Showing posts with label Elsdon. Show all posts
Showing posts with label Elsdon. Show all posts

Sunday, February 2, 2020

The Headless Cross at Elsdon


by Brett Rutherford

     after a dirge by Robert Surtees

Her lover died at the Nine-Stone Rig
from seven brothers’ rage;
nine the arrows that shower’d down,
arms, heart, and throat, and eye

a-shiver with the hate-fletched shafts,
a-quake with their envenom’d darts,
a double death of blood and poison,
all this to avenge a virginity lost!

They shot him dead at the Nine-Stone Rig,
beside the cursèd cross of Thor
(false Dane who absolution shunned),
a fitting place to die.

They left him lying in his blood,
red on green moss, black on brown earth.
The fled and vowed to kill again
if her illicit union spawn’d.

A Lapland wind, a raven dark,
lapped at the blood and plucked the eye,
the one blue orb unarrow’d,
and brought it to the lady fair.

She fainted, for she knew that eye,
beneath which she had loved and sigh’d.
And then she summon’d her menials
to search the wet, cold ground for him.

They made a bier from broken boughs
of the birch and the aspen gray.
Nine arrows they broke and cast away
at the foot of the Headless Cross.

They bore him to Our Lady’s Chapel.
None dared to refuse his passing-in.
The lady arrived. Her servant brought
The azure eye in a silver chalice.

She placed the eye in the blacken’d hole
where once it had glistened and tear’d.
The other had but the stump of wood
where the unkindest dart of all

Had blinded him, and reft her soul.
They waked him there all day; by night
the tapers burned as monks and nuns
gave out heart-rending Requiems.

As they came at last to bear him off,
the lady threw her robes aside,
in favor of an ashen shift sleev’d
and collar’d with crimson and black.

With waters blessed from Our Lady’s well,
she bathed the corpse, and washed it clean
of the thrice-three poison’d wounds.
(Her wound only did she not regret).

She plaited a garland for on his breast,
and a garland for on his hair.
The raven upon her shoulder lit.
The Lapland wind made dark the room

As the tapers all flickered and died.
They rolled him in a winding sheet
     ah, lily-white it was! And as
the Virgin’s water had him blessed

No mark of blood appeared.
They bore him to a new-made grave,
and passing by the Chapel Garth
they paused to let the Gray Friars sing

in yet another Requiem. But where
would the lady bury her lover?
Not in the family crypt where bones
might still be ravaged by those

same seven brothers she now loathed!
Not in some crowded churchy ground
where twenty years hence they’d dig
and pile his bones with strangers’ skulls!

She chose the place, in dark of wood
where first they had met, o fatal spot!
a bower beneath a spreading beech.

In murk of midnight they buried him,
where the dew fell cold and still,
in windless fell of untrembling leaf
where the mists cling to the hill.

They dug his grave just a bare foot deep,
where she had happily laid with him:
see where the heather flower blooms,
and the moss and the lady-fern.

A Gray Frair stood upon that grave
and sang until the sun rose true,
another sings yet for the lover's soul
at the foot of the Headless Cross.



— Op. 1055 February 2, 2020.

Wednesday, October 9, 2019

Mysteries of Elsdon Churchyard

It was inevitable that I would finally write a poem about my ancestral home in Northumberland, the town of Elsdon, from my which great-great grandparents emigrated to Pennsylvania.




1
Why did the bell
of Elsdon Church
resound
across the landscape,

shaking the ground
of the tumulus mound
above the empty motte
of Elsdon Castle?

Why did the voice
of St. Cuthbert’s minister
echo deep mystery
in even a commonplace
sermon, bass-deep
from a voice that was
no lower than baritone?

Thank the medieval
architect who thrust
three horses’ skulls
upright into an oaken
cabinet,

a resonance box
suspended
within the bell-tower.

Bell above
thrice amplified below
and out across
the countryside;

preacher in pulpit
graced with the tone
of thunder-Jehovah.


2

Whose the stone
coffin that leans
against the wall
of St. Cuthbert’s?

No one can move it,
and no one knows
what sacred corpse
reclined within its hollow,
sculpted to human
silhouette.

Monks, it was said,
came here with relics
of St. Cuthbert,
in flight from the Vikings,

but who could flee
cross-country
with a stone sepulchre
and the eight horses
and cumbersome cart
it would take to haul
an entire saint
and his equipage?

No, this was not Cuthbert
whose tomb
rests finally in Durham,
but some unknown knight,
perhaps, who willed
himself a mighty coffin
where neither rat nor worm
could mar his godlike
features —

Yet what is left?
Lidless, leaning
against a wall
where dogs and derelicts
can lift a leg,

flesh, armor and bones
all gone, a hollow
in human outline,
no man and
Everyman.





3

Before Elli’s Valley
became “Elsdon,”
before the invading
Vikings,
before the Normans,
who built Elsdon Castle
before the Saxons,
guttering the Anglish
tongue, Romans
lived here and prospered,
secure in their reign
amid their household
and temple gods.

Here, against the unwilling
walls of Saint Cuthbert’s
a Roman gravestone.

To the divine Manes,
he of the prefect
of the first cohort
of the Augustan of the Lusitani,
also of the second cohort
of the Breuci, subcurator
of the Flaminian Way
and of the distribution
of maintenance,
subcurator of public works.

Julia Lucilla had this erected
to her husband well deserving.
He lived forty-eight years
six months and five days.

Pushed back southward
from the Antonine Wall
to Hadrian’s Wall, then out
of Britain altogether
as barbarians swarmed Europe,
Romans left only stones,
deep-buried lares and penates
beneath their houses,
the envied ruins
of colossal baths, the heads
and torsos of toppled gods.

Still, every English ghost
looks out to sea
for the dreaded Viking sails,
and treads lightly, lest
a Roman hand reach up
to seize its ankle.

Turn any stone
and a face looks up.