Wednesday, November 30, 2022

Watching Her House

 by Brett Rutherford

     after Meleager, The Greek Anthology. V. 191

 

Was it with cunning

that Zenophila occupied

a three-doored house —
front, back,
    and that secret garden door —

so try as one might
there is no place to spy

the comings and goings

of lady and maid,

peddler and ash-carrier,

let alone my rivals

who might at any time

at any door

with signal-knock

and a full purse

gain entry?

 

I forgive nothing.

I wake up in

     a certain state
and forgive all,

if but the door

of its own free will,

unknocked upon,

would open suddenly,

and she, seeing me,

would wave and beckon.

 

But no, I watch, unsure.

She is seldom alone, it seems.

Cloaked figures approach
and turn the corner,
someone younger, taller,
passes the front door
again and again – dare he?

 

Oh, for the hundred eyes

of Argos, the unsleeping,

jealous watchman.
But even Argos can only be

in one place at one time.

 

Night makes it worse,

when every bright star

and that lantern moon

guide her lovers here.
The faint pluck of a kitar,

flute-breath, a tenor high-

note sung pianissimo: if I rush

to confront them, they run

to the other side unseen

to serenade her.

 

Or do I imagine all this? Is she

alone in there, no friend

except her fading lamp,

to which she confesses

her actual yearnings?

Or does she douse the lamp

as eager hands reach for her?

 

Aphrodite, born of Cyprus,
I’ll dedicate a wreath to you
and leave it at her door,

but it shall be a wilted thing
so much have I wept over it.

To Cypris, with regrets, this gift
from Meleager rests

     upon Love’s sepulchre,

for here I learned

     your secret revels,
and here parted ways

forever with my dignity.
Youth! Shun this house!
Wealth! Pass on by!
Folly! just knock three times
and take what Meleager

never won, and losing it,
gained his own soul again
.



Lost and Found

 by Brett Rutherford

     adapted from Meleager, The Greek Anthology, v, 177, 176

Missing: one feral child.
Just as the city opened its gates
to admit the farmer and fisherman,
he fled the other way. Say, did you see

how he flew from someone's bedroom --
a child too young to know such things --
and was last seen in the treetops
and then who knows where, as though
the unmanageable child had wings.

If you see such a one, almost naked,
laughing and chattering, foul-mouthed,
prancing about with toy bow-and-arrow,
send word to Zenophila. Poor woman,
she doesn't know the father's name:
the Sky -- the Earth -- the Sea -- who knows?

Throughout the town this boy is hated.
His tricks have ruined marriages
and he is said to lead bad men
to even worse women.

So do not take him in if you prize
the peace of your household.
Summon Zenophila and her net.

Hark! Someone has seen him!
Send for the woman deceived
     who wishes such a being
     to share her hearth and table.

The little archer --
     they've got him cornered.
A ruby ring for whoever lays hands
     and holds him!
Now Zenophila comes -- make way --
fierce as a witch with an evil eye,
she chides the boy,
"Deinos, Eros, deinos!
Dreadful is Love, dreadful!"

Monday, November 28, 2022

Too Much of a Good Thing

by Brett Rutherford

     adapted from Meleager, The Greek Anthology, v. 57

Persistent as a seagull, a cormorant,
as arrogant as a pigeon in the square,
Eros descends on me, earth-bound,
hemmed into one city whose walls
I seldom leave out of sight: target

almost as predictable as a statue —
show me some mercy. Hot arrows
descend weekly, daily — in summer,
I swear, hourly — demanding I pursue
this one and that one, never-ending.

Is it my destiny to fall in love
with everything two-legged?
Before my loins give out, my soul
will part ways with me. Cruel boy,
making the fool of me, a soul, too,
has wings, and what if she leaves?

That Monster Child

The Victory of Eros, Metropolitan Museum


 by Brett Rutherford 

adapted from Meleager, The Greek Anthology, v. 178, v. 177

So there was some lump-sack
of a woman, pounding
at my door. “Come quick!”
she cried. “The mistress
has had your baby!”

