Showing posts with label Native American. Show all posts
Showing posts with label Native American. Show all posts

Tuesday, July 18, 2023

The Count

At the Bering Land Bridge National Preserve

 

by Brett Rutherford

From a cloud as thick as cotton
the egg-shaped face emerged.
It was not smooth, not white
but brown and when it spoke,
the wrinkles of millennia spread out
around its watchful, sparkling eyes.

Not once before did such a one
appear to me. The way was open.
No spirit guide preceded me,
and other than the riddle of my life
no puzzle was put before me,
and no monsters blocked the way.

“Poet,” he said, “do you know me?”
“I think I do. We have not met
but the word ‘ancestor’ comes to mind,
and through my father’s mother’s
mother we are of one blood.”

The egg-head nodded. “That will do.
I had a name, but I myself
     have forgotten it. I am glad
you are not afraid of me,
for those who bow and scrape
and mistake me for a god
are of no use to me — fools!”

“I do not mistake entities,
old and distinguished, for gods,”
I assured him. There was no fear.
A stone seat came up behind me.
I sat. Something like elbows
leaned forward from out the fog.
Soon we were eye-to-eye.

A bony hand, its fingers knobbed
with uncounted age, emerged
and held forth a giant femur bone,
remnant of some mastodon.
From end to end it was carved
with notches, some lines, some lines
with hooked curved above them.

“This is the count,” he told me.
"Notches on bone, and then behind me,
marks on stone, tens to hundreds,
hundreds to thousands,
one record passed along
and across this continent.

"We came from world’s roof,
from the fertile valleys,
the bamboo forests.
Nothing was ever enough.
Always, we moved onward.
Always, the beasts were chasing us.

“We slept in dank caves,
skin-covered huts, houses
of bark and wood.
Some places offered plenty,
other dank contagion
we learned to avoid.

"Evil there was:
the bite, the sting
of snake and scorpion;
the sudden storm,
the whirlwind, the quake
that leveled houses.

“We guessed that here no king
dared raise a palace,
how mounds and pyramids
alone endured
when the floods came
and sinkholes swallowed.
It was an angry place
that did not want us
to walk upon it, it seemed.
 

“Wild beasts consumed us;
some we consumed in turn.
The dog, the goat, the lamb
we held to us; the wolf,
the bear, the lion we drove
from us with spear and fire.

“To whom did this land belong?
the sly thief
     with the mask around his eyes?
the chattering squirrel?
the migrant birds in the open sky?

“Thousands of lakes,
     and hundreds of rivers
          with their tributaries
waited to welcome us.
No one was there. We saw
no other people until,
some ages later, our own
lost cousins came round
to find us again.”

“Ancestor,” I answered.
“We have guessed as much
from bones and shards
and bits of pottery. The woe
is that you left no poetry.”

He sighed. He waved
the giant bone again.
“The count,” he said.
“This is all I have to tell you.”

“But I cannot read this.”
His hand took mine and made
it trace the notches, one by one.
“The count,” he repeated.
“The count of what?”
“How many times the winter has come,
and the summer after it,
and the winter again,
since our first foot fell
on this vast and unpeopled land.
Our count, our claim,
our history.”

“But I cannot read this!” Against
my will my fingers ran
from end to end of the long fossil,
turning and touching another row,
another, and another.”

“The count!” he shouted at me,
his eyes imploring now. Faster
my fingers traced the carven lines,
faster and faster still, until —

It is a summer dawn. Upright I sit
in my modern bed. The birds
are about their business, the first
morning bus is at the corner,
announcing its destination.

I speak aloud the count of years
since the first man came
from far-off Asia
to make this empty land his own:

Forty-two thousand
seven hundred
and ten times
have winters given way
to summers since
the days of the Ancestors.

 



Friday, April 23, 2021

The God Who Uses Cats As Slippers



by Brett Rutherford

The god who uses cats as slippers
has invaded my dreams.

Two yellow dogs vanish
behind a saguaro cactus
and after much humping
and whining emerge again
as two pale boys.

Four sway-back cats
with enormous tails
hide in a gully.
They do not want to become shoes.

The god who uses cats as slippers
goes to the top of the pyramid.
Tourists in fast cars
race where the blood once ran.
Beer-cans clog
the sun's birth-canal.

The terrible old man —
oh, he is mad!
is still trapped in a room
whose door I suddenly open.

The god who uses cats as slippers
pushes my hand away
and slams the door.

