Thursday, December 15, 2022

The Hungry Eye

In later life, Meleager moved the island of Kos. Heliodora had died, and now Meleager's wandering eye turned to the beautiful young men of the island, who seemed to make a sport of seducing their older admirers. The raging jealousies of Meleager's earlier poems gives way to a voluptuous appreciation of human beauty. So now I commence adapting these poems...

THE HUNGRY EYE

by Brett Rutherford

     adapted from Meleager, The Greek Anthology, xii, 106

I swear, until just now
I was deceived about Beauty.
One thing has crowded
all other Beauties out,
this one: perfect! My hungry eye
feeds on sunlight; sunlight
feeds off magnificent Myiscus.

All those I thought I adored
seem shapeless lumps, or stones
fit only for a blind man's
fancy, reading augury.

He, this one, is everything
and all things. Do my own eyes,
drunk with pleasure, fasten
on his, as soul to soul
are drawn together?


Wednesday, December 14, 2022

Strip Woods



by Brett Rutherford

Immodest, these
shivering sycamores
wiggle to Offenbach's
Orpheus in Hades
can-can, the trees'
strip-tease for all
to view. Maples

askew in their scarlet
underwear, oaks
making the wind pluck off
one leaf at a time
from their muscled
limbs, till streams
are clogged with them.

The brazen gingko
fan-dancer
sheds all its gold
pasties in one
great shrug.

And there they stand
amid the cheers and whoops
and drunk applause:
wide trunks with peeling
bark, old maple ladies
raked with lightning marks
and fungal warts, saplings

so thin and straight, no curve
to stir the loins, stick-twigs
and gnarled fingers, ring-
hungry and desperate
to be taken home, each
taking one final can-can
kick and calling out

Don't forget me, mister!
You saw me naked!

Knecht Ruprecht, or The Bad Boy's Christmas

by Brett Rutherford

Don't even think of calling your
mother or father.
They cannot hear you.
No one can help you now.
I came through the chimney
in the form of a crow.

You are my first this Christmas.
You are a very special boy, you know.
You have been bad,
bad every day,
dreamt every night
of the next day's evil.

It takes a lot of knack
to give others misery
for three hundred and sixty
consecutive days!

How many boys have you beaten?
How many small animals killed?
Half the pets in this town
have scars from meeting you.

Am I Santa Claus? Cack, ack, ack!
Do I look like Santa, you little shit?
Look at my bare-bone skull,
my eyes like black jelly,
my tattered shroud.

My name is Ruprecht,
Knecht Ruprecht.
I'm Santa's cousin! Cack, ack, ack!

Do stop squirming and listen--
(of course I am hurting you!)
I have a lot of visits to make.
My coffin is moored to your chimney.
My vultures are freezing their beaks off.

But as I said, you are special.
You are my Number One boy.
When you grow up,
you are going to be a noxious skinhead,
maybe a famous assassin.
Your teachers are already afraid of you.

In a year or two you will discover girls,
a whole new dimension of cruelty and pleasure.

Now let us get down to business.
Let me get my bag here.

Presents? Presents! Cack, ack, ack!
See these things? They are old,
old as the Inquisition,
make dental instruments look like toys.

No, nothing much, no permanent harm.
I shall take a few of your teeth,
and then I shall put them back.

This is going to hurt. There--
the clamp is in place.
Let's see--where to plug in
those electrodes?

Oh, now, don't whimper and pray to God!
As if you ever believed! Cack, ack, ack!
I know every tender place in a boy's body.
There, that's fine! My, look at the blood!
      Look at the blood!

You'll be good from now on? That's a laugh.
Am I doing this to teach you a lesson?
I am the Punisher. I do this
because I enjoy it! I am ... just ... like ... you!

There is nothing you can do!
I can make a minute of pain seem like a year!
And no one will ever believe you!

Worse yet, you cannot change.
Tomorrow you shall be more hateful than ever.
The world will wish you had never been born.

