Showing posts with label anti-war poems. Show all posts
Showing posts with label anti-war poems. Show all posts

Friday, November 15, 2024

Wanderer's Song

by Brett Rutherford

I am my own shepherd. I do not want.
The neighbor whose pasture I slept in last night
does not mind: the fence is not for people.
Nuts fall from the trees, and apples, too.
Between two warring towns I freely walk.
In my simple ways I cannot distinguish
a friend from a foe. Three towers ring out
in clashing chorales of discordant bells.
Crowds waving books bound in the skins of lambs,
shout curses at one another. They look at maps,
draw angry lines to define a border,
and melt down their ploughshares to make a gun,
that will lift a whole village and drop it
again, consuming all in smithereens of rage.

Among such lunatics, it is not wise
to linger. Now, back to the hills for me!
Yet Nature has its hazards if you look.
Still waters breed mosquitoes, and wolves watch
to see who tarries there too long, and, lame,
would never outrun them to the forest brake.

My modest hut beneath a hanging rock
is serenaded by a pebbled creek,
and the bats, my silent brethren, swoop down
to tell the secrets of the coming dawn.

There is a valley where no one goes,
except, they do say, the dead and the mad.
Free-thinkers go there. Sometimes, among them,
we think we are the only ones who truly live.
We shake our heads at the cannons’ thunder;
and over the ridge, the exultant bugle
preludes the mutual cries of sudden death.
Some take a life, some give a life, for what?

We hold only the weapon of reason,
yet they would rather die than take it up.
Tempting it is to stay here always.
With brotherhood and peace
     my cup runs over.

 

Thursday, February 22, 2024

The Pick-Up Man

by Brett Rutherford
 
The bum slid in to the midnight diner’s
most spacious booth. He needed the room
for his rope-tied suitcase, the fat tuba,
the trombone tied ‘round his waist,
the trumpet dangling from bright red belt.
 
“I shouldn’t serve you,” the waitress admonished.
(She needed a break to go
and chain-smoke in the alley).
“What with the epidemic and all,
and you with no mask at all, and dirty.
You look like Death warmed over.”
She sighed. “So whaddyaywant?”
 
The gaunt man asked for bacon and coffee,
and a couple of eggs, oh, any which way.
“You got the money to pay me, right?”
He waved a wad of ten-dollar bills; she thought
she saw a hundred in there among them.
“Okay, okay, just asking. We get all kinds in here.”
 
“I am an honest man,” he assured her.
“And I want to eat with metal utensils,
not that crummy plastic stuff.”
“Where did you find those instruments?”
She made small talk while she wrote his order,
imagining a band-camp bus wreck
he might have scavenged from.
“You’re off to pawn them, I suppose.”
 “Pawn them? Young lady, I play them.”
Up went his head and chin, his shoulders proud.
 
“The tuba, the trumpet, the trombone, too.
I am a pick-up man, famous on three continents.
I never miss a note. My specialty is Requiems.
Offstage only, on account of my appearance.
 
“I am the Flying Dutchman of brass players.
When the composer’s score say “Brass band,
offstage,” that’s me in the lead, back-stage,
or in some balcony or apse or belfry, even.
Sure, they scoot a couple of the orchestra
to join me, but I am the voice of voices.
 
“Nobody wants a walking skeleton like me
on stage with the dainty-lady harps and fiddles.
I get the call for the Verdi Requiem, the Berlioz
(I’ll even do the Messiah trumpet so long
as I stay in the back and away from the lights).
Best of the best, conductors know me.
My Tuba mirum when all hell breaks loose
in those requiems is legendary.
Uncredited I am, but that’s me piercing through
in the records of Toscanini, and Reiner,
the golden age of concerts and records.
 
“Yes, I am a pick-up man.
Offstage only, top dollar.
They know I’ll scare the be-Jesus
out of anyone the way I play.
 “Apocalypse coming,” they say, and shudder.
I take my money, mind my own business
until the next gig comes around.
When famous people die, they play
more Requiems than usual. Hell, I could have
retired on Kennedy alone.”
 
He eats in silence. The radio had died
the moment he had entered. They stand around,
adjusting the dial and the antenna. No matter:
it would start up again the moment he left.
It’s just a side effect that trails along
when the Last Trumpeter comes to dine.
Tomorrow he’d play with the Boston Symphony,
then off to New York, then a long bus to Seattle,
this way and that, city to city, year after year, until —
 
Until it would be just him alone. He’d play
the Tuba Mirum and no one would answer,
in a vast expanse of ruined cities, a world
empty and hammered flat by bombs.
He would play and play until his lips bled,
until with his last breath a requiem for one
and all, a requiem for one and all,
a requiem for one.
 

Saturday, March 12, 2022

Not the Lady You Thought She Was

 by Brett Rutherford

     adapted from Marina Tsvetaeva

Not the lady you thought she was
as she comes out of the narrow aisle
of the nearly-perfect cathedral,
to where the crowds scream for her
in the shadow of the onion-domes —

Freedom! Look at those diamonds
she took from princes and aristocrats.
All will be well, she tells them.
But the chorus was only practicing:
the Liturgy of Requiem is still to come.

Not the lady you thought she was,
she laughs, taps toes to the merry tune
of the Marseillaise, and sings along.
Then, crossing the barricades, the whore
leans her head upon the soldier’s medaled chest.

 

 

 

Thursday, February 24, 2022

What Can One Do?

by Brett Rutherford

What can one do against the tide of war?
For starters, one can write a thousand poems.
If soldiers stopped to write, each his epic,
there would be no need for bloody battles
as all the small deaths of The Iliad
are told again and anew in poems;
if sailors lay back in hammocks languidly
and counted out sonnet beats on fingers,
sleek submarines would stall, submerging not
nor even leaving their darkened harbors;
if the Seals and Marines were tasked with Greek,
to translate Anakreon’s erotics,
the boy-crazed sighing of Petronius,
or the athletic odes of high Pindar,
then verses they wrote would work themselves out
in indolent acts of one-another-
worship, the weapons all quite forgotten.

If everyone wrote each a thousand poems
there would be no time for conspiracies,
and the deer would go unkilled, the students
unmurdered in their high-school classrooms, all
manner of crimes would be but sublimate
inside poetic narratives of strife.
Each to her own Utopia, the dreamers
take to pen and keyboard — no one is slain
to prove a finer point of cold theory.

Blank verse? Free-verse? Epic? It matters not.
Saga or ballad or lordly sonnet?
Any will do. Get on with it. Send all
to your dull senators and congressmen;
dare them to answer you only in verse.

My manifesto made, my duty done.
Nine hundred and ninety-nine more to go!