Friday, November 25, 2022

Seeing the Light

by Brett Rutherford  

      adapted from Meleager, The Greek Anthology v., 175

“Never come unannounced to a lady’s door!”

Woman, I am no longer deceived!
That you were never true to me, that
your every vow and promise was false,
is so apparent in the light of noon.

Just look at you! Your unwashed locks
are pasted down with last night’s sweat.
Have you no mirror? Those eyes,
so heavy-lidded for lack of sleep
are a confession all their own. The marks
of the garland you wore all night
still press your greasy brow. Your hair
just now so freely tossed to seem casual,
bears all the signs of manhandling.

In just those few steps you took
from door to table, you tottered.
Parties, if not orgies,
     there must have been:
the empty amphorae outside
did not escape me, nor the heap
of shells and chicken bones,
betraying how many visitors enjoyed
more than an afternoon call.

I am done with you, public woman.
I’d rather sleep
with Priapus’s grandmother.

Dancing shoes have you?
Go spin about, and tilt, and show
your cleavage to any lout
     who has a lyre
and a paved floor above
a well-stocked wine-bin.

No doubt you own castanets, too,
     and a wanton’s change-purse,
for the kind of thing you do, is done
     in an alley for half a copper.

     

Hold Back the Dawn

 by Brett Rutherford

     adapted from Meleager, The Greek Anthlogy, v, 172

What I intended to do
with Meno, one summer night
cannot contain, Short,

too short, the span between
Venus the evening star,
and Venus again
     of the morning.

Look, with a lad
     so willing, I feel
young again myself.
Five times in as many
hours, not bad!

We have one night,
    and one night only,
as his watchful parents
intend to whisk him away
to their summer cottage,
one night to wash away
my bitter sorrows
     with love’s laughter.

So, Morning Star, you bane
of love, why not oblige me
by turning your course backwards,
until, as Evening Star,
you prelude again my
     extended efforts?

You did this once for Zeus —
all know the story — so that
Alcmene would be
     thoroughly overcome,
engendering Heracles:
now that’s a night’s work!

I understand reluctance.
Moving some planet about
and drugging the sun
to delay his business,
would cause a tumult
among astronomers,
     and Ptolemy
would cast his ordered spheres
into the waste-bin
if he noticed it.

But listen, planet dear,
the goddess and her son
are on my side. A poet’s
reputation is at stake.
Imagine my immortal
renown as a lover if he,

among those young men
idling in the agora,
saw me and pointed and said:

“Look there! You’d never guess
that middle-aged Meleager,
a peer among poets, invoked
some planetary magic so that —
I swear I do not exaggerate —
I was ten times topped
between dusk and dawn.”

Planet of love, turn back!

 

 

Wednesday, November 23, 2022

Prayer to Night

by Brett Rutherford

     adapted from Meleager, The Greek Anthology v, 165-166.

1

Black-winged Night,
   or Goddess of primeval
     Nothingness,
mother and progenitor
of all the Titans,
hear my supplication

— if a poet’s prayer
means anything at all
to such a cosmic entity! —

this is about my lady
love, Heliodora —
yes, her again! She says
she is “indisposed,”

but just as you, Night,
companion my revels,
so too you gave me eyes
as keen as owls’, to see

that tall one slink by
her door, and back,
and then dart sideways
into the alley, o where
that garden gate so oft
is absent-mindedly left
unlocked and ever so
     slight ajar —

Night, goodly and kind,
Night, I plead, if it
so happens that he,
no better than a thief,

now lies entwined with her
in those fabled bed-sheets;
if his desire is kindled
by her body’s heat — Night,

douse the lamp, reach out
and touch his eyelids
and render him paralyzed
in such a stupor that
even her agile fingers
will give him no satisfaction.

Harmless as a kitten
and just as impossible
to dislodge, let him sleep
till dawn, a second
Endymion.

 

2

Noon! What trick is this?
I slept. My rival got away
with everything!
My vigil failed, the lamp
too soon expired; bad dreams
tormented me, and all
were visions of Heliodora
unfaithful to me. Her heart
is a vast cenotaph in which
not even a shard of me
remains. Do no tears come
when she remembers me?
When her own fingers
caress herself, does she
not wish the hands were mine?

No more shall I trust
the little god graven
on her brass lamp
to do my bidding.
(Flame up and flicker
and flutter off at will —
What fool I was to think
it would obey me!)

And as for you, O Night,
the acolytes of Orpheus
exaggerate your sway.
What did I expect, anyway,
from a floating abstraction
made up by some poet?

Tuesday, November 22, 2022

Bee, Tell Me Not

by Brett Rutherford 

     adapted from Meleager, The Greek Anthology v, 163

The bee, just back
from my mistress's ear,
heavy with pollen
from the garden blooms,

passes her by: false scent,
and a sting of her own,
sends him back out
to his hive-queen duty.

