In later life, Meleager moved the island of Kos. Heliodora had died, and now Meleager's wandering eye turned to the beautiful young men of the island, who seemed to make a sport of seducing their older admirers. The raging jealousies of Meleager's earlier poems gives way to a voluptuous appreciation of human beauty. So now I commence adapting these poems...
Poems, work in progress, short reviews and random thoughts from an eccentric neoRomantic.
Thursday, December 15, 2022
The Hungry Eye
Wednesday, December 14, 2022
Strip Woods
by Brett Rutherford
Knecht Ruprecht, or The Bad Boy's Christmas
Don't even think of calling your
mother or father.
They cannot hear you.
No one can help you now.
I came through the chimney
in the form of a crow.
You are my first this Christmas.
You are a very special boy, you know.
You have been bad,
bad every day,
dreamt every night
of the next day's evil.
It takes a lot of knack
to give others misery
for three hundred and sixty
consecutive days!
How many boys have you beaten?
How many small animals killed?
Half the pets in this town
have scars from meeting you.
Am I Santa Claus? Cack, ack, ack!
Do I look like Santa, you little shit?
Look at my bare-bone skull,
my eyes like black jelly,
my tattered shroud.
My name is Ruprecht,
Knecht Ruprecht.
I'm Santa's cousin! Cack, ack, ack!
Do stop squirming and listen--
(of course I am hurting you!)
I have a lot of visits to make.
My coffin is moored to your chimney.
My vultures are freezing their beaks off.
But as I said, you are special.
You are my Number One boy.
When you grow up,
you are going to be a noxious skinhead,
maybe a famous assassin.
Your teachers are already afraid of you.
In a year or two you will discover girls,
a whole new dimension of cruelty and pleasure.
Now let us get down to business.
Let me get my bag here.
Presents? Presents! Cack, ack, ack!
See these things? They are old,
old as the Inquisition,
make dental instruments look like toys.
No, nothing much, no permanent harm.
I shall take a few of your teeth,
and then I shall put them back.
This is going to hurt. There--
the clamp is in place.
Let's see--where to plug in
those electrodes?
Oh, now, don't whimper and pray to God!
As if you ever believed! Cack, ack, ack!
I know every tender place in a boy's body.
There, that's fine! My, look at the blood!
Look at the blood!
You'll be good from now on? That's a laugh.
Am I doing this to teach you a lesson?
I am the Punisher. I do this
because I enjoy it! I am ... just ... like ... you!
There is nothing you can do!
I can make a minute of pain seem like a year!
And no one will ever believe you!
Worse yet, you cannot change.
Tomorrow you shall be more hateful than ever.
The world will wish you had never been born.
Well now, our time is up. Sorry for the mess.
You may tell your mother
you had a nosebleed.
Your father is giving you a hunting knife
for which I am sure you will have a thousand uses.
Just let me lick those tears from your cheeks.
I love the taste of children's tears.
My, it is late! Time to fly! Cack, ack, ack!
I shall be back next Christmas Eve!
Wednesday, December 7, 2022
The Dark One
by Brett Rutherford
In memory of Scott ForsgrenWe laughed in the graveyard
I wrote into poems and he
traced out in pen-and-ink.
His fingers raked earth
in the lake-shore hillside
until a bone that might have been
Jeannette Culberton’s finger
came to light, his trophy.
He walked one summer night
across the college campus
not knowing anyone, migraine
vision colliding with my identical
pain and misery. Two weeks
he stayed; like brothers we shared
a chaste bond, not to be broken.
I could not go home to parents;
something had riven him likewise
from home and family. Wagner
and Schubert, Mahler and Bach
bonded us. Moonlight and lake
and the transcendent stars
were our true homeland.
Some friendships
are instant, and last forever.
I moved to New York. I heard
he was swept away by religion,
at least for a while, and then
I heard no more of him.
Decades later, at a college reunion
for those of the Woodstock years
I heard it said casually
that he had drowned himself,
rock-weighted, self-hurled
from the top of a bridge.
In mind’s eye I saw
his weighted jacket,
the too-deep water,
the ignominy of a found body,
the pointless inquest,
the baffled, pained, guilty faces
of the left-behind.
I left the reception,
closed tight the door
of the cinder-block dorm
and wept uncontrollably.
That half-an-hour’s grief
should be enough for anyone,
but it did not abate.
What was the use of his death
except to those who stand and weep —
who must, in one life,
fill, and refill the cup of grief,
so early, and so many times?
What would I not have given to save him?
Why is self-murder a crime against the living?
