Wednesday, October 5, 2022

The Fingers

by Brett Rutherford

I watched an old man
confront an unfamiliar
soup. The color off,
the scent of spice
was not a familiar one,
the broth of what animal
boiled from bone, who knew?

When no one looked, he
tentatively touched
the not-quite-steaming
surface with finger three,
left hand, known since
the Middle Ages
as the line to the heart,
able to test for poison
or spoiled meat; one dab,
and the inner voice
said yea or nay.
Rings we put here
for safe-keeping,
silver and gold
in the Sun’s keeping.

The finger first
we use to point
was once the archer’s
best friend, bow-
pulling scite-finger.
Now we merely indicate
with it, imperative,
finger of Jove.

Of the long finger,
the impudent one,
the less said, the better.
Unsleeping Saturn
in Tartarus rules it,
and disconnected ones
are sometimes seen
scaling a trellis
to annoy some virgin.

Almost forgotten,
the little digit, is said,
if raised, to fortell
bad weather, but more
than not, it serves
to clean the ear of wax.

As for the thumb,
unruly, brute, and
lascivious, wise men
and alchemists assign
it to the rule of Venus.

Fingers fine and agile:
if they play Bach, and type
without your looking,
who knows what they do
while you are sleeping,

or even if the ones
you wake with are the ones
you went to bed with
the night before?

 

The Consultation

by Brett Rutherford

Miss Schreckengost,
the principal, my parents,
and my small self
stand in the third grade
classroom. What trouble
am I in this time? Did
the comics I draw
and circulate among
the tittering students
offend someone?

“We called you here,”
the principal says,
bass voice held down
to an unfamiliar whisper,
“to talk about your son.
He's too young to take
an IQ test, but he,
I assure you, is way
beyond our teaching.

“He could skip two grades,”
Miss Schreckengost says.

“Or even three,”
the principal asserts.
“He really belongs
in a private school,
a place for young geniuses.”

My parents say nothing.
Then “Private school ...
you have to pay for that.”

“Yes. But for the best.
We don't know what
to do for him, except
to let him roam the stacks
of the town library
and read what he wants.
Do you have books at home?”

“Not really.”

Sliding to save the day,
the principal back-tracks.
“Well, it is said
that jumping ahead
can interfere
with any child's normal
development.”

“Oh, we wouldn't want
that. He should be normal.
Normal is best, isn't it?”

“Very well, then,”
the principal sighs.
“But while you're here
there's one more thing.
We had to move your son
to the third row, right here,
since he can no longer see
the blackboard. Glasses,
eyeglasses he needs.
You must attend to this,
and right away.”

Another silence.
My father assents and asks
the name of an eye doctor.
My mother just says,
“Glasses. My god,
he has to wear glasses.
Going around
with glasses.
I'm so ashamed.”

I stood,
the object talked about
praised and condemned
in short order.

No one asked me
what I thought
or what I wanted.

As we walked home,
beneath my breath, I said —
“The slings and arrows
of outrageous fortune.”



Sunday, October 2, 2022

Autumn in Alexandria

by Brett Rutherford

There is one who waits for me,
sheltered from wind and wave
behind a Corinthian column.
The priests have gone,
the lamps have died:
all fled the thunderstorm in fear.
Across the way, librarians
have shuttered knowledge up
against the idiot howling
of intemperate weather.
Every dog is in a ditch
while untethered cats
cling to the upper limbs
of the pliant willows.
Nobody has any business
out of doors; nobody,
that is, except the one who waits.

I watch, snug and safe,
from my high window.
He seems to have lashed himself
to that pillar of solid stone.
Marble will not bend or sway,
and in its leeward shade
his cloak hangs limp; he leans
as though he had nothing to do
but to await my arrival.
(I dare not go. Bruises and breaks
at my age are dangerous.)