Bee, there is nothing
you can tell me of her
I do not already know.
Deep have I nestled there,
no bud of spring so sweet,
no rose-heart falling
drunk on its own aroma
can match the dawn aura,

the red-fringed lily
of Heliodora rising.

Love By Stealth

by Brett Rutherford

     adapted from Meleager, The Greek Anthology, v. 160

Pale-cheeked Demo
has a weekend lover!
So this new Jewish
boyfriend gets to press himself
full-length and naked

next to the one for whom
my vision blurs, heart palpitates.
Those cheeks! those thighs!
no wonder the
Sabbath-breaker lingers
to take his pleasure.

Back in this stately mansion,
where candles are lit
over a cold repast,
nothing is permitted --
but here, everything!

I hope this suitor learns
what gods look over him!


The Weapon

 by Brett Rutherford

     from Meleager, The Greek Anthology v, 157

Beware! that woman
Heliodora has
one fingernail
extending out
beyond the others.

So sharp it is
that one light scratch
afflicts the heart:
love poisoning!

Monday, November 21, 2022

Mosquito Jealousy

 by Brett Rutherford

Adapted from Meleager, The Greek Anthology, v.152-153

1

Blood-sucking and shameless,
the little monsters come
in ones and twos, and dozens,
to pester Heliodora’s sleep.

Winged predators, be warned:
the lady must be allowed
her beauty-sleep: on this
the whole city is counting.

Here are my arms, all bare
as a I kneel at her bedside.
Am I less savory? Young veins
are pulsing with love-heat,

So have your way with me.
Here comes a cloud of your
sisters to feed on her:
One by one, must I crush you?

 

2

My vigil done, to home
and my own sleepless bed
I crept away. Just as I turned
the corner, a cloaked man,
younger and taller than me,
approached the garden wall.

I shuddered and turned
my back to him – did he pass on,
or did he leap the wall,
and is he now with her
another of her secret lovers?

One solitary mosquito lights
upon my forearm and waits
for instruction. Friend insect,
once you have fed on me,
pray land on Heliodora’s ear
and whisper this message:

"One who adores you,
kept watch at the foot
of your curtain’d bed.

"Sleep not, fair sluggard.
Have those small vampires
left you so somnolent
that someone’s arms
embracing you seem but
a dream ongoing?

"Does someone younger,
taller, yet timid in love,
sleep nestled brotherly
beside you?" Tell me,
mosquito spy and pander,
that I have nothing to fear!

O nearly-weightless monster,
had I but Hades’ or Hecate's
power, I would bulk you up
with the muscles of Hercules
and send you off to fetch her!

Do this for me, and for my part,
instead of crushing you,
blood and all, a smear
upon my fingers, I’ll give
you the hero’s lion-skin
and send you off well-armed,
demigod of Mosquito-Land!

 

Spring Garland

 by Brett Rutherford

Adapted from Meleager, The Greek Anthology V.147

Which, the spring meadow, or
Heliodora’s wild tresses, grass
bursting green at verge of spring,
or the blond-gold weave and braid
I cannot stop caressing? Which?

Spring is her rival with white violets,
Narcissus amid the myrtle berries
makes one forget all other beauties.
Here come the lilies, mocking me
with fragrance a woman can wear

with artifice only. Crocus and hyacinth,
what more delicate, fair
as a new born fledgling, young
as never shall we be again? --
oh, unbearable, the thought
that roses will come back again,

her only real rivals. Put all
in a wreath, and watch
as she embrows herself,
the petals scattering
amid those impossible curls.

For this, most flowers die
willingly.

Trapped

 by Brett Rutherford

     from Meleager, Greek Anthology v.96

To kiss you, Timarion, is to step
in quicksand, or be stuck
like a hapless dove in bird-lime
that terrible glue bird-catchers make
from the bark of the holly tree.

I did not see it coming. Blinded
I was by the fire in your eyes.

Your glance is phoenix-fire,
your touch the tender trap
that will not let me go.


Tuesday, November 15, 2022

At the Temple of Ares

 by Brett Rutherford

     after Meleager, Greek Anthology VI, 163

O God of War, I blush with shame
and haste to clear your portal
of these disgusting offerings:

a mock sword, mock spear,
a shield of no more use
than a cake platter,
garlands and roses, ribbons
and stalks of wheat,
a maiden's under-
garments, trophies
of someone's
wedding night.

I am not amused,
and neither is Ares,
who fortunately sleeps
right now below horizon
or there'd be hell to pay.

The proper offerings here
are pointy spears, lances
broken in battle's fervor,
helmets shorn of plumes,
a dented shield with both
one's own and the enemy's
blood proudly unwiped.