“You?” I said. “Maid
of what lady?”—

                                “Zenophila.” —

“Ha!” What mischief is this?
I saw her two weeks back,
her belly as flat
as a school-girl’s.” —

“Nonetheless, there is a child.”

More amazed than angry,
I set out.
Doubtless some prank this was.
There would be laughter later,
     and then wine.

I took my time arriving.
Let them fret, who thought
they could amuse themselves
at my discomfort. But then,
I reached her door, and hearing
an infant’s cry, I froze.

Pushing me in, the maid
rushed over and took
from Zenophila’s arms
a shapeless wad of bedsheets,
a ruby face wrapped tight
in them as an Egyptian mummy.

“Acknowledge your child!” Zenophila
now shrieked, not even offering a hand
or rising to greet me. The nurse,
meanwhile, embared her breast to feed
the red-faced, pug-nosed monster,
its lips a-pucker with a frightful greed.
He'd drain her dry, I warranted,
and squall for more.

                                         “This — this
is not possible, “ protested I,
pointing to it, and then to her.
“Would you deny it?” protested she.
“Your child and mine. No one
was as surprised as me. I woke,
and there he was, all swaddled up.
I saw your face the moment
I looked at him.”

                                 “That’s not
the way it works!” I told her. “No one
delivers up a baby while she sleeps!
You would have been sick for months,
swollen like a behemoth. Old crones
would have been visiting, with charms
and baby-names.” The maid
regarded me and made the “crazy” sign.
But then this woman, in the bed
I had indeed shared with her, went on:
“You own a house. You need a wife.
There’s nothing to be done
but take us in.”

I was beside myself. “Sell it!”
I shouted. “If it has all its limbs,
some childless couple will take it.” —

“He’s perfect in every way.
A mother knows these things.”—

“He’s biting me!” the maid exclaimed,
pushing the bundle away from her.
“He has long fingernails and teeth,
and I swear he looked at me
indecently when I first showed my breast.”
The snub-nosed monster laughed at this,
and seemed to mumble in a unknown language.

I took a closer look. The cherub-face
bore no resemblance to my own.
It was an imp, a savage, an all-around
monster. “No, sell it this instant!
Ask any passing peddler if his house
is in the countryside, and if
his neighbors need a child to rear.
Let this one grow up to till the fields
or guard a flock of sheep or goats.”

Now came a flood of tears. Women
can be so monothematic when it comes
to matters of home and hearth, you know.
I wanted to prevaricate, to say,
“Already, poor woman, do I have a wife,
as barren as a salt mine, to whom”
I seldom speak, and wish to keep it so.”

But no, Greek weddings are anathema
to me, and as for infants, I view
them as a pestilence, best kept indoors
until they attain the age of reason.

Yet Zenophila was no schemer.
Investigation was called for. Ah, here,
the bed was aslant, one leg knocked off.
The coverings were ripped to tatters,
and oil-stains were everywhere.
“What happened here last night?”

I asked the maid. “Was she alone,
or was there a gentleman caller?”
Her fingers made the number “three.”
“Three gentlemen callers? Last night?”

Searching, I found
     a little pewter amulet
     Antaeus and Hercules encarved,
the kind that young wrestlers wear.

Waving the amulet, I accused her:
“Three! Three from the wrestling school!
Three in your bed! Deny it!”

“They offered a demonstration,”
the girl protested. “Since women are not
permitted to see the matches, how else
could I expand my learning?”

                                                             I bit
my tongue and did not say, “Try reading.”
“So they showed you their moves.
First on the floor where sandal scuffs
are rampant, and then they moved on
to the mattress — o wide enough it was
for three, and then for four.” —

                                                     “One thing
just led to another,” she said, not blushing.

“That neither they nor you have shame,”
I calmly conjectured, “reveals the truth.”

“Hand me the infant!” —

                                    “Oh, do not harm it!”

The maid complied. Slowly, I pulled
apart the folds of tight swaddling,
enough to see, at shoulder’s base
the thing I expected to find.