Storm without name,
three hours now
the rain has been horizontal,
the roar of wind a long,
monotonous engine.
I, who am of tempests
tossed often enough,
feel a kinship with thunder
and its maker. One thing
alone I ask of you:

Lift up that column,
that patient loiterer,
and the stone he stands upon,
into some calm place
above the cloudy rage.
In stillness keep him safe
until your blow and bluster
recede to nothing,
until the floods flood back
and storm drains regain
their proper direction,
until the cats regain
their dry-fur dignity
and the dogs resume
whatever it is
dogs do of a sunny day.

Two eyes regard me
from out the thunder-head.
“You are a fool,”
the demon says.
“What makes you think
you are the one he braves
the elements to see?

Did your poems win
his favor?
Does he pass your books out
to one and all,
call you his friend and mentor,
implying more
to those who mark the pause,
and the sigh,
each time the syllables
of your exalted name
depart his lips?”

“Of this one I am sure,”
I protest. “Spare him!” —

“Shelter he took,”
the sly one assures me,
“just where he knew
you would see,
and be tormented so.

“On other nights he lurks
on the unlit stairway
behind the library,
not for you — fool! —
but for the first who comes
and extends a hand.” —

“No, he is noble. Poets
he loves above all!” —

“Two moons ago he let himself
go home with some astrologer,
and then a geometer who said
he had the most appealing angles,
and then with a captain just back
from Rome with Rhenish wine.” —

“I’ll not hear this! Gossip vile!” —

“Most of your scholar-rivals
frequent that place at night,
and most have noticed him,
and he, them. He uses your name
to make acquaintance, you know.

“Now, look, Callimachus,
there comes Lysander,
leaning against the gale
and making his way
to the sheltered columns.”

“Lysander! The worst
of the worst! A greeting-card
scribbler of maudlin verse!” —

“Look! He has reached your friend.
They converse.
A hand is extended.
A hand is taken.
One cloak covers two.
They drop out of sight.” —

“Ah, well,” the demon jeers.
“Any poet in a storm.”


Thursday, September 29, 2022

Equinox, An Autumn Poem

by Brett Rutherford

The whole planet lights up.
It has a smoke.
It doesn't care
if it dies, lives
for the moment.

Peat, lumber, coal,
fracked gas and petrol,
dead leaves
and human ash

inhale and ex —
drill, baby
coughing its
sputter clouds,
smoke rings
to its last gasp,

melt-stained
with receding
glaciers, pimpled
with eruptions
of nickel-dime
volcanos;

killing its pets,
and setting fire
to its parent forests,
it is an addict,
indifferent;

its breath reeks,
the doom of carbon
exhuming itself
from the fossil record.

Is this what happens
on every Blue Planet?

Saturday, September 24, 2022

Preface to "Emperor Li Yu, A Life in Poems"

by Brett Rutherford

TO THE READER

After almost two hundred years of glory and accomplishments, the great Tang Dynasty of China collapsed in 907 CE. The culture of Tang lingered on in the Southern Tang kingdom, however, ruled by three generations of the Li family. In Southern Tang, the grand traditions of art, music, poetry, and painting thrived, and Buddhism flourished.

Li Yu, the last ruler of Southern Tang, did not inherit his father’s military inclinations, and when he assumed the throne at a young age, the realm was shrinking as provinces were ripped away by rival states, the most rapacious of which was the new Song dynasty. Tributes, gifts, and hostages made the tension between Song and Southern Tang more and more fraught with peril.

A poet, dreamer, and pacifist, Li Yu was totally unsuited to rule in a time during which China was being split into “Five Dynasties and Ten Kingdoms.” Isolated in his palace compound, he devoted himself to writing poetry, and enjoyed not only the favors of his Empress and concubines, but also entered into a scandalous love affair with his wife’s younger sister.

Li Yu invited poets and artists from all the war-torn states to Southern Tang, where he housed them as honored guests in their own palace of the arts. More and more Buddhist temples and monasteries dotted the landscape.