Well now, our time is up. Sorry for the mess.
You may tell your mother
     you had a nosebleed.

Your father is giving you a hunting knife
for which I am sure you will have a thousand uses.

Just let me lick those tears from your cheeks.
I love the taste of children's tears.

My, it is late! Time to fly! Cack, ack, ack!
I shall be back next Christmas Eve!

rev. 2022

Wednesday, December 7, 2022

The Dark One

by Brett Rutherford

In memory of Scott Forsgren

We laughed in the graveyard
I wrote into poems and he
traced out in pen-and-ink.
His fingers raked earth
in the lake-shore hillside
until a bone that might have been
Jeannette Culberton’s finger
came to light, his trophy.

He walked one summer night
across the college campus
not knowing anyone, migraine
vision colliding with my identical
pain and misery. Two weeks
he stayed; like brothers we shared
a chaste bond, not to be broken.
I could not go home to parents;
something had riven him likewise
from home and family. Wagner
and Schubert, Mahler and Bach
bonded us. Moonlight and lake
and the transcendent stars
were our true homeland.
Some friendships
are instant, and last forever.

I moved to New York. I heard
he was swept away by religion,
at least for a while, and then
I heard no more of him.

Decades later, at a college reunion
for those of the Woodstock years
I heard it said casually
that he had drowned himself,
rock-weighted, self-hurled
from the top of a bridge.

In mind’s eye I saw
his weighted jacket,
the too-deep water,
the ignominy of a found body,
the pointless inquest,
the baffled, pained, guilty faces
of the left-behind.

I left the reception,
closed tight the door
of the cinder-block dorm
and wept uncontrollably.
That half-an-hour’s grief
should be enough for anyone,
but it did not abate.

What was the use of his death
except to those who stand and weep —
who must, in one life,
fill, and refill the cup of grief,
so early, and so many times?

What would I not have given to save him?
Why is self-murder a crime against the living?

If only magic could bring him back,
I would sit with ring and book
until the world collapsed
into its core of iron,
until the loam of the soil parted
and his dark laughter exploded
from his unremembered grave!

If only souls were immortal!
(The heart breaks, wishing it were so,
hoping to force from nature
what it cannot give).

If my hand raked soil
to touch the tip
of his dead fingers,
it would be our first
and only caress.


Afterwards

 by Brett Rutherford

An unpeopled metropolis,
stopped clocks —
abandoned cars, the doors
left open —

wind howling
through broken panes —
a siren, unattended,
howls for days
then fades to silence —

the open sky
criss-crossed by clouds,
but neither hawk nor crow
descend on downdrafts.

Two rivers meet, and what
new flow they form
is nameless now. Even
the compass points
have been forgotten,
map meaningless
with no one to read it.

The wheel of time grinds on.
All places are the same.
Concrete and granite,
steel and aluminum,
columns of marble
with their wreath'd tops
sacred to no one now.

They gasped their last,
those creators, users,
and inheritors.

Flames lick
the horizon, while
angry tides erode.

Who made all this?
Who knows?
What is this thing
that flaps and tatters
with frail white leaves,
glued up between covers?
Those black scribbles
must have meant something.

Did these lost beings
possess a language?
Is this where they put
their dreams and ideas?

Were they capable
of reason?
It seems not.


Monday, December 5, 2022

The Funeral of Adonis



by Brett Rutherford

     adapted from Dioscorides, The Greek Anthology, v, 193

Most sombre of all
the night festivals
is that of Adonis,
for whom the Cyprian
Aphrodite forever weeps —

Cleo was beside herself,
a nymph possessed
as the gong sounded
and the low flute
trembled, again

and again, as votive
to Venus, she smote
her own breasts until
they shone in moonlight
     milk-white.

Adonis, uninterested
in womankind,
is mourned each year —
     a wooden bier
with his effigy inside it
is cast upon the waters,

laden with tears
from love-sick maidens,
and mothers whose sons
never lived to be
happy bridegrooms.