“You pretty fool! You have upended
the universe with your dalliance.
All is made clear. Attend and listen.
Just yesterday, in gloom of dusk
three boys stayed late to test
each other with their new-learned art.
They piled on one another grappling,
when who should come along
but that flying Eros, known as Cupid
to some, and seeing them,
and having one last lust-engendering
arrow, he set it loose at them.

A single love-shaft struck all three.
One said, in a passing sigh,
          'O Zenophila, in your arms
          I would expire tonight'

and the amatory accord was made.
Three yearned as one, and for the same
eyes, lips, breasts and belly.

So at your door they came, in amity,
intent to share one bed with you,
and, triple-charmed, poor girl,
there was nothing you could do.

So there they tangled their oiled limbs
and you fell in with all that flesh a-snarl
the same as Laocoön’s sons
amid the serpents of the Hellespont.

The little monster followed them in.
You did not notice him hovering there.
He likes to watch, you know. Doubt me?
Then look and see.”

                                        I handed it her.
She peeked where I had parted
the tossed-off bedsheet wrapping.

“A wing! A feathered wing!” —

“None other than Eros himself,
Son of Aphrodite by who knows whom.
The little voyeur was hovering
when up and around him the sheet
went flying. With every move
he netted himself until at last
he lay there, immobilized.

“What a houseguest you have here!
Not one but two stepfathers has he.
One the god of war, stern Ares,
the other volcano-belching Hephaestus.
His grandmother is the whole wide sea,
but father he has none, and so is doomed
to be the begetter of random loving,
the favored sport of our kind.

“Somewhere inside that mess of cloth
are his little bow and a quiver,
most certainly empty now, whose arrows
turn rational men to madmen
and make fools of wise women.”

The maid now took me to task.
“Your knowledge of the gods,
great Meleager, befits a poet,
but is there not a marvel here?
What if this is some demigod,
newborn of a poet’s forethought,
new under the sun and moon,
a winged child, to bring his mother
honor and to enhance your fame?
Why not adopt the child?” —

                                                    “Yes, dear,”
pled Zenophila. “A wonder child.
Will he not add to your fame and fortune?”

“No to both of you. We must release him.
The wrath of Aphrodite is not to be borne.
Unless you set him free, no love
will come unbidden to anyone.
No suitor will plead, no girl or boy
will be patted expectantly, or sought
for trade for this or that, to surrender.
There will be no affection for fun.
Sexless will the whole city go
except for the bored and dutiful
husband-and-wife coupling.”

And so, I unbound the cloth
and up and out the monster went,
two wings and a bow and a quiver,
a flash of pink flesh into the glare
of sun and the birds sang out for joy.

Friday, November 25, 2022

Seeing the Light

by Brett Rutherford  

      adapted from Meleager, The Greek Anthology v., 175

“Never come unannounced to a lady’s door!”

Woman, I am no longer deceived!
That you were never true to me, that
your every vow and promise was false,
is so apparent in the light of noon.

Just look at you! Your unwashed locks
are pasted down with last night’s sweat.
Have you no mirror? Those eyes,
so heavy-lidded for lack of sleep
are a confession all their own. The marks
of the garland you wore all night
still press your greasy brow. Your hair
just now so freely tossed to seem casual,
bears all the signs of manhandling.

In just those few steps you took
from door to table, you tottered.
Parties, if not orgies,
     there must have been:
the empty amphorae outside
did not escape me, nor the heap
of shells and chicken bones,
betraying how many visitors enjoyed
more than an afternoon call.

I am done with you, public woman.
I’d rather sleep
with Priapus’s grandmother.

Dancing shoes have you?
Go spin about, and tilt, and show
your cleavage to any lout
     who has a lyre
and a paved floor above
a well-stocked wine-bin.

No doubt you own castanets, too,
     and a wanton’s change-purse,
for the kind of thing you do, is done
     in an alley for half a copper.

     

Hold Back the Dawn

 by Brett Rutherford

     adapted from Meleager, The Greek Anthlogy, v, 172

What I intended to do
with Meno, one summer night
cannot contain, Short,

too short, the span between
Venus the evening star,
and Venus again
     of the morning.

Look, with a lad
     so willing, I feel
young again myself.
Five times in as many
hours, not bad!