If only magic could bring him back,
I would sit with ring and book
until the world collapsed
into its core of iron,
until the loam of the soil parted
and his dark laughter exploded
from his unremembered grave!
If only souls were immortal!
(The heart breaks, wishing it were so,
hoping to force from nature
what it cannot give).
If my hand raked soil
to touch the tip
of his dead fingers,
it would be our first
and only caress.
Afterwards
by Brett Rutherford
Monday, December 5, 2022
The Funeral of Adonis
by Brett Rutherford
Wednesday, November 30, 2022
Watching Her House
by Brett Rutherford
after Meleager, The Greek Anthology. V.
191
Was it
with cunning
that
Zenophila occupied
a
three-doored house —
front, back,
and that secret garden door —
so try
as one might
there is no place to spy
the comings
and goings
of lady
and maid,
peddler
and ash-carrier,
let
alone my rivals
who
might at any time
at any
door
with
signal-knock
and a
full purse
gain
entry?
I
forgive nothing.
I wake
up in
a certain state
and forgive all,
if but
the door
of its own
free will,
unknocked
upon,
would
open suddenly,
and
she, seeing me,
would
wave and beckon.
But no,
I watch, unsure.
She is
seldom alone, it seems.
Cloaked
figures approach
and turn the corner,
someone younger, taller,
passes the front door
again and again – dare he?
Oh, for
the hundred eyes
of Argos,
the unsleeping,
jealous
watchman.
But even Argos can only be
in one
place at one time.
Night
makes it worse,
when
every bright star
and that
lantern moon
guide
her lovers here.
The faint pluck of a kitar,
flute-breath,
a tenor high-
note
sung pianissimo: if I rush
to
confront them, they run
to the other side unseen
to serenade her.
Or do I
imagine all this? Is she
alone in
there, no friend
except her
fading lamp,
to which
she confesses
her
actual yearnings?
Or does
she douse the lamp
as eager
hands reach for her?
Aphrodite,
born of Cyprus,
I’ll dedicate a wreath to you
and leave it at her door,
but it
shall be a wilted thing
so much have I wept over it.
To Cypris,
with regrets, this gift
from Meleager rests
upon Love’s sepulchre,
for
here I learned
your secret revels,
and here parted ways
forever
with my dignity.
Youth! Shun this house!
Wealth! Pass on by!
Folly! just knock three times
and take what Meleager
never
won, and losing it,
gained his own soul again.
Lost and Found
by Brett Rutherford
Monday, November 28, 2022
Too Much of a Good Thing
by Brett Rutherford
That Monster Child
The Victory of Eros, Metropolitan Museum
by Brett Rutherford
adapted from Meleager, The Greek Anthology, v. 178, v.
177
So there was some lump-sack
of a woman, pounding
at my door. “Come quick!”
she cried. “The mistress
has had your baby!”
“You?” I said. “Maid
of what lady?”—
“Zenophila.” —
“Ha!” What mischief is this?
I saw her two weeks back,
her belly as flat
as a school-girl’s.” —
“Nonetheless, there is a child.”
More amazed than angry,
I set out.
Doubtless some prank this was.
There would be laughter later,
and then wine.
I took my time arriving.
Let them fret, who thought
they could amuse themselves
at my discomfort. But then,
I reached her door, and hearing
an infant’s cry, I froze.
Pushing me in, the maid
rushed over and took
from Zenophila’s arms
a shapeless wad of bedsheets,
a ruby face wrapped tight
in them as an Egyptian mummy.
“Acknowledge your child!” Zenophila
now shrieked, not even offering a hand
or rising to greet me. The nurse,
meanwhile, embared her breast to feed
the red-faced, pug-nosed monster,
its lips a-pucker with a frightful greed.
He'd drain her dry, I warranted,
and squall for more.
“This
— this —
is not possible, “ protested I,
pointing to it, and then to her.
“Would you deny it?” protested she.
“Your child and mine. No one
was as surprised as me. I woke,
and there he was, all swaddled up.
I saw your face the moment
I looked at him.”
“That’s not
the way it works!” I told her. “No one
delivers up a baby while she sleeps!
You would have been sick for months,
swollen like a behemoth. Old crones
would have been visiting, with charms
and baby-names.” The maid
regarded me and made the “crazy” sign.
But then this woman, in the bed
I had indeed shared with her, went on:
“You own a house. You need a wife.
There’s nothing to be done
but take us in.”
I was beside myself. “Sell it!”
I shouted. “If it has all its limbs,
some childless couple will take it.” —
“He’s perfect in every way.
A mother knows these things.”—
“He’s biting me!” the maid exclaimed,
pushing the bundle away from her.
