Sunday, January 29, 2023

The Tea-Pet Toad



by Brett Rutherford

The carved red toad,
mouth open just enough
to hold a single dime,
is a harbinger of wealth,
slow-earned, a tenth
of a dollar doled
out a thousand
thousand times,

the kind of fortune
earned only
by making, by hand,
ten thousand dumplings.

The poor batrachian,
I did not notice
until yesterday,
has only two legs,
a bit of tail
for a tripod
solidity. What of
his other legs?

For lack of dimes
did he sell them off
to a street vendor
whose frog-leg dainties
please the crowd?

That string of coins
slung over his shoulder
implies he should not be
that desperate.

His gem eyes glitter
a greedy ruby and say,
“No need for legs.
I need not leap at all.
Coins come to me,
and pale tea pours
from the heavens
to pool around me.”

Serene as Buddha,
wrinkled as sage,
squat on his I Ching
pedestal, King Toad
rules the tea table.



Night Torment

by Brett Rutherford

     Adapted from Asclepiades, The Greek Anthology, v, 189

A fool’s watch
on one of the year’s
longest nights, endless,
in winter weather, too!

I’m drenched with rain.
There’s no reward
for pacing back and forth
before a door
that never opens — hers.

Morning comes soon.
The mocking Pleaides,
warm in the arms
of one another,
are halfway up
from the horizon,
humming on through
the holes in the clouds. 

I know she is in there,
the sly deceiver.
Someone already came
and lies entwined
with her soft limbs.

What would I do,
anyway, if I saw
him leaving? Accost,
or slink away, or,
worst of all, knock
at her door and beg
my turn?

I know I am mad.
This is not love;
no honor here
for Aphrodite, not
the kind of affection
the gods bless. Lust,
simple and searing,
a hot arrow,
drives me on,
amid the winter chill,
tormenting fire.

An Unholy Trio

by Brett Rutherford

     Adapted from Asclepiades, The Greek Anthology, v, 161

Euphro, Thais
and Boidion, three hags
who once were courtesans
at Diomede’s tavern,
who formerly took on,
like a twenty-oared transport,
the desperate arriving captains,
have cast ashore now
three ruined men, stripped
to their sandals and worse off
than shipwrecked sailors.

Poor Agis,
poor Cleophon,
poor Antagoras:
the rocks of divorce
await them, and all
because those creatures
posed as respectable
women and lured them
to home and hearth.

Back at their old trade,
corsairs of Aphrodite,
they shriek like Sirens.


Snuff Out the Lamp

by Brett Rutherford

     Adapted from Asclepiades, The Greek Anthology, v, 150.

She made an oath one ought
not take in vain: Demeter’s
name she invoked in promising
to come to me tonight.
So much for Nico’s word.
The famous one is faithless,
it seems. It’s almost three
and I grow sleepy waiting.
Why did she promise so
earnestly? Do words
mean nothing at the end?

Go servant, and snuff out
the lamp left by the garden gate.
Now it would serve only thieves,
and there is no use wasting oil.

The Evil Song



by Brett Rutherford

     Adapted from Dioscorides, The Greek Anthology, v, 138

One song I cannot bear, and now
Athenion sings it night and day.
Like some neglected, stupid dog
he brays away
the tune of “The Horse.”

Down with his horse, I say,
and damn all horses in general.
I cannot bear the sound of hooves.
In my dreams, an evil animal
this is. All Troy is aflame,
and in that fire I perish.

Ten years of siege, I cursed
those Greeks, but in one night
we horse-mad Trojans died.

Friday, January 27, 2023

The First Anthologist



THE FIRST ANTHOLOGIST

     Adapted from Meleager, The Greek Anthology, iv, 1

This my memorial for all of time,
to my beloved Diocles I give,
not helmet, shield, or fleece of gold,
but poems garland-gathered, sweet
and noble, angry at gods and men,
swooning with unrequited love, full
of heaven’s bliss and Hades’ cold
comforts, flowers bound tight
with leaf and branch. Burn not,
my long-labored book! Set sail
on fair winds with many copies,
ye who thrill to beautiful words.

This was Meleager’s work. His own
lines are packed in immodestly
with the best of the best. Too few
the flowers of Sappho, but roses
they are! Lilies, Anyte and Moero
left us. Oh, the sad narcissus,
with the clear blue eyes and song
of Melanippides; a strong branch
of Simonides keeps it from falling.
The iris of Nossis, short-lived
but beloved of the busy bees.

Eros stopped by, and with his heat
the wax melted for all my
piled-up writing tablets; long
he distracted me, but the work
is done at last. Have I not turned
every temple-stone and epitaph
so that no good line was missed?

Herbs, too, mix in when flowers
are too fragile. The sweet crocuses
of Rhianus and Erinna crouch here
pale as unmolested maids. Alceus
left his hyacinth, like the self-same
beauty’s locks, Apollo’s tears.
Laurel, be sure, is there beneath,
the dark-leafed branch of Samius.

