Edited by Brett Rutherford.
Created as a
one-volume introduction to the poetry of Barbara A. Holland
(1925-1988), the mysterious Greenwich Village poet who was a
centerpiece of the 1970s neo-romantic and Gothic poetry movement,
this volume presents all the reviews and essays about Holland that
appeared in her lifetime, along with the poems quoted or cited in
those articles. This makes it a perfect book to study and teach the
remarkable work of this 20th-century American poet.
Twenty-eight of
Holland’s most memorable writings are here, including the
terrifying “Medusa,” “Black Sabbath,” and “Apples of Sodom
and Gomorrah.” Her work is garlanded with a group of poems about
her by her contemporaries and by younger poets she influenced,
including Shirley Powell, D.H. Melhem, Marjorie DeFazio, Dan Wilcox,
and Vincent Spina. A memoir of Holland in her coffeehouse haunts by
Matthew Paris establishes her image and milieu as a fixture of the
last Bohemia of Manhattan.
Interviews,
reviews and essays about Holland are presented here for their first
time since their appearance almost four decades ago. Those who shed
light on Holland’s unique place in American poetry include Olga
Cabral, Stephen-Paul Martin, Maurice Kenny, A. D. Sullivan, Robert
Kramer, Ivan Argüelles, Kirby Congdon, Claudia Dikinis, and Michael
Redmond.
Since Holland’s
more than 800 extant poems are scattered across numerous chapbooks
and books, this volume includes a complete bibliography of the
currently-known poems. This is the ninth and final volume of a series
based on the Barbara A. Holland Papers, and the archives of The
Poet’s Press.
Published July
2020. This is the 290th publication of The Poet’s Press.
198 pp., 6 x 9 inches, paperback. $14.95. ISBN 9798668830121.
Available NOW from Amazon.
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