We have one night,
    and one night only,
as his watchful parents
intend to whisk him away
to their summer cottage,
one night to wash away
my bitter sorrows
     with love’s laughter.

So, Morning Star, you bane
of love, why not oblige me
by turning your course backwards,
until, as Evening Star,
you prelude again my
     extended efforts?

You did this once for Zeus —
all know the story — so that
Alcmene would be
     thoroughly overcome,
engendering Heracles:
now that’s a night’s work!

I understand reluctance.
Moving some planet about
and drugging the sun
to delay his business,
would cause a tumult
among astronomers,
     and Ptolemy
would cast his ordered spheres
into the waste-bin
if he noticed it.

But listen, planet dear,
the goddess and her son
are on my side. A poet’s
reputation is at stake.
Imagine my immortal
renown as a lover if he,

among those young men
idling in the agora,
saw me and pointed and said:

“Look there! You’d never guess
that middle-aged Meleager,
a peer among poets, invoked
some planetary magic so that —
I swear I do not exaggerate —
I was ten times topped
between dusk and dawn.”

Planet of love, turn back!

 

 

Wednesday, November 23, 2022

Prayer to Night

by Brett Rutherford

     adapted from Meleager, The Greek Anthology v, 165-166.

1

Black-winged Night,
   or Goddess of primeval
     Nothingness,
mother and progenitor
of all the Titans,
hear my supplication

— if a poet’s prayer
means anything at all
to such a cosmic entity! —

this is about my lady
love, Heliodora —
yes, her again! She says
she is “indisposed,”

but just as you, Night,
companion my revels,
so too you gave me eyes
as keen as owls’, to see

that tall one slink by
her door, and back,
and then dart sideways
into the alley, o where
that garden gate so oft
is absent-mindedly left
unlocked and ever so
     slight ajar —

Night, goodly and kind,
Night, I plead, if it
so happens that he,
no better than a thief,

now lies entwined with her
in those fabled bed-sheets;
if his desire is kindled
by her body’s heat — Night,

douse the lamp, reach out
and touch his eyelids
and render him paralyzed
in such a stupor that
even her agile fingers
will give him no satisfaction.

Harmless as a kitten
and just as impossible
to dislodge, let him sleep
till dawn, a second
Endymion.

 

2

Noon! What trick is this?
I slept. My rival got away
with everything!
My vigil failed, the lamp
too soon expired; bad dreams
tormented me, and all
were visions of Heliodora
unfaithful to me. Her heart
is a vast cenotaph in which
not even a shard of me
remains. Do no tears come
when she remembers me?
When her own fingers
caress herself, does she
not wish the hands were mine?

No more shall I trust
the little god graven
on her brass lamp
to do my bidding.
(Flame up and flicker
and flutter off at will —
What fool I was to think
it would obey me!)

And as for you, O Night,
the acolytes of Orpheus
exaggerate your sway.
What did I expect, anyway,
from a floating abstraction
made up by some poet?

Tuesday, November 22, 2022

Bee, Tell Me Not

by Brett Rutherford 

     adapted from Meleager, The Greek Anthology v, 163

The bee, just back
from my mistress's ear,
heavy with pollen
from the garden blooms,

passes her by: false scent,
and a sting of her own,
sends him back out
to his hive-queen duty.

Bee, there is nothing
you can tell me of her
I do not already know.
Deep have I nestled there,
no bud of spring so sweet,
no rose-heart falling
drunk on its own aroma
can match the dawn aura,

the red-fringed lily
of Heliodora rising.

Love By Stealth

by Brett Rutherford

     adapted from Meleager, The Greek Anthology, v. 160

Pale-cheeked Demo
has a weekend lover!
So this new Jewish
boyfriend gets to press himself
full-length and naked

next to the one for whom
my vision blurs, heart palpitates.
Those cheeks! those thighs!
no wonder the
Sabbath-breaker lingers
to take his pleasure.

Back in this stately mansion,
where candles are lit
over a cold repast,
nothing is permitted --
but here, everything!

I hope this suitor learns
what gods look over him!


