by Brett Rutherford
after Meleager, The Greek Anthology. V.
191
Was it
with cunning
that
Zenophila occupied
a
three-doored house —
front, back,
and that secret garden door —
so try
as one might
there is no place to spy
the comings
and goings
of lady
and maid,
peddler
and ash-carrier,
let
alone my rivals
who
might at any time
at any
door
with
signal-knock
and a
full purse
gain
entry?
I
forgive nothing.
I wake
up in
a certain state
and forgive all,
if but
the door
of its own
free will,
unknocked
upon,
would
open suddenly,
and
she, seeing me,
would
wave and beckon.
But no,
I watch, unsure.
She is
seldom alone, it seems.
Cloaked
figures approach
and turn the corner,
someone younger, taller,
passes the front door
again and again – dare he?
Oh, for
the hundred eyes
of Argos,
the unsleeping,
jealous
watchman.
But even Argos can only be
in one
place at one time.
Night
makes it worse,
when
every bright star
and that
lantern moon
guide
her lovers here.
The faint pluck of a kitar,
flute-breath,
a tenor high-
note
sung pianissimo: if I rush
to
confront them, they run
to the other side unseen
to serenade her.
Or do I
imagine all this? Is she
alone in
there, no friend
except her
fading lamp,
to which
she confesses
her
actual yearnings?
Or does
she douse the lamp
as eager
hands reach for her?
Aphrodite,
born of Cyprus,
I’ll dedicate a wreath to you
and leave it at her door,
but it
shall be a wilted thing
so much have I wept over it.
To Cypris,
with regrets, this gift
from Meleager rests
upon Love’s sepulchre,
for
here I learned
your secret revels,
and here parted ways
forever
with my dignity.
Youth! Shun this house!
Wealth! Pass on by!
Folly! just knock three times
and take what Meleager
never
won, and losing it,
gained his own soul again.
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