“Bad for us all if he ever gets loose,”
the god mumbles.
The locks are only secured
with strings and beads.

Two Aztec boys,
ghosts, certainly,
white-skinned as though
they had been dipped in flour,

now want to play
with our grandson.
What harm?
They know a good ball game.
The walled-in garden was once
an Aztec or Mayan ball-court.

My obsidian knife is missing.

There is swampy ground
at the end of the garden.
If the ball goes there
it is better not to chase it.

Someone invisible
has eaten the salad.

An unwanted guest goes out
and is never seen again.
The god who uses cats as slippers
tells me, “The hills are hungry.”

The room I sleep in
is large, with many windows,
sun-track by day,
moon-track by night,
tricksters the comets
and teasing meteors.

The man locked up
is a famous lawyer.
His vanishing brought
a centuries-long lawsuit
between two heirs
of the Conquistadors
to a sudden halt,
to the great relief
of the local Indians.

The god who uses cats as slippers
is fond of mole and tequila.
He squats at the top
of his ancient pyramid
awaiting the outcome
of the ball-game.
White legs-brown legs,
white arms-brown arms
a blur as afternoon sun
grows tired and sinks
into its far-off sea-bed.

What do the winners win?
What do the losers lose?

My obsidian knife is missing.


PRELIMINARY SPANISH VERSION:

Sueño azteca
 El dios que usa gatos 
como pantuflos
ha invadido en mis sueños.

 Dos perros amarillos se esconden
detrás de un cactus saguaro
y despues de mucho follar
y los lloriqueos 
emergen de nuevo
en forma de dos chicos pálidos.

 Cuatro gatos jorobados
con colas enormes
esconderse en un barranco.
No quieren convertirse en zapatos.

 El dios que usa a los gatos
como pantuflos
va a la cima de la pirámide.
Turistas en autos veloces
carrera donde una vez corrió la sangre.
Atasco de latas de cerveza
el canal de parto del sol.

 El terrible anciano —
¡Oh, está loco!
todavía está atrapado 
en una cámara
cuya puerta abro de repente.

 El dios que usa a los gatos 
como pantuflos
aleja mi mano
y cierra la puerta.

 “Será malo para todos 
si alguna vez se suelta,”
murmura el dios.
Las cerraduras
solo están aseguradas
con hilos y cuentas.

 Dos chicos aztecas,
fantasmas, ciertamente,
de piel blanca
como si los habían bañado 
en harina,
ahora quiero jugar
con nuestro nieto.


¿Qué daño?
Saben un buen juego de pelota.
El jardín amurallado fue una vez
una cancha de pelota azteca o maya.

 ¿Dónde está mi cuchillo de obsidiana? 
¡Ah, lo he perdido!

 Hay terreno pantanoso
al final del jardín.
Si la pelota va ahí
es mejor no perseguirlo.

 La ensalada ha desaparecido.
Alguien invisible se lo ha comido. 

Un invitado no deseado sale
y nunca se vuelve a ver.
El dios que usa a los gatos 
como pantuflos me dice: 
“Las colinas tienen hambre.”

 La habitación en la que duermo
es grande, con muchas ventanas,
pista de sol de día,
rastro de la luna por la noche,
embaucadores los cometas
y meteoros molestos.

 El hombre encerrado
es un abogado famoso.
Su desaparición provocó 
una demanda de siglos 
entre dos herederos 
de los conquistadores,
a una parada repentina,
para el gran alivio
de los indios locales.
 El dios que usa a los gatos
como pantuflos
le gusta el mole y el tequila.
Se pone en cuclillas en la cima
de su antigua pirámide
esperando el resultado
del juego de pelota.

 Patas blancas — patas marrones,
brazos blancos — brazos marrones
son un borrón 
mientras el sol de la tarde
se cansa y se hunde
en su lejano lecho marino.

 ¿Qué ganan los ganadores?
¿Qué pierden los perdedores?

 ¿Dónde está mi cuchillo de obsidiana?
¡Ah, lo he perdido!

 





Saturday, April 3, 2021

So I'm A Duck (Ne Súwæk)


 

by Brett Rutherford

     adapted from a Mingo Indian narrative

So, I’m a duck. Get used to it.
Suwaek they call me
when I fly over the houses.
But duck will do. I’m good with that.

You already know
that I talk a lot, quack,
quack,
that’s just the way I am.
I can only do things one way.