If such as Cleo
loved me and mourned me so,
I should happily go
on Adonis's little boat
on its way to Acheron,
and the isles blessed
by gong and flute
and fruit-offering,
sent off in the agony
of a grief-beaten breast.

Wednesday, November 30, 2022

Watching Her House

 by Brett Rutherford

     after Meleager, The Greek Anthology. V. 191

 

Was it with cunning

that Zenophila occupied

a three-doored house —
front, back,
    and that secret garden door —

so try as one might
there is no place to spy

the comings and goings

of lady and maid,

peddler and ash-carrier,

let alone my rivals

who might at any time

at any door

with signal-knock

and a full purse

gain entry?

 

I forgive nothing.

I wake up in

     a certain state
and forgive all,

if but the door

of its own free will,

unknocked upon,

would open suddenly,

and she, seeing me,

would wave and beckon.

 

But no, I watch, unsure.

She is seldom alone, it seems.

Cloaked figures approach
and turn the corner,
someone younger, taller,
passes the front door
again and again – dare he?

 

Oh, for the hundred eyes

of Argos, the unsleeping,

jealous watchman.
But even Argos can only be

in one place at one time.

 

Night makes it worse,

when every bright star

and that lantern moon

guide her lovers here.
The faint pluck of a kitar,

flute-breath, a tenor high-

note sung pianissimo: if I rush

to confront them, they run

to the other side unseen

to serenade her.

 

Or do I imagine all this? Is she

alone in there, no friend

except her fading lamp,

to which she confesses

her actual yearnings?

Or does she douse the lamp

as eager hands reach for her?

 

Aphrodite, born of Cyprus,
I’ll dedicate a wreath to you
and leave it at her door,

but it shall be a wilted thing
so much have I wept over it.

To Cypris, with regrets, this gift
from Meleager rests

     upon Love’s sepulchre,

for here I learned

     your secret revels,
and here parted ways

forever with my dignity.
Youth! Shun this house!
Wealth! Pass on by!
Folly! just knock three times
and take what Meleager

never won, and losing it,
gained his own soul again
.



Lost and Found

 by Brett Rutherford

     adapted from Meleager, The Greek Anthology, v, 177, 176

Missing: one feral child.
Just as the city opened its gates
to admit the farmer and fisherman,
he fled the other way. Say, did you see

how he flew from someone's bedroom --
a child too young to know such things --
and was last seen in the treetops
and then who knows where, as though
the unmanageable child had wings.

If you see such a one, almost naked,
laughing and chattering, foul-mouthed,
prancing about with toy bow-and-arrow,
send word to Zenophila. Poor woman,
she doesn't know the father's name:
the Sky -- the Earth -- the Sea -- who knows?

Throughout the town this boy is hated.
His tricks have ruined marriages
and he is said to lead bad men
to even worse women.

So do not take him in if you prize
the peace of your household.
Summon Zenophila and her net.

Hark! Someone has seen him!
Send for the woman deceived
     who wishes such a being
     to share her hearth and table.

The little archer --
     they've got him cornered.
A ruby ring for whoever lays hands
     and holds him!
Now Zenophila comes -- make way --
fierce as a witch with an evil eye,
she chides the boy,
"Deinos, Eros, deinos!
Dreadful is Love, dreadful!"

Monday, November 28, 2022

Too Much of a Good Thing

by Brett Rutherford

     adapted from Meleager, The Greek Anthology, v. 57

Persistent as a seagull, a cormorant,
as arrogant as a pigeon in the square,
Eros descends on me, earth-bound,
hemmed into one city whose walls
I seldom leave out of sight: target

almost as predictable as a statue —
show me some mercy. Hot arrows
descend weekly, daily — in summer,
I swear, hourly — demanding I pursue
this one and that one, never-ending.

