Showing posts with label 1960s. Show all posts
Showing posts with label 1960s. Show all posts

Wednesday, December 7, 2022

The Dark One

by Brett Rutherford

In memory of Scott Forsgren

We laughed in the graveyard
I wrote into poems and he
traced out in pen-and-ink.
His fingers raked earth
in the lake-shore hillside
until a bone that might have been
Jeannette Culberton’s finger
came to light, his trophy.

He walked one summer night
across the college campus
not knowing anyone, migraine
vision colliding with my identical
pain and misery. Two weeks
he stayed; like brothers we shared
a chaste bond, not to be broken.
I could not go home to parents;
something had riven him likewise
from home and family. Wagner
and Schubert, Mahler and Bach
bonded us. Moonlight and lake
and the transcendent stars
were our true homeland.
Some friendships
are instant, and last forever.

I moved to New York. I heard
he was swept away by religion,
at least for a while, and then
I heard no more of him.

Decades later, at a college reunion
for those of the Woodstock years
I heard it said casually
that he had drowned himself,
rock-weighted, self-hurled
from the top of a bridge.

In mind’s eye I saw
his weighted jacket,
the too-deep water,
the ignominy of a found body,
the pointless inquest,
the baffled, pained, guilty faces
of the left-behind.

I left the reception,
closed tight the door
of the cinder-block dorm
and wept uncontrollably.
That half-an-hour’s grief
should be enough for anyone,
but it did not abate.

What was the use of his death
except to those who stand and weep —
who must, in one life,
fill, and refill the cup of grief,
so early, and so many times?

What would I not have given to save him?
Why is self-murder a crime against the living?

If only magic could bring him back,
I would sit with ring and book
until the world collapsed
into its core of iron,
until the loam of the soil parted
and his dark laughter exploded
from his unremembered grave!

If only souls were immortal!
(The heart breaks, wishing it were so,
hoping to force from nature
what it cannot give).

If my hand raked soil
to touch the tip
of his dead fingers,
it would be our first
and only caress.


Thursday, October 20, 2022

Book Row

by Brett Rutherford

London had its
Duck Lane, where
witch trial tomes
and bound-up
sermons rotted
unread, amid
the novels of the day.

New York once had
"Book Row" which ran
down Bowery way
from Union Square
to Astor, mostly on
Fourth Avenue. Bums

in the doorways, dust
everywhere, piles
of books on carts,
sidewalks clogged
with the unsold —

Three dozen shops
catered to the
improvident collector,
the impoverished scholar.
On a bad day
you came out sneezing,
found nothing,

On a good day
the unexpected treasure
that would change your life
emerged from behind
some other title, tucked
and forgotten, its price

a pittance. Better
than venery and its venison
outcome was biblio
mania and the small cry
of surprise, the fear
that the clerk would recognize
your steal and up-price it,

the moment you came
into the light again,
that volume clasped tight,
as though you had robbed
a bank, or jousted a knight
to win the book of spells.

O, the things we found
and carried off, those
rainy Saturdays
when Book Row called!

Saturday, September 24, 2022

Under Every Bed

by Brett Rutherford

In high school years
my slave duty each night
was washing dishes.
An AM radio my only
companion, I sang
along with Beethoven.

When the plug was pulled
because Westerns prevailed
in the TV room, I sang
anyway, inventing whole
symphonies as I went.

An open window
above the steaming sink
sent my voice out,
where a thin man
full camouflaged
and ready to battle
the Communister
Atheist hordes, leaned
to listen. That year,

I fueled his worst
fantasies. First off,
I taught myself
Cyrllic and bellowed
out Russian folk-songs.
Volga Boatmen for you,
and for John Birch, too!
Kalinka, Kalinka,
and Stenka for good measure.

This drove him mad,
so that he sent his sons
to lurk beneath
my bedroom window,
listening to hear
my secret broadcasts
to Leningrad.

Comrade Krushchev,
coordinates here
for the Nike missile site,
just as you asked.

On Friday nights,
the radio was back
in my control.
The Pittsburgh station
marked shabbos
with cantor songs.

"And now,
cantor Richard Tucker
sings ..." and I,
as best I could,
in my best tenor
sang with him.
Out the window
went my mangled
mock-Hebrew,

and just below
the open window
the man in camouflage
said to his son,
"God damn, I told you.
Russians are in there,
and Jews, too!
What are we going to do?"