To last, my garland must be made
of sterner stuff than blossoms only.
Here Leonidas’s ivy cluster clings,
here the pine’s spiky needles hold
green forever the words of Mnasaclas.
A fist-full of plane leaves for Pamphilus,
all tangled up with walnut Pancrates.
Add to the rustling poplar of Tymnes,
all shading the sweet wild thyme below
where Nicias still tunes his lyre, wild
spurge enwraps Euphemus whose
words are not forgotten. Even the frail
violet of Damagetus is gently placed,
protected by the myrtle, sweet
Callimachus, whose words
are biting honey. The list goes on.

You may consult the book. I wove
the names one after another
into an elegaic garland. Even
Anacreon’s sweet lyrics flew in,
and a nameless poet, too, whose
name would not fit any meter.
A dash of ocean water went in
to stop the garland from going
stale. There came Antipater, red,
and a golden bough of Plato, too,
and other fine poets too many
to mention. Here they will peep
among the lilies and surprise you.

If I place here, for my own Muse
to honor, a smattering of spring’s
early-blooming white violets,
my little poems, can I be blamed?

Things most of you have read
and memorized, are here,
conjoined with works
the world has never seen before.

Welcome to my anthology.

 


[Note: Meleager’s long introduction to his Greek Anthology weaves in the name of at least two dozen more poets, but he clearly is running out of steam with the metaphor. I have therefore cut the list short, leaving enough of it here to demonstrate what the poet was attempting.]

  

Thursday, January 26, 2023

Line Up the Young Men of Kos

by Brett Rutherford

     Adapted from Meleager, The Greek Anthology, xii, 94

Line up the young men of Kos
(the gods know they stand about
like apples in a market stall!),
and I will demonstrate
my varied tastes, and how I lack
that crude possessiveness
that mars so many comrades.

It is not as though
one wears them out,
for, laughing,
they come back for more

of our admiring glances.
Our kisses scar them not,
and we are not like
some fierce lizards swallowing
them head first. We carry books,
not ropes and nets, we dine
amid their company, their
fathers nod to us and smile.
Are we not all Greeks?

Is Diodorus there
not fair as a gold sunbeam?
See how the lines of eyes
all follow Heracleitus
until they can see no more?
Watch all heads turn
to the musical tenor
of sweet Dion there,
tuning his lyre for show.

Watch Uliades: he has
a way of making his chlamys
part just so: those thighs
will reach the Olympics!

Friend Philocles,
    take your fill.
Soft flesh invites
the tribute of touch,
so long as good manners
and a compliment
accompany.
Look to your heart’s content
where all are looking. No lad
ever fainted from being stared at.


Speak if you have the courage
to that one, there, alone
in the shade of the portico.
He merits attention and might
be a poet someday. He might
say yes to you
since you have books at home.

See how free from envy I am.
I have had my share, some
more than once, some
I could hardly get rid of.

What’s that? Which one?
The sun’s too bright for me
in that direction. No,
Philocles, look not on him.

That is Myiscus. Off limits.
Don’t even think of it.
Avert your eyes. Not him.
Cast greedy eyes that way
and you’ll be as sorry
as one who saw Medusa.

 



Oblivion

by Brett Rutherford

     Adapted from Meleager, The Greek Anthology, xii, 49

Unhappy lovers drink
their wine unwatered,
as if strong spirits washed
clean one’s memory.

Does Bacchus trade
in amnesia, then?
Is love thus quenched
entirely gone, or does
it come back bitter,

a dark bell hovering
above the hung-over head,
a low gong sounding,
not top of the day’s joy,
but the Beloved’s name
endlessly rung
in one’s ears? Pain,

like a jovial demon,
puts on the face
of the very boy one wants
to put out of mind.
Rise up to find a mess:
spilled cups at the bed’s foot,
the shards of a shattered cask,
unsent, that torn love-note,
a single sandal not your own,
crumbs everywhere.

The risen sun
mocks the drinker,
and the first word out
of the vinegar mouth
is the same moan
you went to bed with,
blankets and pillows
the sad sculpture
you wrapped your arms
around, pronouncing
one name, his name,
the same name. Wine
doesn’t help a bit.

Chinatown, 1975

by Brett Rutherford

Gossip among
young Asian men,
with whom I dine,
    a guest, a stranger,
yet somehow as in
    as they are out.

Outsiders always,
     some seldom stray
     North of Canal Street,
employment limited
to under-the-radar
exploited jobs, unless

the overseas mother,
the rich uncle,
paid one’s way
to a good school,
escape into
the melting pot.

Slowly, I learn
the pecking order:

the ABCs
(American-born Chinese),

rich Asians
     on monthly checks
     from anxious parents,
well-off Taiwan
    or Singapore families;

“jump ships,” the
mainland arrivals
     from Mao’s horrors,
cardless, furtive,
evading questions.