Is it my destiny to fall in love
with everything two-legged?
Before my loins give out, my soul
will part ways with me. Cruel boy,
making the fool of me, a soul, too,
has wings, and what if she leaves?

That Monster Child

The Victory of Eros, Metropolitan Museum


 by Brett Rutherford 

adapted from Meleager, The Greek Anthology, v. 178, v. 177

So there was some lump-sack
of a woman, pounding
at my door. “Come quick!”
she cried. “The mistress
has had your baby!”

“You?” I said. “Maid
of what lady?”—

                                “Zenophila.” —

“Ha!” What mischief is this?
I saw her two weeks back,
her belly as flat
as a school-girl’s.” —

“Nonetheless, there is a child.”

More amazed than angry,
I set out.
Doubtless some prank this was.
There would be laughter later,
     and then wine.

I took my time arriving.
Let them fret, who thought
they could amuse themselves
at my discomfort. But then,
I reached her door, and hearing
an infant’s cry, I froze.

Pushing me in, the maid
rushed over and took
from Zenophila’s arms
a shapeless wad of bedsheets,
a ruby face wrapped tight
in them as an Egyptian mummy.

“Acknowledge your child!” Zenophila
now shrieked, not even offering a hand
or rising to greet me. The nurse,
meanwhile, embared her breast to feed
the red-faced, pug-nosed monster,
its lips a-pucker with a frightful greed.
He'd drain her dry, I warranted,
and squall for more.

                                         “This — this
is not possible, “ protested I,
pointing to it, and then to her.
“Would you deny it?” protested she.
“Your child and mine. No one
was as surprised as me. I woke,
and there he was, all swaddled up.
I saw your face the moment
I looked at him.”

                                 “That’s not
the way it works!” I told her. “No one
delivers up a baby while she sleeps!
You would have been sick for months,
swollen like a behemoth. Old crones
would have been visiting, with charms
and baby-names.” The maid
regarded me and made the “crazy” sign.
But then this woman, in the bed
I had indeed shared with her, went on:
“You own a house. You need a wife.
There’s nothing to be done
but take us in.”

I was beside myself. “Sell it!”
I shouted. “If it has all its limbs,
some childless couple will take it.” —

“He’s perfect in every way.
A mother knows these things.”—

“He’s biting me!” the maid exclaimed,
pushing the bundle away from her.
“He has long fingernails and teeth,
and I swear he looked at me
indecently when I first showed my breast.”
The snub-nosed monster laughed at this,
and seemed to mumble in a unknown language.

I took a closer look. The cherub-face
bore no resemblance to my own.
It was an imp, a savage, an all-around
monster. “No, sell it this instant!
Ask any passing peddler if his house
is in the countryside, and if
his neighbors need a child to rear.
Let this one grow up to till the fields
or guard a flock of sheep or goats.”

Now came a flood of tears. Women
can be so monothematic when it comes
to matters of home and hearth, you know.
I wanted to prevaricate, to say,
“Already, poor woman, do I have a wife,
as barren as a salt mine, to whom”
I seldom speak, and wish to keep it so.”

But no, Greek weddings are anathema
to me, and as for infants, I view
them as a pestilence, best kept indoors
until they attain the age of reason.

Yet Zenophila was no schemer.
Investigation was called for. Ah, here,
the bed was aslant, one leg knocked off.
The coverings were ripped to tatters,
and oil-stains were everywhere.
“What happened here last night?”

I asked the maid. “Was she alone,
or was there a gentleman caller?”
Her fingers made the number “three.”
“Three gentlemen callers? Last night?”

Searching, I found
     a little pewter amulet
     Antaeus and Hercules encarved,
the kind that young wrestlers wear.

Waving the amulet, I accused her:
“Three! Three from the wrestling school!
Three in your bed! Deny it!”

“They offered a demonstration,”
the girl protested. “Since women are not
permitted to see the matches, how else
could I expand my learning?”