Saturday, May 16, 2020

At the Grave of the Suicide

by Brett Rutherford

     For S.F.

O Beauty, O Beauty,
     O Beauty too good for the world,
how you do rob us by your removal!
What was the use of your death
except to those who stand and weep?
Who must, in one life,
fill, and refill the cup of grief,
so early, and so many times?

I come to your stone,
my exhortation useless,
the gifts I gave or would have given
refused or cast back by the grave.
What would I not have given to save you?

If only magic could bring you back,
I would sit here with ring and book
until the world collapsed
     into its core of iron,
until the loam of the soil parted
and your dark laughter exploded
the long-sealed vault below!

If only souls were immortal!
(The heart breaks, wishing it were so,
hoping to force from nature
what it cannot give)

The weighted stone,
the too-deep water,
the ignominy of a found body,
the pointless inquest,
the baffled, pained, guilty faces
of the left-behind.

The poem you earned
is not the one
I wanted to give.


Friday, April 24, 2020

Summer of 1967: Cleveland, Ohio


by Brett Rutherford

Cityscape to townscape
   Concrete to clapboard
      Cleveland to nameless tree-
         lined hydrant peppered
            dogwalk
Streets seen from the blur of bus yet
   slowing, limning in slant
      of afternoon for me

twenty years old on my first journey West,
Walt Whitman’s poetry open on my lap,
atop it the journal I am writing in

         this slice of nation:
The lonely boy on the porch
   this Ohio summer of '67
      looks up, sees me
         seeing him, writing
            him here on this page —

perched on this pile of Whitman,
   Connecticut Yankee, damnable
      Moby Dick (my transcon-
      tinental shelf of books)

And old Walt said: look at him.
   A long red light permitting, I looked.
   He smiled, not as if at any one
   of the tinted faces of dusty green
   Grey-monoxide-hound,  but at me
he regarded me as intently as I, him —

And Walt whispered:
There are wonderful secrets everywhere,
and one of them is that you and he are a poem.

      Sidewalk — a boy and a girl
      wave to the porch boy      he waves
      distractedly, still looking at me,
my eye locks on him as my pen
scribbles on, robotically.

My pen hand  begins to tremble.
Oh, this moment, Walt!
Would that I stopped and had spoken to you,
blond Ohio, I think I might have loved you,
   and you as well might have loved me —

I saw nothing else and hills
   turned to plains,
   to seas of swept green,
saw only eyes and a tousled-haired
   boy head blue-eyed with parted lips
asking my name and are we a poem?

And would I not later find
that there are always eyes
that flash and promise everything,
and that I must do the same in return,
whatever the cost —

   at forty miles an hour and the states
   still whisking by, I am still thinking of him.

I marvel, but Walt has taught me well
already, that one can love so much
and be loved in an instant
of recognition.

Was he merely beautiful,
this never-forgotten fleeting one?
Or has he remembered the fire
of one glance that led him to books,
to a world beyond the lake-front porch?
And if the War did not come and take him,
did he not walk too with the good gray Poet
and make his way West to glory?


Thursday, April 21, 2011

Monday, Miss Schreckengost Reads Us Little Black Sambo

I
We three boys, in the third-grade playground,
one skinny (that’s me), one short, and the fat one,
horn-rimmed glasses all, schoolbooks and lunches
in hand-me-down, important-looking briefcases.
We are the serious scholars, the brainiacs —
we know what the ominous Sputnik is beeping
and even why it’s there and doesn’t fall —
just ask us! We are no good at sports,
try not to be noticed amid the yelling,
the bigger boys’ heave and toss of baseball,
football, basketball, whatever ball
it is the season for. We trade our comics,
Superman, Batman, The Flash, Green Lantern,
and offer furtive glances at the forbidden ones,
brain-rotting horror comics some Congressman
has warned our parents to confiscate and burn.
We’re saving up to buy sulfuric acid;
a long list of chemistry projects depends
on the pharmacist, Mr. Hoffmann, dispenser
of potions, acids, saltpeter and horehound drops.
“Now, boys,” he’d warn us, winking,
“don’t go mixing saltpeter with sulfur,
’cause that plus a little charcoal is gunpowder.
Don’t get yourselves in trouble, okay?”
Oh, no, Mr. Hoffmann, we promise,
we’d never do that, Scouts’ honor.
Not one of us is a Boy Scout.