The Weapon

 by Brett Rutherford

     from Meleager, The Greek Anthology v, 157

Beware! that woman
Heliodora has
one fingernail
extending out
beyond the others.

So sharp it is
that one light scratch
afflicts the heart:
love poisoning!

Monday, November 21, 2022

Mosquito Jealousy

 by Brett Rutherford

Adapted from Meleager, The Greek Anthology, v.152-153

1

Blood-sucking and shameless,
the little monsters come
in ones and twos, and dozens,
to pester Heliodora’s sleep.

Winged predators, be warned:
the lady must be allowed
her beauty-sleep: on this
the whole city is counting.

Here are my arms, all bare
as a I kneel at her bedside.
Am I less savory? Young veins
are pulsing with love-heat,

So have your way with me.
Here comes a cloud of your
sisters to feed on her:
One by one, must I crush you?

 

2

My vigil done, to home
and my own sleepless bed
I crept away. Just as I turned
the corner, a cloaked man,
younger and taller than me,
approached the garden wall.

I shuddered and turned
my back to him – did he pass on,
or did he leap the wall,
and is he now with her
another of her secret lovers?

One solitary mosquito lights
upon my forearm and waits
for instruction. Friend insect,
once you have fed on me,
pray land on Heliodora’s ear
and whisper this message:

"One who adores you,
kept watch at the foot
of your curtain’d bed.

"Sleep not, fair sluggard.
Have those small vampires
left you so somnolent
that someone’s arms
embracing you seem but
a dream ongoing?

"Does someone younger,
taller, yet timid in love,
sleep nestled brotherly
beside you?" Tell me,
mosquito spy and pander,
that I have nothing to fear!

O nearly-weightless monster,
had I but Hades’ or Hecate's
power, I would bulk you up
with the muscles of Hercules
and send you off to fetch her!

Do this for me, and for my part,
instead of crushing you,
blood and all, a smear
upon my fingers, I’ll give
you the hero’s lion-skin
and send you off well-armed,
demigod of Mosquito-Land!

 

Spring Garland

 by Brett Rutherford

Adapted from Meleager, The Greek Anthology V.147

Which, the spring meadow, or
Heliodora’s wild tresses, grass
bursting green at verge of spring,
or the blond-gold weave and braid
I cannot stop caressing? Which?

Spring is her rival with white violets,
Narcissus amid the myrtle berries
makes one forget all other beauties.
Here come the lilies, mocking me
with fragrance a woman can wear

with artifice only. Crocus and hyacinth,
what more delicate, fair
as a new born fledgling, young
as never shall we be again? --
oh, unbearable, the thought
that roses will come back again,

her only real rivals. Put all
in a wreath, and watch
as she embrows herself,
the petals scattering
amid those impossible curls.

For this, most flowers die
willingly.

Trapped

 by Brett Rutherford

     from Meleager, Greek Anthology v.96

To kiss you, Timarion, is to step
in quicksand, or be stuck
like a hapless dove in bird-lime
that terrible glue bird-catchers make
from the bark of the holly tree.

I did not see it coming. Blinded
I was by the fire in your eyes.

Your glance is phoenix-fire,
your touch the tender trap
that will not let me go.


Tuesday, November 15, 2022

At the Temple of Ares

 by Brett Rutherford

     after Meleager, Greek Anthology VI, 163

O God of War, I blush with shame
and haste to clear your portal
of these disgusting offerings:

a mock sword, mock spear,
a shield of no more use
than a cake platter,
garlands and roses, ribbons
and stalks of wheat,
a maiden's under-
garments, trophies
of someone's
wedding night.

I am not amused,
and neither is Ares,
who fortunately sleeps
right now below horizon
or there'd be hell to pay.

The proper offerings here
are pointy spears, lances
broken in battle's fervor,
helmets shorn of plumes,
a dented shield with both
one's own and the enemy's
blood proudly unwiped.

Young man, no matter
how long you fought
the fierce virgin, and won,
don't crow about it.

The precinct of Ares
is for men of arms,
and blood on bronze.