                                                             I bit
my tongue and did not say, “Try reading.”
“So they showed you their moves.
First on the floor where sandal scuffs
are rampant, and then they moved on
to the mattress — o wide enough it was
for three, and then for four.” —

                                                     “One thing
just led to another,” she said, not blushing.

“That neither they nor you have shame,”
I calmly conjectured, “reveals the truth.”

“Hand me the infant!” —

                                    “Oh, do not harm it!”

The maid complied. Slowly, I pulled
apart the folds of tight swaddling,
enough to see, at shoulder’s base
the thing I expected to find.

“You pretty fool! You have upended
the universe with your dalliance.
All is made clear. Attend and listen.
Just yesterday, in gloom of dusk
three boys stayed late to test
each other with their new-learned art.
They piled on one another grappling,
when who should come along
but that flying Eros, known as Cupid
to some, and seeing them,
and having one last lust-engendering
arrow, he set it loose at them.

A single love-shaft struck all three.
One said, in a passing sigh,
          'O Zenophila, in your arms
          I would expire tonight'

and the amatory accord was made.
Three yearned as one, and for the same
eyes, lips, breasts and belly.

So at your door they came, in amity,
intent to share one bed with you,
and, triple-charmed, poor girl,
there was nothing you could do.

So there they tangled their oiled limbs
and you fell in with all that flesh a-snarl
the same as Laocoön’s sons
amid the serpents of the Hellespont.

The little monster followed them in.
You did not notice him hovering there.
He likes to watch, you know. Doubt me?
Then look and see.”

                                        I handed it her.
She peeked where I had parted
the tossed-off bedsheet wrapping.

“A wing! A feathered wing!” —

“None other than Eros himself,
Son of Aphrodite by who knows whom.
The little voyeur was hovering
when up and around him the sheet
went flying. With every move
he netted himself until at last
he lay there, immobilized.

“What a houseguest you have here!
Not one but two stepfathers has he.
One the god of war, stern Ares,
the other volcano-belching Hephaestus.
His grandmother is the whole wide sea,
but father he has none, and so is doomed
to be the begetter of random loving,
the favored sport of our kind.

“Somewhere inside that mess of cloth
are his little bow and a quiver,
most certainly empty now, whose arrows
turn rational men to madmen
and make fools of wise women.”

The maid now took me to task.
“Your knowledge of the gods,
great Meleager, befits a poet,
but is there not a marvel here?
What if this is some demigod,
newborn of a poet’s forethought,
new under the sun and moon,
a winged child, to bring his mother
honor and to enhance your fame?
Why not adopt the child?” —

                                                    “Yes, dear,”
pled Zenophila. “A wonder child.
Will he not add to your fame and fortune?”

“No to both of you. We must release him.
The wrath of Aphrodite is not to be borne.
Unless you set him free, no love
will come unbidden to anyone.
No suitor will plead, no girl or boy
will be patted expectantly, or sought
for trade for this or that, to surrender.
There will be no affection for fun.
Sexless will the whole city go
except for the bored and dutiful
husband-and-wife coupling.”

And so, I unbound the cloth
and up and out the monster went,
two wings and a bow and a quiver,
a flash of pink flesh into the glare
of sun and the birds sang out for joy.

Friday, November 25, 2022

Seeing the Light

by Brett Rutherford  

      adapted from Meleager, The Greek Anthology v., 175

“Never come unannounced to a lady’s door!”

Woman, I am no longer deceived!
That you were never true to me, that
your every vow and promise was false,
is so apparent in the light of noon.

Just look at you! Your unwashed locks
are pasted down with last night’s sweat.
Have you no mirror? Those eyes,
so heavy-lidded for lack of sleep
are a confession all their own. The marks
of the garland you wore all night
still press your greasy brow. Your hair
just now so freely tossed to seem casual,
bears all the signs of manhandling.