The poem cycle, Emperor Li Yu, A Life in Poems, relates the tragic fate of Li Yu, his Empress, and the “other woman,” the kind of royal soap opera that fascinates because the outcome is the end of an entire nation. Only 39 poems of Li Yu survive, and every word of them has been woven into this narrative cycle. They are regarded as among the saddest and most emotional poems written in China, and they are sad because this poet, who had everything a mortal could wish for, lost everything.

Captured by the Song armies after the siege of Nanjing, Li Yu became a state prisoner, shown off and ridiculed as a former king and would-be emperor. When his new poems offended the Song Emperor, he was ordered to drink poison.

 

Under Every Bed

by Brett Rutherford

In high school years
my slave duty each night
was washing dishes.
An AM radio my only
companion, I sang
along with Beethoven.

When the plug was pulled
because Westerns prevailed
in the TV room, I sang
anyway, inventing whole
symphonies as I went.

An open window
above the steaming sink
sent my voice out,
where a thin man
full camouflaged
and ready to battle
the Communister
Atheist hordes, leaned
to listen. That year,

I fueled his worst
fantasies. First off,
I taught myself
Cyrllic and bellowed
out Russian folk-songs.
Volga Boatmen for you,
and for John Birch, too!
Kalinka, Kalinka,
and Stenka for good measure.

This drove him mad,
so that he sent his sons
to lurk beneath
my bedroom window,
listening to hear
my secret broadcasts
to Leningrad.

Comrade Krushchev,
coordinates here
for the Nike missile site,
just as you asked.

On Friday nights,
the radio was back
in my control.
The Pittsburgh station
marked shabbos
with cantor songs.

"And now,
cantor Richard Tucker
sings ..." and I,
as best I could,
in my best tenor
sang with him.
Out the window
went my mangled
mock-Hebrew,

and just below
the open window
the man in camouflage
said to his son,
"God damn, I told you.
Russians are in there,
and Jews, too!
What are we going to do?"


Sunday, September 18, 2022

Things We Don't Do

 by Brett Rutherford

Go to church?
We don't do that.
No money to give;
nice clothes, never.
Father an atheist,
Mother afraid
of the taunts
of the church ladies
about her family,
the things they did
in that shack in the woods
when men came calling.

One summer they let
a church put on
some Bible classes
at the schoolhouse.
I was sent. Bright books
of Bible stories laid forth
Old Testament and New.
I asked too many
questions, mostly about
dinosaurs and other planets.
They sent me home,
asked that I not
come back again, ever.

Things we don't do
include bicycles,
new shoes, clothes
from a big store,
and Boy Scouts
because all that
took money.

I found a copy
of the Boy Scout manual.
Cover to cover I studied it,
envied the boys
those tent nights
and knot-tying skills.

Nowhere was where
we went all summer.
Once a museum
glimpsed from the car;
once or twice
a beautiful house
blurred in passing.
Ten aunts and uncles
never visited,
cousins unmet.

I did possess
a chemistry set,
with not much left
of its supplies.
In the dark cellar
I did my best
to create monsters.

At school,
it was assumed,
as I soared in reading,
that I must come
from the finest family,
that wealth surrounded
a seven-year-old
already reading
Faust and Hamlet.

It was my game
to let them think it so.


Saturday, September 17, 2022

People Like That

by Brett Rutherford

Wednesday at noon
the sirens went off.

Miss Schreckengost
herded us down
to the musty cellar
where we were talked to
by the school nurse
one week, a soldier
the next, on what to do
if there was a flash,
a mushroom cloud.

Russia was far,
but over the Pole
the bombers might come.
Our Nike missiles
sat ready and armed,
but just in case,
we needed to know
to duck and cover,
take shelter, wait for
the Geiger counter
count, the all-clear
siren, the hope
that our teeth and hair
would not fall out,
that cows would yield
safe milk to drink
that did not glow.

