Wednesday, March 5, 2025

Has God Gone Bankrupt?

by Brett Rutherford 

Adapted from Victor Hugo, l’Année Terrible, “July 1871”


[POEM XII]

 

The earth below, and the heavens above!

If evil reigned, if there was nothing down here
but forced labor, followed by futile protests;
if the evil past kept on returning;
if black water, vomited, came back
as the only thing to slake one’s thirst;
if midnight could insult
     the high noon’s azure
and boast, “Look here, I killed the sun!”;

if nothing was certain
    and no one could be counted on,
then God would have to hide in shame.
Nature would be a timid impostor.

The constellations would shine for nothing.

 

That all this time
     the empyrean concealed
          immortal villainy,

that in the black cosmos
     between the galaxies
          there hides an entity
whose delight is inventing crimes,
that mankind giving everything,
     days, tears, and blood
is the literal-minded plaything
of an Almighty coward,
that the future one walks
     is a colonnade of black wickedness —
that for my part
     I refuse to believe.

 

Would it be worth the wind’s while
to stir the stormy flood of the living?
Should morning, draped
     in the mist of frozen seas,
even bother to announce itself
by casting icy diamonds down
onto the vaguely dazzled flowers?

Does the bird sing for nothing?

Does the world exist for nothing?

If Destiny were only
     some random huntsman
who shoots whatever comes along;
if human effort were only good
     at manufacturing chimeras;
if shadows emerged from wombs
      instead of daughters
and wives, on giving birth
     turned into piles of ash:

if ships set sail,
    and after endless rowing.

         can never come to port;
if everything one craved and bled for,
    each act of crafting something new,
led only to defeat and nothingness —

 

No! I do not consent
     to this bankruptcy,
this zero-sum of everything!

The end of all roads
cannot be nothingness,
like the falling-off
    of some idiot flat-earth.

The Infinite is better than that!

 

Is life to be crushed between two stones —
Charybdis the cradle
     and Scylla the tomb?

Paris, your muscles
     are strong enough
          to get the better of this!

France, you great star:
     you have done your duty
          and God owes you.

 

Rise up, and keep on fighting.
I know that God now
     seems only a glimmer
seen through the mown-down path
     of dire destiny. This God,
I repeat, has often in ages past, cast doubt
upon himself as old wise men
reckoned with him and shook their heads.

The Unknown does not yield itself
     to the summons of metaphysics
with its morose and heavy calculations,
nor will the scalpel reveal elan vital,
     explaining everything away
     in tables and formulae.

Something always eludes the thinker.
That being said, I have my faith.
I think it to be a higher light.
My conscience is there in me,
and there, my guest is God.

By drawing a circle around everything,
using a dubious compass I can say:
this is all, and God is nowhere in it.
Outside, somewhere, if such a place there be,
is his only possible residence.

Yet that circle has not contained me.
He is not outside myself, but in.
He is the rudder when I sail randomly
at loss of direction on the foamy sea.

If I listen to my heart,
     I hear a dialogue.

 

Call me mad if you will.
     In the depths of my mind
         there are two of us:
               him, me.
He is my only hope,
     and the only thing I fear.

If by some chance a reverie
    presents to me an evil I would like to embrace,
a deep rumbling swiftly follows
    from deep within me. I say,
“Who is there? Does someone speak
      to me? And why?
And my soul that trembles
     in that moment of second-thought
says to me, “That was God. Be still.”

 

*

 

What should we do? Does not the world,
united, adhere to some sense of progress?
Deny this, and deny all reason to be.

 

No, no! If it turns out
     that this God deceived me,
placing the bait of hope
     in front of me,

laying the snare,
to take me, a humble atom,
and make me know myself
     a phantom caught
between the present, a dream,
     and the actual future,
if God intends only
     to gloat and deride me’

 

I, the sincere eye and he, the false vision;
if he deceived me with some deplorable mirage;
if he handed me a compass
only to dash my ship against the rocks,
if through my conscience
     he made me falsify my reason
so that I knew not true from false,
then I, whom am only one speck
     a mite on the horizon,
I, the nothingness
would be his dark accuser.

 

I would call upon all beings
      across all time and space
to be my witnesses.
I would line up all infinity
against this God.

Ether and nebulas,
black holes and empty space,
even the vacuum would take up my cause.

Against this evil-doer
     I would line up the stars themselves.
I would throw our evils and disasters
into his face. I have oceans enough
to wash my own hands clean;
the errors I made, were of his making.
In this high court the accuser
     can never be the accused.

I accuse, and God would be the guilty one.

 

Anger against a god has no limits.

No matter how inaccessible,
     impalpable, invisible he is,
I would persist and find him out.

I would see his true form.
I would seize him in the heavens,
as one takes a wolf in the forest,
and, terrible, indignant and calm,
a prosecutor extraordinaire,
I would denounce him
     amid his own thunder.