In just those few steps you took
from door to table, you tottered.
Parties, if not orgies,
     there must have been:
the empty amphorae outside
did not escape me, nor the heap
of shells and chicken bones,
betraying how many visitors enjoyed
more than an afternoon call.

I am done with you, public woman.
I’d rather sleep
with Priapus’s grandmother.

Dancing shoes have you?
Go spin about, and tilt, and show
your cleavage to any lout
     who has a lyre
and a paved floor above
a well-stocked wine-bin.

No doubt you own castanets, too,
     and a wanton’s change-purse,
for the kind of thing you do, is done
     in an alley for half a copper.

     

Hold Back the Dawn

 by Brett Rutherford

     adapted from Meleager, The Greek Anthlogy, v, 172

What I intended to do
with Meno, one summer night
cannot contain, Short,

too short, the span between
Venus the evening star,
and Venus again
     of the morning.

Look, with a lad
     so willing, I feel
young again myself.
Five times in as many
hours, not bad!

We have one night,
    and one night only,
as his watchful parents
intend to whisk him away
to their summer cottage,
one night to wash away
my bitter sorrows
     with love’s laughter.

So, Morning Star, you bane
of love, why not oblige me
by turning your course backwards,
until, as Evening Star,
you prelude again my
     extended efforts?

You did this once for Zeus —
all know the story — so that
Alcmene would be
     thoroughly overcome,
engendering Heracles:
now that’s a night’s work!

I understand reluctance.
Moving some planet about
and drugging the sun
to delay his business,
would cause a tumult
among astronomers,
     and Ptolemy
would cast his ordered spheres
into the waste-bin
if he noticed it.

But listen, planet dear,
the goddess and her son
are on my side. A poet’s
reputation is at stake.
Imagine my immortal
renown as a lover if he,

among those young men
idling in the agora,
saw me and pointed and said:

“Look there! You’d never guess
that middle-aged Meleager,
a peer among poets, invoked
some planetary magic so that —
I swear I do not exaggerate —
I was ten times topped
between dusk and dawn.”

Planet of love, turn back!

 

 

Wednesday, November 23, 2022

Prayer to Night

by Brett Rutherford

     adapted from Meleager, The Greek Anthology v, 165-166.

1

Black-winged Night,
   or Goddess of primeval
     Nothingness,
mother and progenitor
of all the Titans,
hear my supplication

— if a poet’s prayer
means anything at all
to such a cosmic entity! —

this is about my lady
love, Heliodora —
yes, her again! She says
she is “indisposed,”

but just as you, Night,
companion my revels,
so too you gave me eyes
as keen as owls’, to see

that tall one slink by
her door, and back,
and then dart sideways
into the alley, o where
that garden gate so oft
is absent-mindedly left
unlocked and ever so
     slight ajar —

Night, goodly and kind,
Night, I plead, if it
so happens that he,
no better than a thief,

now lies entwined with her
in those fabled bed-sheets;
if his desire is kindled
by her body’s heat — Night,

douse the lamp, reach out
and touch his eyelids
and render him paralyzed
in such a stupor that
even her agile fingers
will give him no satisfaction.

Harmless as a kitten
and just as impossible
to dislodge, let him sleep
till dawn, a second
Endymion.

 

2

Noon! What trick is this?
I slept. My rival got away
with everything!
My vigil failed, the lamp
too soon expired; bad dreams
tormented me, and all
were visions of Heliodora
unfaithful to me. Her heart
is a vast cenotaph in which
not even a shard of me
remains. Do no tears come
when she remembers me?
When her own fingers
caress herself, does she
not wish the hands were mine?

No more shall I trust
the little god graven
on her brass lamp
to do my bidding.
(Flame up and flicker
and flutter off at will —
What fool I was to think
it would obey me!)

And as for you, O Night,
the acolytes of Orpheus
exaggerate your sway.
What did I expect, anyway,
from a floating abstraction
made up by some poet?