The sun-drenched playground, dark
in the hulking late-day shadow
of the brick schoolhouse, knows fear:
the monthly air-raid sirens, the file
of all of us quickly-quickly-quickly-now
to the basement shelter, the practice
of “duck and cover” in the event of a flash,
a boom and a mushroom cloud
obliterating Pittsburgh on the horizon.
Russkies and Gerries, Japs and Fascists,
Jack-in-the-box Communists
beneath the bedsprings, enemies everywhere.

Monday, Miss Schreckengost, sometime
between geography and “Our Friend the Atom,”
reads an old book to us — you’ll like this,
she tells us — it’s Little Black Sambo.
It even has pictures.      The tall boy,
the altogether too tall boy in the front row
sinks into his seat.  All eyes are on Ritchie,
the Negro boy, held back a year, two years
from the looks of him, too broad of shoulder
to even consider playing with us.
He sits all day where the teacher can mind him.

The story unfolds. Proud little Sambo,
in his new red coat, his beautiful blue trousers,
is ambushed by tigers who want to eat him.
He bribes one with his jacket, one with
his beautiful trousers, runs home
stark naked to his mother and father,
Black Mumbo and Black Jumbo.

Black Mumbo, who looks like Aunt Jemima,
celebrates the boy’s escape with a pancake dinner.
As the book is held up to show its cover
someone calls out, “Hey, that’s Ritchie!”
Laughs roil the air like veldt heat.

On Tuesday we add Ritchie Barton
to the list of things to be afraid of.
The downhill road to Caruso’s market
becomes a gauntlet run — the price
of a candy bar was meeting Ritchie’s fists.
The older boys, untouchable, catch on,
yell Sambo! Look out for tigers!
from the schoolhouse windows.
Your mama’s name is Black Mumbo!
Your pappy’s name is Black Jumbo!
One day the fifth-grade bullies,
to our slight relief,
are knocked to the ground before us.

Words thunder                                      AIN’T
     punctuate the blows                         NO
     as he pounds Timmy                         TIGERS
     to the pavement                                 IN AFRICA!


Smaller boys run,                                 MY MA’S NAME
     take the long way home                  IS ABIGAIL!
     as he pummels Anthony                  MY PA’S NAME
     against a fencepost                            IS SAMUEL!

Fist-crack, nose-break,
tooth-snap, Ritchie’s
near-baritone shouts
haunt our dreaming.

II
Miss Schreckengost makes seat assignments
for our field-trip to the hydroelectric dam.
“Forty of us,” she counts, “and forty seats.”
A kind of chill comes over the classroom.
“Of course we’ll draw lots for seat-mates.
You will stay with your seat-mate for the whole trip.”

David, the Polish boy, the smallest in class,
is told he will sit next to Ritchie Barton.
At recess, he bursts into tears in the playground.
“I can’t sit next to him. I just can’t do it.”
And I say to Dave, “You’re prejudiced.
You’re only saying that because he’s a Negro.”
That ends the conversation.
The one thing no one wants is to be prejudiced.
That’s worse than being a Nazi or a Communist.
Dave says, his back to all of us,
“I just don’t want to get beat up.”

The day of the trip to Confluence Dam,
the Polish mother keeps her son at home.
Ritchie sprawls across two seats, feet up,
a clenched right fist slapping an open left palm.
We walk a double-line with seat-mates,
Richie alone and trailing far behind,
Miss Shreckengost flamingo-tall ahead of us,
arms pointing at engineering wonders and waterfalls.

I sit in the seat behind Ritchie; Gertrude,
a girl reputed to have head lice,
sits next to me, red pigtails flying.
I have a headache, some dark thing troubling me.
If I’m not prejudiced, I think, then I should sit
in that empty spot beside Ritchie, whose fist and palm
keep time to the road rhythms. All I can see
are noses, teeth, crutches and splints.
I do not want to be beaten, either.

I am not prejudiced.

One day, I would read in Homer:
More hateful to me than all the gates of Hell
is that man who, holding one thing in his heart,
says another, as I would learn the word hypocrite.
Whatever that thing was that I had uttered,
and could not undo, I was ashamed of it.
I vowed never to do it again.