 

If Evil it is that reigns and rules,
if some immense lie
     is the root of all,
then everything would revolt!

Oh! if the sky man contemplates
is no longer a temple before his eyes,
if under all creation there seems to ooze
some odious and obnoxious secret,
that pillar of glory has nothing on top;
it is a pole of servitude and chains.

 

I would bring down this confidence man,
this forger, and lean him there,
where he would blame everyone else.
He would insult our mourning,
    and scorn our rags and rubble,
     shrug at our thirst and hunger,
     keep tally of our vices and crimes.

Victims would turn back
     their executioners to face him.
He would answer for war and hatred,
for the eyes gouged out
     that saw too much,
for the bloody stumps of despair.

 

The fields themselves, wind-shaken woods,
the mountains with their hearts of iron,
the flowers poisoned by the fall of ash,
from the furious and mad chaos
     of destinies cut and re-cut,

from every last thing that has a name,
appearing to be, then vanishing,
then re-appearing again out of the realm
of wish-forms where matter is not,

from all a dreary accusation emerges.
Reality would seep through horrible cracks.

Tearing their hair, the comets would come.
The air itself would press him down,
accusing him with its rainy breath.

 

In such a world turned upside-down,
the worm would say to the star:
He envies you, and in his jealousy
he makes us both gleam at night.

The reef would say, “I wish no harm
to anyone. His wind and tide
make me a destroyer.”

The sea would say, “My spite and storm
are all his doing. So I avow.”

The universe would be God’s pillory.

 

*

Ah! Faced with this bankrupt God,
reality would serve
     as one sublime payment.
I would be the quiet creditor of the abyss.

My eye already open, I would wait
     for great awakenings.
Those other suns
     across the gulfs of space —
I do not doubt them.

 

I think the vacuum empties out
where I see a new star begin to bloom.
The black at the far reach
     of the azure sky,
retreats from the well of dawn.

These fleeing shadows are loyal to nothing;
they make no promises they are able to keep.

 

The darkness above us
     may seem to eclipse the rays,
but is it not by night,
     that, pensive and wandering,
         we actually believe?
The sky may be troubled,
     dark and mysterious,
but what does it matter?
Nothing righteous need fear
that dawn’s door will fail to open.

 

Complaint is vain, and “Evil”
     is only a word, an empty one.

It is good that I have fulfilled my duty.
It is my nature to suffer happily,
knowing all justice is in me,
invisible as I seem to be,
     a grain of sand.

 

When we do what we can,
    we hold God responsible,

so forward I go,
     knowing that Nature does not lie,
sure of the honesty of the deep firmament.

 

“Hope!: I proclaim,
    to whoever lives and thinks.
I affirm that the unknown Being
     who spends, without counting,
the splendors, the flowers, the universes;
and as if emptying great sacks
     that are always open,
dispenses stars, and winds, and seasons;

and who lavishes on the cloud-piercing
     mountains, the seas that gnaw
         at cliff and dike, without respite,
the azure, the lightning, the day, the sky;

that he who spreads light’s torrent out,

and life and love to all space and time;

I affirm that he who neither dies
     nor passes away, who made the world,
(a book so awfully mis-read by priests),
who gives Beauty as a form to the Absolute,
     real despite doubt,
          and true despite fable,
the eternal, the infinite,
God is not insolvent.

 

 

Tuesday, March 4, 2025

Martyr, Volcano, Goddess, Avatar, Part 2



 by Brett Rutherford

Adapted from Victor Hugo, l’Année Terrible, “July 1871”

 

[Poem XI]

III

City, your fate is beautiful!

High on a hill, and at the heart
of all humanity, you re-enact
an almost-biblical Passion.
None can approach without hearing
how your tender voice emerges

from your august torture,

because you suffer this for all
and for them all your blood is shed.

The peoples before you
will form a circle on their knees.

 

The nimbus glow at the top of Aetna
fears not Aeolus or any other wind.

Just so, your fierce halo
     cannot be smothered out.
Illustrious and terrible at once,
your light burns everything
    that threatens life,

     defending honor, and work and talent,
     upholding duty and right,
     healing with balm, perfume, and medicine.

You gleam the future purple
     even as you burn the past away,

because in your clarity, sad
     and pure, pale flowers spring
to life amid the embers.

In your immense love,
     gnaws an immenser pain.

 

Because you exist, and will continue so,
O city, mankind believes in progress,
seeing it born clean and viable once more.

Your tragic fate attracts the Muses’ envy.
Your death would orphan the whole universe.

The star in your wound, would, if it could,
ascend and join the heavens, but no!
Empires would trade their plunder in,
yes, even Berlin, or Carthage,
to lay hands on your crown of thorns.

Never was an anvil so hammer-bright.

 

City, no matter what,
     Europe will call your name
          as its founding goddess,
but what you must suffer
     until that day arrives!

