by Brett Rutherford
Cityscape
to townscape
Concrete to clapboard
Cleveland to nameless tree-
lined hydrant peppered
dogwalk
Streets
seen from the blur of bus yet
slowing, limning in slant
of afternoon for me
twenty
years old on my first journey West,
Walt Whitman’s poetry open on my lap,
atop it the journal I am writing in
Walt Whitman’s poetry open on my lap,
atop it the journal I am writing in
this slice of nation:
The lonely
boy on the porch
this Ohio summer of '67
looks up, sees me
seeing him, writing
him here on this page —
perched on
this pile of Whitman,
Connecticut Yankee, damnable
Moby Dick (my transcon-
tinental shelf of books)
And old
Walt said: look at him.
A long red light permitting, I looked.
He smiled, not as if at any one
of the tinted faces of dusty green
Grey-monoxide-hound, but at me —
he regarded
me as intently as I, him —
And Walt whispered:
There are wonderful secrets everywhere,
There are wonderful secrets everywhere,
and one
of them is that you and he are a poem.
Sidewalk — a boy and a girl
wave to the porch boy he waves
distractedly,
still looking at me,
my eye locks on him as my pen
scribbles on, robotically.
my eye locks on him as my pen
scribbles on, robotically.
My pen hand
begins to tremble.
Oh, this moment, Walt!
Oh, this moment, Walt!
Would that
I stopped and had spoken to you,
blond Ohio, I think I might have loved you,
and you as well might have loved me —
I saw
nothing else and hills
turned to plains,
to seas of swept green,
saw only
eyes and a tousled-haired
boy head blue-eyed with parted lips
asking my name and are we a poem?
asking my name and are we a poem?
And would I not later find
that there
are always eyes
that flash
and promise everything,
and that I must do the same in return,
whatever the cost —
and that I must do the same in return,
whatever the cost —
at forty miles an hour and the states
still whisking by, I am still thinking of him.
I marvel,
but Walt has taught me well
already, that one can love so much
and be loved in an instant
of recognition.
already, that one can love so much
and be loved in an instant
of recognition.
Was he
merely beautiful,
this
never-forgotten fleeting one?
Or has he remembered the fire
of one glance that led him to books,
to a world beyond the lake-front porch?
Or has he remembered the fire
of one glance that led him to books,
to a world beyond the lake-front porch?
And if the
War did not come and take him,
did he not walk too with the good gray Poet
and make his way West to glory?
did he not walk too with the good gray Poet
and make his way West to glory?
No comments:
Post a Comment