The Cats of Kilkenny



by Brett Rutherford

Just like a bunch
of Hessian soldiers
garrisoned and bored
in rebellious
Ireland, to take bets
on which of two cats,
tied tail-to tail and flung
over a washer-woman's
clothes-line, which
would prevail -- the black
or the tabby?

Both toms
to make it worse,
they tore one another
bloody, no place to run,
no way to signal
polite surrender,
they howled and clawed
and howled
and clawed and howled --

until an outraged
officer came out
from his beer-stupor
and demanded an end
to the feline fray.

One lop of the sword
and both cats fell,
fled tail-less
to opposite points
of the compass.

When higher-ups heard
Mrs. Kelley's complaint
of two bloody tails
amid her husband's
long underwear,

the soldiers swore
to a tall-tale of tails:
the charms of one
lady cat, sunning herself
on a fence top,
provoked an act
of mutual cannibalism
between two Romeos.

"Ate one another, they did,"
one soldier explained.
Cat fight of the century
in fair Kilkenny,
completely consumed
they were, all gone,
all but the tails.


Monday, November 14, 2022

Callimachus at Alexandria



Adaptations and expansions from the ancient Greek, by Brett Rutherford. Callimachus was born around 310 BCE in Cyrene, a Greek city in what is now Libya. He found his way to Alexandria, and after some years of poverty as a school-teacher, he was noticed by one of the Ptolemies and called to court. In accounts written centuries later, he is described as either working at, or being in charge of, the Great Library of Alexandria. He is known to have written some 800 works, including an epic on the secret origins of various gods and mythological figures. The only extant complete works of this ancient Greek master are 64 epigrams, and his eight Hymns to gods in the Homeric manner.

This volume presents new translations/adaptations of most of the epigrams, and two segments from the Homeric hymns. These poems are personal, imbued with the poet’s own personality; they are usually short, compressed, and brutally to the point. He did not invent the epigram, but created examples of breath-taking beauty. Even when the poem is an imaginary tombstone epitaph, the slightly self-mocking world-view of Callimachus shines through. Fate is brutal, life is short, and heroism mixed with passion are allowed to shine, even if they do not triumph.

Stuffy classicists of the past, mired in Puritanism and sexual repression, seemed unwilling to read between the lines and let Callimachus speak. We can now see him as the high-minded, aloof, gay librarian who lives down the hall, with a never-ending array of younger male companions, a man who lives well, eats well, and veers between joy and desolation, all on a librarian’s salary.

The poems in this volume are not literal translations. Although they contain most of the Greek’s words or phrases, much has been added to flesh out the narrative and to create a more modern, speaking voice. Other things are added to make each poem self-explicate so that footnotes are not needed. To varying extent, then, these are paraphrases, adaptations, and expansions. The form is improvised free verse, with a nod to the elegance and restraint of Roman poetry.

“Love Spells,” a poem by Callimachus’s friend and successor Theocritus, is also included.

The Poet's Press. This is the 305th publication of The Poet’s Press. Published October, 2022. Paperback, 82 pages, 6 x 9 inches. ISBN 9798355028183. $12.00.




Opus 300 - The Poet's Press Anthology


 

The 50th Anniversary Anthology — FREE DOWNLOAD. The Poet's Press celebrated its 50th anniversary in 2021. This 406-page oversize anthology contains the best and representative selections spanning the whole history of the press -- from long out-of-print chapbooks up to the present day. Brett Rutherford has chosen work from 146 poets and writers, including 363 poems, two play excerpts, and five prose works. Works are selected not only from single-author chapbooks and books, but also from the numerous anthologies published by the press.

This volume is full of surprises. Some of the best poems of Poet's Press principal authors like Barbara A. Holland and Emilie Glen are collected here along with works from poets as diverse as Hugo, Longfellow, Goethe, Scott, and Shelley. The Greenwich Village poets of the last Bohemia of the 1960s and 1970s are joined by their successors across the Hudson from the "Poets of the Palisades" poetry community. What all the poems share is that they are a delight to read.

This book also includes a year-by-year chronology of the publications of the press, a bibliography of authors and titles, and a list of all poets published in books from The Poet's Press and its imprints.