I talk when flying south;
I talk when coming back:
it’s all the same to you
except the way my bill
is pointing. One quack
is as good as another.

I talk when someone tries
to bring me down with his gun.
I talk to the dog and tell him:
not this time, buster!

Talking got my bill so dull.
No one would mistake
me for a hawk or an eagle.
I cannot rend my dinner,

But akya'tíyú, I am beautiful!

The handsome friend
you’re walking with,
enjoying so much chatter:
it might be me, you know,

talking away in wood-shade,
making you tired from so much
walking. I’ll even make tea
from boneset if your leg hurts,

just to keep our conversation
going, just to keep company
with a fellow talker. It’s almost ten
in the morning, and we have a ways

to go. Just over there,
beyond the fir trees, we might,
if we are lucky, spot some
of the Little People I spoke of.

But wait! A little pond!
Just let me rinse my toes first.
Ah! That’s better. Oh look:
there goes a snipe,
that brown spot, hardly moving!

So nice to see a relative,
though with that beak
as long as a porcupine quill
he’s not much of a talker.

Look over there! Not every day
you see a kingfisher fly down
and do his quack-quatic —
I mean aquatic —

dive-and-catch, then quack —
I mean back — to the treetop
(excuse my stutter). I don’t mean
to repeat myself so much!

I’m more than I’m quacked up
to be, you know. That ocean,
far off and many hills away:
one of us made that, you know.

We stretched it out on a frame,
like a fish, drying. No big deal.
And all those islands
and continents? We made them!

Now I know something
that you do not, since I have flown
all the way over and back,
across the whole ocean —

I’ll bet you didn’t know
that people live there, too!
All upside down and quack-
backwards, but there they are!

You can eat those berries:
the red ones, the blue ones.
Myself, I do not eat them.
You’d better not ask me why.

Let’s walk a little more. From here
on forward the way is smooth
along the lake shore. There!
That’s what I wanted you to see:
a heron! Look at him go,

catching that fish, as big
as my body, with his horned
war-club of a bill, so pleased
with himself he is!

Now aren’t you glad
we took this walk together?


(The original of this narrative, in the Mingo language, contains Mingo words that sound like "quack", so this version attempts to re-create that comic effect.)

Thursday, April 23, 2020

What the Sachem's Son Told Me

by Brett Rutherford


"Westward, the packed
wagons, the loaded guns,
the sleep-soft watchfulness,
the hoarded-in dreams
of the White Man, west,
west from sea to great river,
from plain to mountain,
then to the final sea
at world's end.

"They took it all:
the redwood groves,
pan-gold streams,
bottomless wells,
peat-soft soil,
the promised land of
no-questions equality.
For them.

"Sometimes we managed
to curtail their dreams,
cutting them off
at the root of a scalp.
Our arrows vectored down,
our carnage a vortex
of vulture-spin and blood.
The earth drank them;
the sky
consumed their bones.
We kept the iron pots,
the buttons and pretty beads.
Their guns became ours.

"In spite of that,
a thousand nations
became but one. They spoke
no other language but their own.
Our people are penned
in all the waste-places,
roach-motel reservations.
No arrow can stop
the six-wheeled megatrucks;
train track and highway vein
the former wilderness.

"But as for you, poet:
Thank you for coming.
Know that our knives are drawn
and could take you out
in a minute, if so we chose.
But since you greeted us
with words you took
from our own language,
and since you are, like us
of those who walk the dreams
and make them into magic,
we will walk in peace together.

"Walk with me now,
away from the sage-smoke.
I will tell you
that our power is returning,
if we learn to wield it
without the white man's poison
forever weakening.

"I have found something,
a survivor of totem days,
I have a manitou,
cousin of Wendigo, Hudson Bay's
wind-walker, elemental.
Cloud-lurker, he evens
the score. Look up!"

The poet sees, in night sky, but lit
from underneath by earth-light,
an airplane departing
from the nearby airport.
“Watch!” the young Iroquois says.

A dark cloud envelops the DC-10 above.
One wing snaps off, and then
the other. It is all the more
horrible that the screams cannot be heard.

"Hunh!" is all the sachem's son utters.
"It gives me no pleasure.
I would rather the earth swallow them
of its own accord, and spare The People.
Our People, I mean."

"Do work on that," the poet urges.
"The outraged planet listens, I am sure."

A smile creases the cracked corners
of the wizard’s otherwise humorless mouth.
"We will still keep their pots and pans,
the motor-bikes and the pretty beads.

