Friday, July 14, 2023

Fragments in Defense of the Personal Poem

by Brett Rutherford

     After Callimachus, Aetia, i

Since those I call the “Telechines,"
(spiteful hammerers in bronze and brass
if I may summarize their style)
will give me no peace, attack me,
I feel compelled to notice them.
Those Cretans whose ignorance appalls
Athena, complain about my poetry,
as though they stood in line with Homer,
because I did not write one epic full
of battles and contentious gods, or lists
of all the ships and those who sent
and manned them, because I did not
catalog the single serpents
on the head of all three Gorgons
and give each one’s biography,
I am only a child to them,
scribbling with chalk my epigrams.

“Look, you’re getting on,” one tells me,
“and nothing to show but love throes
and temple hymns that reach an end
before a single cup of wine has cooled.”

And I say back: “Desist, you race
of expectant critics, all you who feed
on iambics and hexameters.
Long-winded goatherds around a fire,
beat-counters, foot-pounders,
your output is tin by the yard,
while I, in the space of two hands
gather fine gold at the cost of blood
in threads as thin as spiderwebs.

Oh, what my poems cost me!

 

 

2

Poems are sweeter when they are short.
An epic would cover a ball-field;
a lyric’s span is measured
in a two-hand count of heartbeats.

Fatten the offering, as Apollo says,
but only go home with the slender Muse.

The wide track where many chariots
pass from city to city may please
the armies, merchants, messengers,
but I who walk upon two legs
at leisure on my twisty trail,

for me the winding lane,
the path untrod, the den and lair
of the wild one —
here I will pause and write.
A clear spring’s water
and the fruit at hand
suffice me. At love, I contend

with no demons or demigods;
at war, my broken staff
is all but useless, so cease
to demand I sing of Sparta,
or Troy, or the rampant Persians.

Here with the cicadas
I hear no braying asses.
Age weighs me down.
If ever I had fire
like Enceladus, now
I sink beneath the piles
of rock and mountain
where Time entombs me.

No matter! I am content.
One modest Muse did not disdain
to walk with me when I was young.
Here in this lyric brevity
she still companions me.
Humbled and gray now, I persist.

And as for you, who harry me
for what I did not write,
there is a special punishment
the Muses reserve: your names
in footnotes, and nowhere else.

 

 

The Good Town

by Brett Rutherford

     After Callimachus, Aetia, 48

A stranger with money
may buy a place
in most any Greek city.
Arriving in youth,
and blessed in face
and figure, you’ll find
your way most anywhere.
The fair are fair and giving,
to those among them
who resemble the statues
that line the temple lane.

If you are poor,
not favored by gods
as a counterfeit
Apollo or Aphrodite,
expect no welcome.
Breadcrumbs and scraps,
the slave’s portion,
a life of fleas and lice
among the most hideous
outcasts shall be yours.

One hope there is.
Set sail for Athens, friend.
Accept no other passage.
Blessed by the daughter of Zeus
and the kindly Eumenides,
this is the only town
whose heart knows pity.

 

 

The Locked-Up Mouth

by Brett Rutherford

     After Theognis, 421-424  

Your mouth
should have a door upon it.

Tongues, teeth and spit,
along with thought-aloud
things that ought not fly
into the ears of friend or foe.
Food in, words out, wrath
flung like nut-stones or bones
too tough to chew; worse yet,
the vomit of insult and invective.

A door, I say,
and a padlock, too.
Keep close the key
but leave ajar the slit
through which kind words
and benevolent sighs
may safely issue.
Go not about
with the door wide open,
except for the dentist
and the assured lover.

The Raven and the Scorpion

The fable of the Raven and the Scorpion, in the Bruges edition of Waarachtingen Fabulen (1567)

 

by Brett Rutherford

     Adapted from Archias, The Greek Anthology, ix, 339

The Raven, to its prey,
is black death from a clear
blue sky. One, high aloft
with keen eye, spied a stir
from under a crevice
and swooped to catch
the young, red Scorpion.

But, ever alert to threat
from the deceptive sky,
the Scorpion jabbed out
and up into the Raven’s heart.
The beak that had just seized
its tender carapace
went slack. Out slid
the sly invertebrate
as the raptor went
belly up, and died.

Thus Nature works and churns.
Sometimes the killer is killed
by his own intended victim.

 

Thursday, July 13, 2023

On A Statue of Echo

 


by Brett Rutherford

Adapted from Archias, The Greek Anthology, xvi, 154

Just look at that marble face! She
could be anyone at all, hail
lady well met as they say, one
bland visage among a dozen
in a high school yearbook.

Greet her: she greets you back;
if you are curt, she is abrupt:
if you are garrulous,
she chatters on and on.

No name is carved on pedestal,
no clue to her proud parentage.
Boyish, yet no Amazon, she
has not the huntress pose, no spear
nor bow nor scabbard adorn her.

No scar of battle mars her limbs.
A temptress, then, nobody, and
nameless, no more than a nodding
acquaintance at best, who is she?

Echo she is, Pan’s companion,
the yearned-for one, the comforter
of lone shepherds, who loves them back
but from a distance, safe.

She makes false coin of your own voice,
and pays you with her empty words.
I’ll leave you here with her. I know
you’re smitten. Pour out your own soul
and smile at how the lady gets
the ups and downs of your troubles.

Cheap therapy, and never drunk,
she may be just what the doctor ordered.
Her eyes are blank. No matter what
you say, she never disapproves.

The sculptor makes copies, I’m told,
so you can even take one home.
But as for me, I made short work
of my relationship. I said,
“Get lost!” The statue said the same,
and I was done with the affair.