Americans see none of this,
each bowing waiter,
     each unseen worker
in kitchen or sweatshop,
a Charlie Chan cipher.

Outcast among
a colony of outcasts,
I am at home here
at this round table whose
lazy susan rotates
a casserole of friendship.

From here, we head out
for the Chinese opera.

 

Sunday, January 22, 2023

Elegy for Charixenus

by Brett Rutherford

     Adapted from Meleager, The Greek Anthology, vii, 468

Not eighty, not sixty, not forty,
not thirty even, fit age
for marrying, not even twenty!
Eighteen, Charixenus, dead!
Dressed in your chlamys
by your own mother, not
off for a prize, not off to a war,
     not off to a wedding day:
instead a woeful gift
     to hungry Hades.

I swear the earth shook,
     the stones groaned
as all his best friends
bore out his body
and all the house wailed.

So grieved were they
     who carried him,
their sobbing shook
the emblazoned bier.

Led by the baffled priests
    his parents chanted
a song of mourning,
a plea for swift passage
to a blessed place.

No one glanced up
as though to see the shame
of the indifferent sky
would drive all mad.

Alas for the mother’s breasts
that suckled in vain,
for the father whose line
might now be extinguished.

Did some old oath
    bring Furies here,
three evil maids
who revel in death?
Or, born of Night
    and Erebus
did Fates foredoom
this unhappy youth?
O Fates implacable,
barren yourselves you spit
to four winds the love
of mother for her first-
    and only-born.

How can the morrow
resemble the yesterday?
Friends, parents,
(and one, an unknown
lover, who pines for him),
their futures canceled.

Who will not hear
this tale and pity
the left-behind?
Grief pulls all down
to a common grave.

 

Past Her Prime

by Brett Rutherford

    Adapted from Meleager, The Greek Anthology, v, 204

Long in the tooth for love you are.
Those men have worn you out,
Timo, your timbers split
by the oar-beat of passion.
Hunched now you walk,
like a slack-wind yard-arm.

Parts of you flap
     alarmingly,
those famous breasts
now sagging low.
Wave-tossed, your belly
warps and wrinkles.

This ship has borne
too many passengers —
for shame, old courtesan,
give it up now. Instead
of perfume, bilge-water’s scent
precedes you. Retire now.
Invest your hard-earned coins
in something decent. Be gone
before your creaking bones collapse
and salvagers make off
with what is left of you.

I hear you plan to take
just one more lover on.
Unhappy he, unless he wants
to make love to his own
demise, riding you out
across Acheron, a skeleton
astride a coffin-galley.


Message to Heliodora

 by Brett Rutherford

    Adapted from Meleager, The Greek Anthology, v, 182

Dorcas, take this! A note
to Heliodora, who else?
Be not content to hand
it to her dull servant,
illiterate, who might just use
my love-note to wrap
chopped vegetables.

Into her own hands
you must place this,
and wait to be sure
she unseals and opens it.
And bring it back to me,
answer or not. Paper
is not cheap, you know.

Wait — don’t hurry along
so fast. So just in case,
recite it back to her
just as I did for you,
and as she wakens late
and may not be alert,
repeat it twice; three times
is not too much
and might exert
a spell’s effect. So, go now!

That way! I’m off on other
errands. Oh, wait, come back!
Here in my pocket, Dorcas,
here is a poem. Add this
and say — where are you running to?
It’s hard for me to keep up
as my legs are so much shorter
than your sprinting bean-poles.
I’ve not yet finished. There’s more.
Don’t walk so fast, my friend.

Oh, what a fool I am. Perhaps
the note reveals too much. Stay,
hand it back a moment. Why must
you walk so fast, anyway? Ah,
take it back, Dorcas, say everything
I told you — mind not my doubts.

So hurry and tell her everything.
What’s this? Why send you
on this errand when here we stand
before her door. Short-cut, you say?
How could we be there already?
So do me one last favor
and knock. I just can’t do it.

My arms feel paralyzed. My heart
has stopped. My message sinks
like a stone cast down a well.
My poem is a lead sinker.
Someone is at the door,
     unlatching!
Ye gods, where is my voice?
Should I just slide the paper
     under, and run?

 

 

This Way and That

by Brett Rutherford

   Adapted from Meleager, The Greek Anthology, xii, 165

The words for “black” and “white”
are on my tongue each time
I say my name, black “melas”
in pair with “argos” white.
Is it then any wonder
that I pursue Cleobulus,
pale as a white blossom,
and also dark-haired
Sopolis, sun-tanned
the hue of fresh honey?

Fools say that opposites
attract, but what of me,
locked in a duality?
Nothing and everything
are my opposing forces,
female and male,
tawny or white as chalk,
and everywhere I turn,
Beauty stuns me.