“He has long fingernails and teeth,
and I swear he looked at me
indecently when I first showed my breast.”
The snub-nosed monster laughed at this,
and seemed to mumble in a unknown language.
I took a closer look. The cherub-face
bore no resemblance to my own.
It was an imp, a savage, an all-around
monster. “No, sell it this instant!
Ask any passing peddler if his house
is in the countryside, and if
his neighbors need a child to rear.
Let this one grow up to till the fields
or guard a flock of sheep or goats.”
Now came a flood of tears. Women
can be so monothematic when it comes
to matters of home and hearth, you know.
I wanted to prevaricate, to say,
“Already, poor woman, do I have a wife,
as barren as a salt mine, to whom”
I seldom speak, and wish to keep it so.”
But no, Greek weddings are anathema
to me, and as for infants, I view
them as a pestilence, best kept indoors
until they attain the age of reason.
Yet Zenophila was no schemer.
Investigation was called for. Ah, here,
the bed was aslant, one leg knocked off.
The coverings were ripped to tatters,
and oil-stains were everywhere.
“What happened here last night?”
I asked the maid. “Was she alone,
or was there a gentleman caller?”
Her fingers made the number “three.”
“Three gentlemen callers? Last night?”
Searching, I found
a little pewter amulet
Antaeus and Hercules encarved,
the kind that young wrestlers wear.
Waving the amulet, I accused her:
“Three! Three from the wrestling school!
Three in your bed! Deny it!”
“They offered a demonstration,”
the girl protested. “Since women are not
permitted to see the matches, how else
could I expand my learning?”
I bit
my tongue and did not say, “Try reading.”
“So they showed you their moves.
First on the floor where sandal scuffs
are rampant, and then they moved on
to the mattress — o wide enough it was
for three, and then for four.” —
“One thing
just led to another,” she said, not blushing.
“That neither they nor you have shame,”
I calmly conjectured, “reveals the truth.”
“Hand me the infant!” —
“Oh,
do not harm it!”
The maid complied. Slowly, I pulled
apart the folds of tight swaddling,
enough to see, at shoulder’s base
the thing I expected to find.
“You pretty fool! You have upended
the universe with your dalliance.
All is made clear. Attend and listen.
Just yesterday, in gloom of dusk
three boys stayed late to test
each other with their new-learned art.
They piled on one another grappling,
when who should come along
but that flying Eros, known as Cupid
to some, and seeing them,
and having one last lust-engendering
arrow, he set it loose at them.
A single love-shaft struck all three.
One said, in a passing sigh,
'O Zenophila, in your arms
I would expire tonight'
and the amatory accord was made.
Three yearned as one, and for the same
eyes, lips, breasts and belly.
So at your door they came, in amity,
intent to share one bed with you,
and, triple-charmed, poor girl,
there was nothing you could do.
So there they tangled their oiled limbs
and you fell in with all that flesh a-snarl
the same as Laocoön’s sons
amid the serpents of the Hellespont.
The little monster followed them in.
You did not notice him hovering there.
He likes to watch, you know. Doubt me?
Then look and see.”
I
handed it her.
She peeked where I had parted
the tossed-off bedsheet wrapping.
“A wing! A feathered wing!” —
“None other than Eros himself,
Son of Aphrodite by who knows whom.
The little voyeur was hovering
when up and around him the sheet
went flying. With every move
he netted himself until at last
he lay there, immobilized.
“What a houseguest you have here!
Not one but two stepfathers has he.
One the god of war, stern Ares,
the other volcano-belching Hephaestus.
His grandmother is the whole wide sea,
but father he has none, and so is doomed
to be the begetter of random loving,
the favored sport of our kind.
“Somewhere inside that mess of cloth
are his little bow and a quiver,
most certainly empty now, whose arrows
turn rational men to madmen
and make fools of wise women.”
The maid now took me to task.
“Your knowledge of the gods,
great Meleager, befits a poet,
but is there not a marvel here?
What if this is some demigod,
newborn of a poet’s forethought,
new under the sun and moon,
a winged child, to bring his mother
honor and to enhance your fame?
Why not adopt the child?” —
“Yes, dear,”
pled Zenophila. “A wonder child.
Will he not add to your fame and fortune?”
“No to both of you. We must release him.
The wrath of Aphrodite is not to be borne.
Unless you set him free, no love
will come unbidden to anyone.
No suitor will plead, no girl or boy
will be patted expectantly, or sought
for trade for this or that, to surrender.
There will be no affection for fun.
Sexless will the whole city go
except for the bored and dutiful
husband-and-wife coupling.”