"Come to the pow-wow now
and we'll get plenty drunk, poet!"


— Oct. 1982, rev. 2020.

Wednesday, February 12, 2020

In the Forest of the Wendigo

Barbara A. Holland and I both wrote poems about The Wendigo, the terrifying wind elemental known to all the Native Americans from Canada all the way down through Pennsylvania and Ohio. In Holland's notebooks, amid sketches for her Wendigo poems, I found three short poems in which expressed her profound fear of the American woods. I revised them slightly and combined them into this little suite.


IN THE FOREST OF THE WENDIGO

by Barbara A. Holland

1. LOST
The long-house has wandered off
somewhere and I am left behind
to find it. The stars stick in the branches
of the highest trees that have no green
save at the top of the naked trunks.
Beneath the slip-slide footing
of pine needles, something way down
rumbles and shakes the ground
with muttering scarce-heard. I feel it
in my bones. I wonder
if on some far-off island
they are dying, or shouts
of warning rise to the clouds.
The web of a spider
burns my face. Whiskers
of fog feel out for me.

2. THE SECRET
A glade. An opening in the woods
where anything might happen.
Now the forest wakes. The grasses
cease to move. The bushes liberate
their hoarded twittering. The bull frogs
stop their vocalise, but yet
the moss invites me a lie down,
while the trees part in anticipation
of I know not what.
                                     I run and run
until I am exhausted. The forest
can keep its secret.
I shall not intrude on what
it may or may not foster.

3. IN THE DEEP WOODS
When I hear the ground
crunching followed by the sound
of bells, I know that he
is nor far off, that monstrous, tall
hunter in whose ear Hiawatha
rode; that behind a clump of trees
his laughter wobbles the juniper
and soars to a mighty screech,
that I had best be going home.
I do not care to have him
swing downward with his tomahawk.
These woods are treacherous
with spirits. I must not look
nor to the right or left but keep on going.
He is laughing
at the death that fouls our waters,
above the earth that is poisoned
     by the same stuff,
giving bad breath to his laughter,
our self-inflicted hatchet-thrust
the destruction of our woods.

Friday, December 27, 2019

1796 Edinboro Lake



by Brett Rutherford

Off the Venango path and north
of the place called Cussewago, they found  (1)
the uninhabited lake. What did it look like then?
Crammed to its edge with ancient trees
a woods in perpetual dusk where one
could walk for three days before
another cabin smoked out in a clearing.
Here and there along the way
some rotted, roofless ruin lay
where an Erie long-house had been,
or a mound mysterious full of arrow-heads,
a place whose people had vanished,
driven by the Canada’s enraged Hurons
into extinction. No more Eries, no more
this lake a place of winter refuge.
It was empty, and waiting.

So why not claim it? Why not this lake,
so like the lochs of Scotland, why not
this man, John Culberston, Scot-born
but free? From Philadelphia west
he had come; he had weathered out
that Britain-versus-America problem
and it was time to put down roots.
Why not this kettle lake, carved out
of the underlying rock by the glaciers?
The Indian, a Mingo, had told him
about this place, and called it
Conneautee. So here it was,
just as the guide had promised,
a placid little loch just half a mile
across, with pines enough around
to build a town, flat land for grain,
and for the grist mill he would build;
for grain and whisley were the way
to wealth. “What think
you, wife?” he asked his silent consort.

Jeanette took in the sweep of clouds,
the sky-enfolding blue waters, watched
as a flock of crows cawed and winged
welcome. “I like it,” she said.
The half-naked Indian grunted.
If he knew more about the place,
he said nothing. The dark swamp
nearby was well concealed by trees
and the nodding cat-tails. (No need
to upset them about what lived there
and how no one slept well
on certain nights when sorrow
rose like a beast from the bottom!)
Man, woman, horses and wagon
stood for a long time, the little clouds
of their breathing in chill air
as calm as a peace pipe.
Everything they owned,
     they had dragged here.

Down at the lake-edge
their shiny boots ground
time-worn gravel beneath them.
They knew nothing of Ice Ages,
departing glaciers and porous
limestone. They did not know
how shallow the soil was, how brief
the growing season, how deep
the snows piled on in winter,
a place where frost came in August
and snow remained till May.

Still, nothing could be worse
than Scotland: this they would say

on all the winter nights to come.