Young man, no matter
how long you fought
the fierce virgin, and won,
don't crow about it.

The precinct of Ares
is for men of arms,
and blood on bronze.

The Cats of Kilkenny



by Brett Rutherford

Just like a bunch
of Hessian soldiers
garrisoned and bored
in rebellious
Ireland, to take bets
on which of two cats,
tied tail-to tail and flung
over a washer-woman's
clothes-line, which
would prevail -- the black
or the tabby?

Both toms
to make it worse,
they tore one another
bloody, no place to run,
no way to signal
polite surrender,
they howled and clawed
and howled
and clawed and howled --

until an outraged
officer came out
from his beer-stupor
and demanded an end
to the feline fray.

One lop of the sword
and both cats fell,
fled tail-less
to opposite points
of the compass.

When higher-ups heard
Mrs. Kelley's complaint
of two bloody tails
amid her husband's
long underwear,

the soldiers swore
to a tall-tale of tails:
the charms of one
lady cat, sunning herself
on a fence top,
provoked an act
of mutual cannibalism
between two Romeos.

"Ate one another, they did,"
one soldier explained.
Cat fight of the century
in fair Kilkenny,
completely consumed
they were, all gone,
all but the tails.


Monday, November 14, 2022

Callimachus at Alexandria



Adaptations and expansions from the ancient Greek, by Brett Rutherford. Callimachus was born around 310 BCE in Cyrene, a Greek city in what is now Libya. He found his way to Alexandria, and after some years of poverty as a school-teacher, he was noticed by one of the Ptolemies and called to court. In accounts written centuries later, he is described as either working at, or being in charge of, the Great Library of Alexandria. He is known to have written some 800 works, including an epic on the secret origins of various gods and mythological figures. The only extant complete works of this ancient Greek master are 64 epigrams, and his eight Hymns to gods in the Homeric manner.

This volume presents new translations/adaptations of most of the epigrams, and two segments from the Homeric hymns. These poems are personal, imbued with the poet’s own personality; they are usually short, compressed, and brutally to the point. He did not invent the epigram, but created examples of breath-taking beauty. Even when the poem is an imaginary tombstone epitaph, the slightly self-mocking world-view of Callimachus shines through. Fate is brutal, life is short, and heroism mixed with passion are allowed to shine, even if they do not triumph.

Stuffy classicists of the past, mired in Puritanism and sexual repression, seemed unwilling to read between the lines and let Callimachus speak. We can now see him as the high-minded, aloof, gay librarian who lives down the hall, with a never-ending array of younger male companions, a man who lives well, eats well, and veers between joy and desolation, all on a librarian’s salary.

The poems in this volume are not literal translations. Although they contain most of the Greek’s words or phrases, much has been added to flesh out the narrative and to create a more modern, speaking voice. Other things are added to make each poem self-explicate so that footnotes are not needed. To varying extent, then, these are paraphrases, adaptations, and expansions. The form is improvised free verse, with a nod to the elegance and restraint of Roman poetry.

“Love Spells,” a poem by Callimachus’s friend and successor Theocritus, is also included.

The Poet's Press. This is the 305th publication of The Poet’s Press. Published October, 2022. Paperback, 82 pages, 6 x 9 inches. ISBN 9798355028183. $12.00.




Opus 300 - The Poet's Press Anthology


 

The 50th Anniversary Anthology — FREE DOWNLOAD. The Poet's Press celebrated its 50th anniversary in 2021. This 406-page oversize anthology contains the best and representative selections spanning the whole history of the press -- from long out-of-print chapbooks up to the present day. Brett Rutherford has chosen work from 146 poets and writers, including 363 poems, two play excerpts, and five prose works. Works are selected not only from single-author chapbooks and books, but also from the numerous anthologies published by the press.

This volume is full of surprises. Some of the best poems of Poet's Press principal authors like Barbara A. Holland and Emilie Glen are collected here along with works from poets as diverse as Hugo, Longfellow, Goethe, Scott, and Shelley. The Greenwich Village poets of the last Bohemia of the 1960s and 1970s are joined by their successors across the Hudson from the "Poets of the Palisades" poetry community. What all the poems share is that they are a delight to read.

This book also includes a year-by-year chronology of the publications of the press, a bibliography of authors and titles, and a list of all poets published in books from The Poet's Press and its imprints.

The Poet's Press. This is the 300th publication of The Poet’s Press. Published November, 2022. PDF ebook, 406 pages, 8-1/2 x 11 inches. CLICK HERE FOR FREE DOWNLOAD. Readers are encouraged to download and share this book. A print edition will be made available by special order for libraries and archives, but this book will NOT be sold on Amazon and will NOT be sold in bookstores.