For months, the goddesses
have been ignored and shunned.
Now Hera, the lawful mistress of marriages,
of love and hearth-fire parentage,
is banished to the kitchen of the gods,
the weaving room, the tending
of her temples. How long, she asks,
how long will this Olympian dalliance
preoccupy the lord of the gods?

10
I like to think of the gods still banqueting,
how they all came to love young Ganymede,
how Zeus neglected his Olympian rites
and ceased to trouble with the squabbling of gods.

I like to think of this summer storm
as the rolling of cloud from their lovers’ bed,
as the never-tiring spark of their passion
rejuvenates this earth of forgotten temples.

I like to think of a joy that never dies,
of a beauty that never fades,
of a god’s love transforming a boy,
of all manner of love enthroned
     and noble at last,
of love oaths written with stars.

11
I stand in the sorrowing wastes of Ilion.
By an eternal spring, I raise my cup,
in the shade of a lonely apple tree.
An eagle takes wing from a distant crag.
My heart cries: Ganymede!