They canoed to the north, reed grass
and full of inlets, fish abounding,
fens buried in mists, tall pines bent
and fallen to the earth. Something
had walked here unhappily, storms
called down in its anger. Pray
that its time has come and gone!

Pools dank with toads alternated
with blue patches herons favored.
Fog started there, it seemed.
The dusk-mist that rose
around them thickened.
Only the warm spot of sunglow
guided them back again.

And then they found the creek,
the lake’s shallow outlet,
good land on either side
for houses, a place to dam up
and run his mill. All good,
it seemed. “This is home,”
he said to his wife, “now
and for all the time we have left.”

“There’s no church,” she worried.
“Oh that will come,” he answered.
“There will be no stopping them.”
“What shall we call the place?”
“Edinburgh.” He said. “The only city
worth its name in all of Scotland.”

The sun set, the swamp exhaled
its methane-rich vapors, the frogs
began their melancholy chorus.
Back at the lake-edge vantage,
they made their tent, their fire
the first that the land had seen
in over a hundred years.

They did not dream that night,
but something in and under them
dreamt of their lives and deaths,
their burials on this very ground,
the slow seep of waters upwards,
an inverse sun rising
in the names of their children to come.
______

Note 1: Cussewago was the Indian name for Meadville, PA.

1973, rev. December 2019, Rev April 2020

Friday, October 18, 2019

Squanto's Wind (2019 revision)

Boston's John Hancock Tower, constructed in the 1970s, was one of the world's worst architectural disasters. The foundation undermined adjacent buildings, and ten thousand window panes began popping out and falling onto pedestrians below; and the whole building swayed sickeningly in the wind. In this poem I recount some of the building's disastrous details, and speculate about whether some angry Native American spirit might be getting even with Boston. I invoke Squanto, the first Native American to greet the arriving Puritans. By one of the most bizarre coincidences in all history, Squanto had previously been captured, enslaved, and gone to Europe and back, so that he was able to greet the arriving colonists with the words, "Welcome, Englishmen!"
I did a little digital art piece for this too, combining Squanto's portrait with the cursed tower.
This is a new 2019 revision of the poem for the sixth edition of Whippoorwill Road.


A ruffian wind
content till now to move
through barricades of steel
to tug of sea,
forgetful of forest and creek,
rears up at last,
howls No emphatically
at the Hancock tower,
a block as gray as greed,
lunging from bedrock to sky.
The primal No acquires more force,
plucks glass like seeds
from a ruptured grape.
The window panes explode —
a million shards
of architectural sneeze
scattered by gravity
to punctuate the streets
with gleaming arrowheads,
obsidian spears,
black tomahawks
of dispossession.

What Manitou is this
who shakes his fist
at the barons of finance?
Whatever happened to
“Welcome, Englishmen!”
(the first words spoken
by Native to Puritan)?
The engineers move in,
revise their blueprints
while covered walkways
protect pedestrians
from Hancock’s continued
defenestration.
Months pass, and yet
a lingering wind remains,
circling the sheltered walks,
lapping at plywood sheets,
a sourceless gale
that ruffles Bostonians
with its reiterated cry,
not on this land you don’t.
On really windy days
the whole tower sways
and workers turn green
from motion sickness.
Millions are spent
on a counter-sliding bed
of lubricated lead
to gyro the floor to apparent
stillness; millions more
are extracted in court
from the slap-suited builders,
for fifteen hundred tons
of diagonal braces,
all to stop
the whole ziggurat
from an inevitable topple, should
just one wind, at just one angle
twist everything
into a snarl of pretzeled girders.
Finally all ten thousand panes
are one by one, removed,
and one by one replaced.
Is Squanto satisfied
that the tower was sold,
that the new owners slid
to bankruptcy (at least
on paper), though bankers just ooze
from one debacle to another,
awarding themselves
baronial bonuses?

No! His feathered face frowns
on clouded-over days,
to the misery of golfers;
his never-tiring gusts divert
the errant baseball, ensuring
decades of home-game dejection.
Bicyclists knocked flat
have no idea what hit them,
and every discarded lottery ticket
flies up in a miniature whirlwind
to menace dog walkers with
inexplicable paper-cuts.
It will take more than
double-dug foundations,
and wind-tunnel-tested
new window panes,
to still these vectors of rage.
Token pow-wows at shopping malls
and suburban parks
do not fool old Squanto:
sharp-dealing and inhospitable,
Boston must pay!


Rev October 18, 2019