And so, I unbound the cloth
and up and out the monster went,
two wings and a bow and a quiver,
a flash of pink flesh into the glare
of sun and the birds sang out for joy.
Friday, November 25, 2022
Seeing the Light
by Brett Rutherford
adapted from Meleager, The Greek Anthology
v., 175
“Never come unannounced to a lady’s door!”
Woman, I am no longer deceived!
That you were never true to me, that
your every vow and promise was false,
is so apparent in the light of noon.
Just look at you! Your unwashed locks
are pasted down with last night’s sweat.
Have you no mirror? Those eyes,
so heavy-lidded for lack of sleep
are a confession all their own. The marks
of the garland you wore all night
still press your greasy brow. Your hair
just now so freely tossed to seem casual,
bears all the signs of manhandling.
In just those few steps you took
from door to table, you tottered.
Parties, if not orgies,
there must have been:
the empty amphorae outside
did not escape me, nor the heap
of shells and chicken bones,
betraying how many visitors enjoyed
more than an afternoon call.
I am done with you, public woman.
I’d rather sleep
with Priapus’s grandmother.
Dancing shoes have you?
Go spin about, and tilt, and show
your cleavage to any lout
who has a lyre
and a paved floor above
a well-stocked wine-bin.
No doubt you own castanets, too,
and a wanton’s change-purse,
for the kind of thing you do, is done
in an alley for half a copper.
Hold Back the Dawn
by Brett Rutherford
adapted from Meleager, The Greek Anthlogy, v, 172
What I intended to do
with Meno, one summer night
cannot contain, Short,
too short, the span between
Venus the evening star,
and Venus again
of the morning.
Look, with a lad
so willing, I feel
young again myself.
Five times in as many
hours, not bad!
We have one night,
and one night only,
as his watchful parents
intend to whisk him away
to their summer cottage,
one night to wash away
my bitter sorrows
with love’s laughter.
So, Morning Star, you bane
of love, why not oblige me
by turning your course backwards,
until, as Evening Star,
you prelude again my
extended efforts?
You did this once for Zeus —
all know the story — so that
Alcmene would be
thoroughly overcome,
engendering Heracles:
now that’s a night’s work!
I understand reluctance.
Moving some planet about
and drugging the sun
to delay his business,
would cause a tumult
among astronomers,
and Ptolemy
would cast his ordered spheres
into the waste-bin
if he noticed it.
But listen, planet dear,
the goddess and her son
are on my side. A poet’s
reputation is at stake.
Imagine my immortal
renown as a lover if he,
among those young men
idling in the agora,
saw me and pointed and said:
“Look there! You’d never guess
that middle-aged Meleager,
a peer among poets, invoked
some planetary magic so that —
I swear I do not exaggerate —
I was ten times topped
between dusk and dawn.”
Planet of love, turn back!
Wednesday, November 23, 2022
Prayer to Night
by Brett Rutherford
adapted from Meleager, The Greek Anthology v, 165-166.
1
Black-winged Night,
or Goddess of primeval
Nothingness,
mother and progenitor
of all the Titans,
hear my supplication
— if a poet’s prayer
means anything at all
to such a cosmic entity! —
this is about my lady
love, Heliodora —
yes, her again! She says
she is “indisposed,”
but just as you, Night,
companion my revels,
so too you gave me eyes
as keen as owls’, to see
that tall one slink by
her door, and back,
and then dart sideways
into the alley, o where
that garden gate so oft
is absent-mindedly left
unlocked and ever so
slight ajar —
Night, goodly and kind,
Night, I plead, if it
so happens that he,
no better than a thief,
now lies entwined with her
in those fabled bed-sheets;
if his desire is kindled
by her body’s heat — Night,
douse the lamp, reach out
and touch his eyelids
and render him paralyzed
in such a stupor that
even her agile fingers
will give him no satisfaction.
Harmless as a kitten
and just as impossible
to dislodge, let him sleep
till dawn, a second
Endymion.
2
Noon! What trick is this?
I slept. My rival got away
with everything!
My vigil failed, the lamp
too soon expired; bad dreams
tormented me, and all
were visions of Heliodora
unfaithful to me. Her heart
is a vast cenotaph in which
not even a shard of me
remains. Do no tears come
when she remembers me?
When her own fingers
caress herself, does she
not wish the hands were mine?
No more shall I trust
the little god graven
on her brass lamp
to do my bidding.
(Flame up and flicker
and flutter off at will —
What fool I was to think
it would obey me!)
And as for you, O Night,
the acolytes of Orpheus
exaggerate your sway.
What did I expect, anyway,
from a floating abstraction
made up by some poet?