by Brett Rutherford
A parody of Barbara Holland’s “Black
Sabbat”,
upon the occasion of being forced
to listen to doggerel)
Thou shalt not suffer a rhyme
to live;
thou shalt not suffer a rhyme.
to live;
thou shalt not suffer a rhyme.
for rhymes are tedious
merely in their existence.
merely in their existence.
Four hundred years ago you
bored us on the page,
now in this steel-stitched century
you tease us!
bored us on the page,
now in this steel-stitched century
you tease us!
Often I have been aware of you,
of your comings and goings
at the end of the line,
but it was not until I saw
the pack of you,
a word-snarl of mouthing lips,
bloated with overscanning,
count-fingering, thumbs in the heart
of a rhyming dictionary —
drinking the blood of a line
that was good by accident
in the gray wet light of high school ...
of your comings and goings
at the end of the line,
but it was not until I saw
the pack of you,
a word-snarl of mouthing lips,
bloated with overscanning,
count-fingering, thumbs in the heart
of a rhyming dictionary —
drinking the blood of a line
that was good by accident
in the gray wet light of high school ...
until I saw you fawning before
that goat-headed one
to whom you pledged Art
on pain of strangulation —
Desist! No more. Some poems
may walk the railroad track of verse,
but do not call your hammered-rhyming
thing a Poem. Begone, gadfly! Shut up,
you sledgehammer-pile-driving woodpecker!
may walk the railroad track of verse,
but do not call your hammered-rhyming
thing a Poem. Begone, gadfly! Shut up,
you sledgehammer-pile-driving woodpecker!
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