Showing posts with label Goethe. Show all posts
Showing posts with label Goethe. Show all posts

Friday, August 20, 2021

Night Thoughts

 by Brett Rutherford

after Goethe

Ye Stars above, I do not now envy you,
there in the selfsame beauty and glory
as ever on high — the hope of sailors
when hurricane and tempest roaring come,
the one last ask when God and men all fail
their shouted prayers, and when “Stars above!”
leaps up from heart-felt humbleness from one
who sees Polaris in the waterspout’s eye —
And there! And there! Star upon star arrayed
telling in their count and coming how far
the harbor, how near the perilous reef —

No! Stars do not love, and have never loved!
Those whom they save, they save indifferently.
Your circling spheres unvarying tick on,
dragging your plows through Heaven’s black furrows.
You are the same! The same! Yet though you whirl,
in depths beyond the number of zeroes
that are and ever will be inscribed there
in that line that is infinity’s arc
for you, almost-eternal hours have passed,
while I, by love distracted, looked not out
the window, nor up amid my moonless
dark amours, bereft of sense and starless
over two eyes, dark brows and a mere mouth —

All memory of night and of burning stars
forgot! Wind back for me, o starry vault
and fill my bitter thoughts with luminance,
you wise ones who, immortal, do not love,
and I shall trade with you my illusion,
that one for another should be dizzy
and stumble about in one’s own orbit,
imagining some astral collision
that would not be mutually deadly,
dragging along all your friends and neighbors
until the cosmos is a billiards game.

Ye stars then, say that you envy me not!
Say: Men do not love, and have never loved!


Wednesday, February 20, 2019

Love Song in Finland

by Brett Rutherford


after a poem by Goethe ("Finnische Lied"), 1810


How would it be if the dear one
came back exactly as he left me?
I'd kiss those lips so fast he'd stumble,
even if they gleam a wolf-blood red.



He would have to take back, too,
that cold formal handshake, heart-death
to me, that parted us. I'd press
those fingers even if they felt like snakes.



What is wind but words repeated,
tree to tree, from cliffs resounding,
losing meaning over ice floes?
Just so, the whispered promises
fade off when love is too long absent.



What would you have me renounce? Food?
I would shun all cakes and pastries;
I would refuse the monk's poor stew,
Starving to win the beloved!
Whom once I charmed in fulgent June,
let him come, Winter-tamed, to stay.

Friday, February 1, 2019

The Exhumation of Goethe


by Brett Rutherford

East Germany, 1970


By all means do this at night, while Weimar
sleeps, while even those whose job it is to watch
the watchers, sleep. In merciful dark,
the third-shift silence when the local electric plant
shuts down for the Good of the State,


take a cart — no, not a car,
a hand-drawn cart —
dampen its wheels so your journeys to,

and from, and back
to the foggy graveyard are soundless.


Do not awaken the burghers!
Here are the keys to the wrought-iron gates —
mind you don't rattle them.
The crypt has been purposefully left unlocked.
You need but draw the door.
The cart will just squeeze through
(Engineer Heinrich has measured everything!)


Open the sarcophagus as quietly as possible.
Watch the fingers! Don't leave a mark
on the hand-carved cover.
Be sure it's Goethe, the one with a "G."
We don't want his crypt-mate Schiller
(too many anti-People tendencies).


Lift up the whole thing gently.
The bones will want to fly apart.
Only the shroud, and some mummified meat
keep him in the semblance of skeleton.
Just scoop the whole thing up
like a pancake, then into the cart.


Here's a bag for the skull. Don't muss
those ash-gray laurel leaves.
We plan to coat them in polymer
after we study that Aryan skull
whose brain conceived Faust,
Egmont, and sorrowful Werther.

We're going to wire the bones together,
strip off that nasty flesh,
maybe bleach him a little,
make a respectable ghost of Goethe.


Who knows, if he looks good enough,
in a newly-lined sarcophagus,
we could put him on display.
Come to Kulturstadt!
See Goethe's body!
Even better than Lenin!
(Can we say that?)


It will be a world attraction.

We'll pipe in lieder and opera.
Tour guides will be dressed as Gretchen.
Maybe a fun-house
with Mephistopheles,
a sausage-fest at Brander's Inn.