Back in the class,
new maps arrived.
USSR in red
as big as Europe,
no, bigger.

Miss Schreckengost
sends us to
My Weekly Reader.

There are new words.
"Atheist" is one.
"Atheist," she said,
"does anyone know
what an atheist is?"

No one spoke.

"Anyone who doesn't
believe in God
is an Atheist,"
the teacher explained.

"That's me!" I thought.
I raised my hand
to proclaim it.

Behind me, a voice,
a fellow student,
muttered darkly,
"People like that
should be killed."

I lowered my hand.
Two lessons learned
that day.

Rhyme Not for the Sake of Rhyming

by Brett Rutherford

What can I say
about poems that rhyme?

Rhyme in mid-line,
or lines apart where least
expected, are fine:
they are like accidents
of digestion, a dash
of pepper. I like, too,
a final couplet, the way
Shakespeare tells us
a scene or speech
has reached its end.
A bow. Applause.

But as for rhyme
at ends of lines,
onward, onward,
plodding, plodding,
pendulum regular,
forced search
of dictionary
all too evident,
jack-hammering,
a thousand times,
no! English is not
a rhyming language.

Drunk monks
and college students
corrupted Latin
with rhyme; then from
Italian it leapt the channel
to infest like unwelcome
caterpillars. Be gone!

Not only has rhyme's
ship sailed, it floated
back, a rotting hulk,
seaweed and barnacles,
seagulls and slime,
fouling our pure waters.

For we who have lived
since Whitman,
rolled to the flow
of beat poetry,
inhaled long breaths
and the abrupt
leaps of improvisation,

rhyme is child's play,
the delight of idiots --
the glue that holds
a song together,
admittedly -- but not
what makes a poem
a poem. Free verse
is tightrope walking,
no net below.

Politics As Usual

by Brett Rutherford

From its dark cage
one bird goes forth.

An eagle waits
to swallow it.

Eater, eaten
share the same sky.

Night over all,
the earth forgets.

From its dark cage
one bird goes forth.

Hide in a tree!
Creep under leaves!

Construct a nest!
Do anything

except that climb
to high cloud-top!

Does it listen?
No. Up it flies!

Eagle takes all.
One feather falls.

Night over all,
the earth forgets.

Epigrams on Prophets and Such

by Brett Rutherford

1.
Beware the bearded men
who say they know
Everything.

2.
The headless chicken
has found the ax.

3.
Who knows more
about purity
than an unwashed monk?

4.
Who takes your tithe,
touches your ten-year-old.

5.
Two in the bush
is the root of all evil.

6.
An egg
requires no catechism.

7.
Would you teach a tree
geometry?

Literary Epigrams

 by Brett Rutherford

1.
A lonely bear
took in Jayne Eyre.
Reader, she married him.

2.
Your grandmother was eaten
by one Virginia Woolf,
and now she waits for you.

3.
Ed Poe is lonely
in Asbury Park.
His TV is dark,
nothing to see
with Snookie gone.
A crow drops by
(his only friend).
"Is she alive, or what?"
he moans, bereft.
The bird replies,
"Fuggedaboutit."

Wednesday, September 14, 2022

Roadside Encounter

 by Brett Rutherford

Two strangers sought
in friendly jest
to topple me.

The first I fought,
a trial hard won.
I left him staggering.

Upon me came
the second one.
Strong he, I fell.

"Well have you done
in honor's way
and strength of arms.

"Sex," then, he said,
"you must endure.
This have I earned."

At it we went.
As he was fair,
it pleasant was.

Upright again
he laughed and said,
"Home must we go,

"a round to drink
in Mother's house
not far from here."

"Her name?" I asked.
"Hela she is,
the dead her realm."

"Cold fare, dim light,
struggles by night,
grim brotherhood.

"Queen of cold wastes,
she waits for thee.
We brothers two
shall now be three."