The Poet's Press. This is the 300th publication of The Poet’s Press. Published November, 2022. PDF ebook, 406 pages, 8-1/2 x 11 inches. CLICK HERE FOR FREE DOWNLOAD. Readers are encouraged to download and share this book. A print edition will be made available by special order for libraries and archives, but this book will NOT be sold on Amazon and will NOT be sold in bookstores.

Friday, November 11, 2022

An Oak Leaf, Solitary



 by Brett Rutherford

     after Lermontov

A single, solitary leaf of oak,
sensing disaster imminent
and prematurely brown,
breaks free of its tall parent
and in a fit of panic
hitches whatever breeze
comes first, and from it goes
above the treeline to cloud-
top, to where the Boreal
gods make annual rounds
from Arctic to Tropic.

Though he is young,
he has dreamt the death
of those who came before him,
     a holocaust,
hecatombs of his brothers piled.
From bark and root he knows
all history, an acorn chronicle
dating to Titans and Olympians.

In sight of the great inland sea
there grows a most splendid chinar —
an ancient sycamore — round top
a perfect hemisphere, million-leafed,
green, yellow, brown branded bark smooth,
rain-swept to glossy sheen, proud tree
which in the warm Crimean clime
has grown to the height of giants of old.

It is a citadel and a city of birds,
an avian metropolis of a thousand songs.
Men honor it, and spare the axe
for under the shade of one such,
Hippocrates taught medicine, and Socrates
befuddled the mind of Plato!

“Tree of Wonder! Give me shelter!”
So speaks the pilgrim leaf at edge of shade,
begging a restful interlude from sun
and from the decaying elements. “Regard me
as one from the desolate North, too soon
apart from my oaken sire, too young
to know what fraught danger awaited me.

“I trusted the wind, defying gravity.
I have been taken I know not where.
Dried up, my strength has abandoned me.
One day among your wholesome leaves so green
I would pass in your kind shadow.
Tales I can tell them of wonders seen.”

The sycamore is silent. Birds sing
oblivious, obsessed with love and feeding,
feathers of every hue a-flutter among
the broad leaves and spreading branchlets.
One song he understands: a lark
goes on and on about a mermaid
it has seen within the nearby bay.

“That was no mermaid,” the oak leaf offers.
“Fair bird, it was a submarine, a thing of war.
Iron arrows it carries, and a wall of fire
it can unleash upon both forest and city.”
But on the lark sings, of a golden palace,
and talking fish in a jeweled sky.

“Tree of Wonder! Heed my warning!”
So speaks the rasping and withered guest.
“The sky is full of metal birds. Bombs fall
and flatten towns full of innocent people.
Lunatics rage. Wheeled juggernauts
stake out imaginary lines and kill
to defend them. Humans’ hot breath
has swept the Polar Regions and set alight
dry woods and wolds. The gods themselves
would have not meted out so cruel a thing,
as they would smite the smiter first. Instead,
every last shrub will be crushed beneath them.”

Finally, the sycamore replies,
in voice as sweet as the oak had been stern:
“Always have I been tall, and green, and free.
If some thieving wind tears off a leaf,
     or branch, I grow a new one.

“Nest-builders have many times told us
of dark times coming! Stupid birds!
Every hawk is the death of them.
‘End of the world!’ they chatter on,
endlessly migrating north and south,
never content with where they are.

“We have no need of your bad messages.
Perfect we are, and perfect we shall be.
Does not an ocean nourish our roots?
Is not the sky the biggest sky of all?
Are not my birds the biggest crowd ever?” —

“Tree of Wonder!” Please remember!
Have not wars come and gone? Have not
your kind been burned and plowed under?” —

“Always have I been tall, and green, and free.
Be on your way and find some other shelter.
Sun blesses me, rain falls on me, the moon
dashes up and over to lull my sleep. Begone,
you dusty and malformed, tawny orphan!”

“Fool!” cries out the oak leaf. “I flee
your hateful shade on the next breeze upwards.
Just as you shed your bark, so too
you shed all troubling memories,
as innocent of history as a new-born babe.”

All the high sycamore counters
is its same idiot refrain:
“Always have I been tall, and green, and free.”