Ah! the cart is here! The bones,
yes, the bones. Unfortunate, the odor.
We can work on that.
The colors, mein Gott,
(excuse the expression)
they will not please —

over there, Klaus,
     if you're going to be sick —

It's such a little skeleton —
was he really so short?

The books said he towered
over his contemporaries.
So much for the books!
And the shroud — that color —
not at all what we imagined.
Perhaps the opera house
could make a new one.


Watch those ribs —
so many little bones
in the fingers.

Things are just not . . .
holding together.


I can't do this.

The project is canceled.

Poets are just too — flimsy.

Put this mess back
where it came from.
Next time let's exhume a general,
Bismarck, the Kaiser,
someone with a sword and epaulets.
Armor would be even better.
The People want giants!


*** ***
Selected from my collection, Things Seen in Graveyards. 
 Photo from Wikimedia Commons, contributed by Charlie1965nrw.


https://www.amazon.com/dp/0922558884/ref=cm_sw_em_r_mt_dp_U_KOmvCb0YWWTEQ
Buy a copy while you and I are still above ground!



Tuesday, January 9, 2018

The Exhumation of Goethe


In 1970, the East German Communist government wanted to create an international cultural tourist attraction that would rival Red Square in Moscow. So they decided to exhume the body of Johann Wolfgang von Goethe, the greatest of all German poets and thinkers, so they could make a mummy of him, like the preserved body of Lenin in Red Square. Things did not go well. We never got have that Faust theme park, or be welcomed by docents dressed as Werther, Gretchen or Mephistopheles.


East Germany, 1970

By all means do this at night, while Weimar
sleeps, while even those whose job it is to watch
the watchers, sleep. In merciful dark,
the third shift silence when the local electric plant
shuts down for the Good of the State,

take a cart — no, not a car,
a hand-drawn cart —
dampen its wheels so your journeys to,
and from, and back
to the foggy graveyard are soundless.

Do not awaken the burghers!
Here are the keys to the wrought-iron gates —
mind you don’t rattle them.
The crypt has been purposefully left unlocked.
You need but draw the door.
The cart will just squeeze through
(Engineer Heinrich has measured everything!)

Open the sarcophagus as quietly as possible.
Watch the fingers! Don’t leave a mark
on the hand-carved cover.
Be sure it’s Goethe, the one with a “G.”
We don’t want his crypt-mate Schiller
(too many anti-People tendencies).

Lift up the whole thing gently.
The bones will want to fly apart.
Only the shroud, and some mummified meat
keep him in the semblance of skeleton.
Just scoop the whole thing up
like a pancake, then into the cart.

Here’s a bag for the skull. Don’t muss
those ash-gray laurel leaves.
We plan to coat them in polymer
after we study that Aryan skull
whose brain conceived Faust,
Egmont, and sorrowful Werther.
We’re going to wire the bones together,
strip off that nasty flesh,
maybe bleach him a little,
make a respectable ghost of Goethe.

Who knows, if he looks good enough,
in a newly-lined sarcophagus,
we could put him on display.
Come to Kulturstadt!
See Goethe’s body!
Even better than Lenin!
(Can we say that?)

It will be a world attraction.
We’ll pipe in lieder and opera.
Tour guides will be dressed as Gretchen.
Maybe a fun house
with Mephistopheles,
a sausage-fest at Brander’s Inn.

Ah! the cart is here! The bones,
yes, the bones. Unfortunate, the odor.
We can work on that.
The colors, mein Gott,
(excuse the expression)
they will not please —
over there, Klaus,
if you’re going to be sick —

It’s such a little skeleton —
was he really so short?
The books said he towered
over his contemporaries.
So much for the books!
And the shroud — that color —
not at all what we imagined.
Perhaps the opera house
could make a new one.

Watch those ribs —
so many little bones
in the fingers.
Things are just not . . .
holding together.
I can’t do this.
The project is cancelled.
Poets are just too — flimsy.
Put this mess back
where it came from.
Next time let’s exhume a general,
Bismarck, the Kaiser,
someone with a sword and epaulets.
Armor would be even better.
The People want giants!