III
Years later, new town, step-fathered,
we take a family road-trip to Washington.
The parks are filled with picnickers,
families in Sunday whites, blankets and baskets,
matrons with parasols, young couples courting.
They are dressed better than we are,
and there is not one white face among them.
Our angry car passes them, windows up,
doors locked, from Washington Monument
to Lincoln Memorial, a cursory nod
to two Presidents, then off we go
to stepfather’s cousin in Maryland.

I remember a handsome, ranch-style home.
I was sent to the living room, turned on
an expensive stereo, where I listened to
the Glazounov Concerto, played by Heifetz.
These must be nice people, I thought.
I went to the kitchen door, listening:

Never seen so many in one place, you say?
They own the city. No decent white folk
will even go there. In a couple weeks
they’re gonna have a Civil Rights March,
a half a million niggers all together,
and that Commie Martin Luther King.
Wish I could get to a rooftop
with this here rifle —

and I know how to use it, too —
wish I could pick him off
and take as many of them with him
as I could, along with those Jew lawyers

I tip-toe back to Russian Glazounov,
          to Jewish Heifetz.


IV
College, and freedom:
“You’ll do it with me?” he said, incredulous.
He thought I was joking. I wasn’t.
Once I had said yes, I had to do it.
I’d done it by then,
with artists, frat boys and athletes,
my notoriety a sure ticket
to never having to ask: they asked me.
But no one black had ever asked me.

His basketball arms and legs,
     impossibly long,
     thrust out of his clothes at impossible angles.
An African prince,
     he could snap me in two easily.

“You know what they say about us?”
he asks, teasingly, shirt sliding off.
     I nod.
“It’s true. You’ll see. No turning back.”
His lithe and supple body presses me,
each second more of him
hot against me. I’m shaking.
He pushes me downward,
my hands on his chest
exploring the statue-lines
smooth as marble.
We end up in bed, I’m gasping
against his spent repose. He lets
me examine the palm of his hand,
yes it is lighter there. One rivulet
of pearl-white fluid remains
upon his dark brown forearm.
He puts my mouth there.

I am afraid to pull away.
It is too quiet. I start to shiver.
I am waiting for the rage-burst,
counting how fast I might make it
to the door and out.

 “I’m not going to hurt you,”
he assures me. “That was good.
We’ll do it again sometime.”
He stays a while. I ask
a torrent of questions,
want to know his feelings,
the truth beneath
the hard and proud exterior.

“You want to know
that no one will rent me a room
in this town? Or about the girl,
the white girl who’ll only see me
under the bridge at midnight?
Or what they’d do to me
if anyone found out?
Or where I’d be
if I didn’t play basketball?”

Just as he’s leaving, I say,
“Oh, what’s your name?
I’m sorry I didn’t ask it.”

“Ritchie,” he says.
“My name is Ritchie.”




Sunday, April 3, 2011

The Brown Derby

Racial segregation was a fact of life in rural Pennsylvania where I spent my childhood. There was a road we didn't go down where all the black people lived. As a result of my trip back to Pennsylvania I am writing my recollections of this for the first time. First came "Monday Miss Schreckengost Reads Us Little Black Sambo," a major poem that will be in my next book. I am working on a piece about an elderly woman who froze to death and the attitude of neighbors who brushed it off because the black neighbor was "too proud" to ask for help. The poem below is just a small recollection of the road itself, one of a number of coal shantytowns that followed the creek.


THE BROWN DERBY
 
Road we don’t go down
     weed trees and roadside flowers
shack houses     no toilets
     a collapsed barn
a shingled hall     the Negroes’ nightclub
its paint-peeled sign
     THE BROWN DERBY
crowded Saturday
     cars and shouting
sometimes a gunshot     a body
     would float in the creek behind,
     tangled with discarded shoes,
     coal miners’ helmets,
     belts and suspenders
     old tires     turtles and crayfish
fished out     dragged to the county morgue
     John Doe’d till someone’s son
     was reported missing
Who lives there?     What do they do
on that road we don’t go down?
How far does it go?     How many live down there?
Why don’t we ever see them
in the school, the bank, the post office?
It’s not even on the street map,
     the nameless lane
          of The Brown Derby.