Mikhail Lermontov’s short lyric poem, “An Oak Leaf,”(1841)  is famous. It personifies the poet as a drifting oak leaf, flying from Russia into the warm clime of Crimea (part of the poet’s military life). The mysterious tree Lermontov calls the “chinar” is not so exotic as it seems, for the chinar is the sycamore or plane tree, whose "Western" variety is now a common sight in parks, public places and streets. My goal in making a new English adaptation of a poem is to make it into something new, so here I have expanded Lermontov’s original and made the sycamore tree into a narcissist speaking lines out of today’s headlines. And the oak leaf carries a warning of climate change, the last thing Donald Sycamore wants to hear.

 

 


Deceit

by Brett Rutherford

     adapted from Meleager,
     The Greek Anthology V, 184

I need not spy on you to know things,
unfaithful girl! I am a poet, after all,
and gods bring me little messages.
That you are lying is self-evident.
Call not on your gods to defend
falsehoods as black as night. Say
not that you slept alone, alone
in this bed you swore I was the only
guest to sweat its sheets with love,
alone you say, when I know otherwise.

"Alone! Alone" you repeat like a parrot.
Was not Cleon here an hour before me?
His smell is all over you: garlic
and axle-grease, a whiff of manure.
Gods gave me this nose for a reason!
"Oh no, not him!" you swear, profane
a divinity again with your oath:
watch lest your tongue fall out,
and half your teeth as well, liar!

I think I'll just leave. This mattress stinks
of the evil you have done in it.
Or shall I stay and read some Homer?
That should take some hours, I think.
Yes, I'll do that, and watch you fret
and steal quick glances at the door.
He's coming back again, I venture
to guess. With wine and a friend or two.
Well, let them come. I'll just read on.
Invoke your gods: you are no Helen.

Epigrams on Gravity

by Brett Rutherford

1
Gravity unkind to flesh,
the reason old folks
go not about
without their clothing,
what's up's
antithesis

2
Gravity,
the suicide's best friend
at cliff-edge, bridge
railing and tower-top
3

Avenging force,
weaver of sink-holes
that swallow the wicked,
lord of the nine-day fall
from here to hell

4
Gravity, the first
of the race of Titans,
the resultant between
creation's messy chaos
and the collapse to null

5
Gravity felt everywhere
and instantly, speed
of light no barrier,
transcendent yet not
a thing in itself --

no I and Thou
concerning Gravity --
not even a force
so-called, it is
the price of being.

God Has

by Brett Rutherford

GOD HAS

no wife
no son
no beard
no lady friends
or boyfriends
no grudge
no diet
no plan, no
thou shalt nots

no enemies
no favored kings
or princes
no national
boundaries
no favorite colors
no winning teams
no prayers heard
no idea where
the lost pet went

no warehouse
where the dead are kept,
no tally of names
and ancestry
no more in one place
than another,
no Golden Age
remembered,
no covenants there
to be reminded of
no wish
to be bothered at all

oh, and no name
to call him by,
no anagrams or sigils,
yet not, assuredly not
nothing at all
since his or its
eidolon persists.

One thing only
asserts itself
everywhere
and instantly,
a thing ironically
called "g"
elusive and
ineluctable, a thing
that makes anvils drop
on the heads of fools,
or apples to
the open hand --

Gravity!

Father and Son

The Titans were a nasty lot. Saturn (Kronos in Greek) always devoured his own offspring to prevent a new generation of gods. A rock was substituted for Zeus, so that the boy could be reared in secret in an oak tree. Later he would attack his father, cutting him open and releasing his brothers and sisters from the Titan's belly.

All of which provoked me to write this little epigram this morning:

FATHER AND SON
Saturn, thou sluggard,
swallowing stone,
mistaking a rock
for a swaddled babe,
you will pay!

Zeus slipped away,
oak-coddled
by his mother Rhea,
taking with acorn-milk
the seed of rebellion.

One day your bloated
belly will be cut,
the never-digested
rocks and Titans
spewn out to make
a whole new Mythos,

somewhat less cruel
and capricious
than the elder
monstrosities.