Showing posts with label Rome. Show all posts
Showing posts with label Rome. Show all posts

Sunday, September 27, 2020

The Ruins of Rome




by Brett Rutherford

adapted from Par tibi, Roma, nihil

     by Hildebert of Lavardin, c. 1103 CE.

 

To you, Rome, to you, now nearly all in ruins,
nothing can be equal. Nothing! Shattered, you still
show us the greatness of your vast entirety.
Long ages have destroyed your pride, and Tiber's flood
both Caesars' tombs and gods' temples have swallowed up.
Only the bull-frog trumpets atop triumphal arches.

All that labor, all for naught, even in Rome far-flung:
from road to aqueduct to standing Janus-stone,
to the distant river Aras whose trembled rage
shrugged off a great Augustan span, and now regrets
the loss of that which brought the caravans of salt
and spice, and for the flow's god, fragrant offerings.

Rome! which swords of kings and the considerate care
of the Senate, beneath the kind gaze of the gods,
established itself to be the world's capital:
how was it that one man, Caesar, came to rule it all?
He rose by bribe, by pledge, by dint of lineage,
by Caesar's daughter's marriage bed, by Pompey's head,
by loyal, well-paid army poised before the gate.

Yet somehow, guarded by indulgent gods, men built
this place with pious hands, ever aware of how
the Tiber's down-flow from stream and mountain pushed back
with even-tempered spirit the unwelcome tides.
And thus from near and far they brought the broad timbers,
marble, mortar, gypsum, clay, gold and porphyry.
The rocks of its own earth became the city's walls.
Rich Romans poured their treasures into its building,
craftsmen their genius in a life of proud making;
wealth of all lands in trade flowed into its coffers.

Fallen city! who can but stand here stupefied,
robbed of any fine words except to mumble, "Rome was!"
No wearing-away by wind or time, invaders'
fires or slashing swords, can fully obliterate
this city's ageless glory. For ruin itself
is more sublime than all its parts — greater than what
remains, greater than what was lost. Even if all
were restored, its weight of sorrow would sink the heart.
The broken statues, mended, would be the wiser
for their pain; the violated tombs would cry
no less for retribution with re-molded roofs.

But — idle thought! — Rome is so vast a ruin now,
no one could put it back the way it was, nor could
some mighty power come to level it utterly.
Oh, they may come with new wealth and the gods' favor;
they may with new hands carve human figures as once
the Roman artists and their Greek masters made them,
but who would expend, with crane and scaffold, the work
of rebuilding the shattered, tumbled Roman walls,
or even to restore one god's neglected shrine?

Statues and portrait busts, triumphal reliefs, all
the sarcophagi and funereal stones: what
visages! Even the gods are amazed to see
their own images (such as remain unburied),
wanting to be as fair again as these false masks,
for Nature never made the gods with faces such
as these, faces which human hands alone devised,
faces still numinous with human admiration,
boy-god and goddess, and all-Father Jupiter
frozen in one perfect moment, and for all time.

O happy ruin! And who is your master now?
You were always better kingless, or when enthroned
by rulers who could turn in shame from broken faith.

9/27/2020

 

 

 

  

Friday, November 8, 2019

Domitian's Black Room

by Brett Rutherford


Do you know who I am?
Do you know what this place is?
Bribe-takers, slave rapers, virgin-
abductors, temple defilers, daughter
seducers, wine adulterers, slum-
owning generators of a thousand
vices, some yet to be named!
I am Domitian, your Emperor!
Kneel and abase yourselves.
Your God! (I see that all
but three are on their knees.

Look how they grovel!) A hug,
Martius, and Gemellus, and Titus.
You smile and stand, you get
the joke. What is this place?

In the rest come now,
two by two through the black
corridor to greet me,
now that my “temple oracle”
voice has died away.

Marus, I see you have soiled your toga!
Go off to the side there and get another.
What, Senator, no mirthful greeting?
(Just watch as all the old men’s
remaining teeth light up
as they invent forced grins, watch next
as their hands lift up the folds of robes
to ease the coming bows and curtseys.)

Down to your knees, I see,
as if to beg pardon, no doubt for all
that I have agreed to know, yet overlook.
Up! Up! Was the way well-lit?
Did torches fail to reflect
the black hues of jet and onyx?
Did you perspire to near fainting
as you passed the grates
through which you viewed
my room of sharpened axes?

Ha! I heard some count aloud
how many steps they descended
as you came down to reach me.

Your protests were noted
when your own guards
were replaced by my Praetorians.
Spotting a soldier he knew,
our friend Vitruvius offered
his tender bottom if only they’d let
him go back to his villa
afterwards. He’ll join us soon,
once ten Praetorians
have had their way with him.

Whatever bribes you gave
from your purses, those rings
and armlets, I’ll pile them up
and find some better use
than the adornment of reprobates.

Not in your life have any of you
been this far below the ground.
There are things down here
that even the Etruscans dread.
Did you hear the hard rush
of the Tiber waters,
the groan of the Cloaca Maxima
as you passed below the rat-filled deep?

I heard one say the word “Avernus.”
Every word echoes down to me  
everything! I heard one mumbled
Nazarene prayer, but not who uttered it.
Dream on of Hell and Hades:
I am down here awaiting you.
You are the first to come
to the Black Room of Domitian.
I will summon others after you!
There are lists! There are lists!

Stop that wailing and murmuring now!
Ring that gong over there!
Again! They hear us! They stir!
The iron doors groan open
(a nice effect, I must say,
and look at some of them, fainting!)
Eheu, what is this place? Look up,
you sniveling millionaires
and Senators. It is dinner!
Ha! Ha!    Ha! Ha! Ha! Ha! Ha!


Wednesday, September 6, 2017

Nero and the Flamingo

He is the Emperor
of the known universe:
Rome, that is,
and of every place
worth having.

The gods are best pleased
by ever-more-exotic
sacrifices.
No lowly chickens here
in Rome whose temples
all but outstrip Olympus.
Give up the cattle to Jove,
and to that upstart Mithra;
meek lambs and smelly rams
fit only for Judean
hecatombs. No,
only the best for Nero,
the whole menagerie
if need be, to assure
his eventual,
glorious godhood.

Today he picks a stately
bird, a solitary feeder
that keeps to its own corner
in a flush of pink feathers.
Hook-nose wary,
it is a half-arm taller
than his Centurions.
He waits at the altar.
It is all legs and beak,
draws blood from the priests
as they hold it down.
Nero approaches
with the drawn blade,
intones the prayer,
slashes the place
where gangly neck
and pink body converge.

The head comes off.
The body leaps up
and out of the priest-hold,
spurts blood
all over Nero’s toga.
No one moves; no one utters
a syllable; all of Rome’s heart
skips a beat. Crowds part
as the headless horror,
runs out and down the temple steps,
across the plaza, a blood Aetna
bespattering the paving stones.
Crowds part for its passing
until it reaches the Tiber
and plunges in.

The Emperor stands,
the knife in hand,
his toga bloodied, ruined.
The priests avert their eyes.
Centurions watch
as less-than-god hands
wipe blood on white linen;
they look at one another
and with a not-quite smile,
the same thought occurs
to each of them.