Paris, what your glory attracts,

the tribute they come to pay you,

     costs you a martyrdom.
The challenge is accepted.

Go on, live large. Let the people show her
they always know how to be heroic.

She is still calm, you see,
     after the tyrants flee,
     after the executioners
have done their worst,
    look, there she stands!

 

It happened so gradually
    no one saw how you managed it:
the sword in your hand

     became a branch of palm.

City, do as the Greeks did,
     the Romans and Hebrews,
breaking the urn of war
     to offer up the splendid bowl
          of unity and peace.

 

The peoples will have seen you,

O magnanimous city,

after having been the light of the abyss,

after having fought as was her duty,

after having been reduced to a crater,

after the churning of volcanic chaos
    whose lava bubbled forth
    the visage of Vesuvius,
        the memory of circuses and forums
               reduced to ash,
the freedom of the world at risk
     until you returned from ash in glory
after having chased away Prussia,
     that frightful giant,

 

now rising anew from the yawning abyss,
     you, bronze-robed deity of eternity,
from flaming lava cooled,
a colossal statue, Paris!

 

IV

The “men of the past” imagine
they still exist. Just barely, I would say.
They imagine themselves living;
and the work they perform
     is all done in the shadows.
In the viscous sliding
     of their numberless folds,
     their comings and goings
     all flat on their belllies,
they are only a swarm
     of deluded earthworms.
The dead weight of the sepulcher
     presses them down to ooze.

 

Ignore them, sacred city!

Nothing of you is dead,
for, Paris, your own agony
gives birth, and your defeat
was an onset of new creation.

We will refuse you nothing.

Whatever you want, will come to pass.

The day you were born, the Impossible
reached and surpassed its expiration date.

I will affirm and will repeat it tirelessly
to the face of the perjurer,

into the ears of the deceiver,
plain on the page, where traitors
and cowards cannot avoid it.

They wounded you, oh queen,
but you live! Oh goddess, you live!

 

Against you they added insult to injury,
but still you live, Paris! From your aorta,
earth’s blood, man’s blood, alike
spurt out in never-stopping flow.
It seems the wound might never heal.

Yet in your womb, o mother in labor,
we felt the whole city move. Fetal,
an unknown universe stirs there.
We feel the beat and pulse of the future.

 

Who cares about these sinister clowns?
All will be well. No doubt, there are clouds.
We search, we see nothing. Well, it is night.
Around us is a fenced-in horizon.
Crown of future Europe, we fear for you.

Alas, what a ruin! She seems more fit
for a coffin than for a temple mount;
no model for a civic goddess here,
but instead the type of eternal mourning.

 

On looking upon her, even a man
of firm resolve must hesitate,
give out a shiver instead of a sigh.

Doubting, we weep and tremble,
but pacing around to listen,
we vaguely hear,
    from the walled shadow no torch can light,
    from the depth of defeat’s sink-hole,
from what they called your tomb,
arising, the song of a soul immense.
Huge and indomitable
     something is indeed beginning.

From out of the mist it comes:
     a new century!

 

All of our steps down here might seem
to be no more than a dark procession,
in vain, nocturnal, dubious.
“Men of the past” will scoff at me.
To them, all life, despite our work,
despite desire, is earthy stuff.
Nothing can be divine to them
until implacable eternity
     devours all in quest
of that one great living Thing.
Their pretext for doing nothing,
or doing ill, is that they’re blessed.
Death always offers a getaway.

 

For “men of the past”
     sure happiness awaits in Heaven.

Earth offers only hope,
     and nothing more.
I say that growing hope,
and waiting out the time
   it takes regrets to fade,
is Progress. One atom of hope
is a new seedling star.
Greater well-being dawns

in lesser misery.
My critics prefer the dreary darkness.

Darkness they love, to the point of blindness.

They hate the seer and would blind the soul.
What a terrible dream!

 

You hold the shroud of the city
before us and cry, “She is dead!”
That shroud for us is pricked with holes
through which the flames appear.

What does the dark zenith matter
when rays shine forth,
and constellations never seen before
arise, suns beaming to one another
profound and august affirmations.
There! The True. There! The Beautiful!
There! The Great! There! The Just!
On each and every world a form of life
with a thousand golden halos,

each life of Life partaking!

 

Amid this fest of hope,
you only contemplate the shadow.

“Look over there! A shadow!” —

“No use! There’s yet another shadow!”

Be that as it may. You cannot help yourselves.

Caught under triple veils,
you want us all to stumble about
in what you think is darkness.

 

“Men of the past,” we seek what serves.
You scurry about to invent new harms.

Our clock ascends to midnight
     and hopes for what will come;
your midnight, vertiginous,
     seems only a falling-off.
Each has his own way of seeing night.

Martyr, Volcano, Goddess, Avatar, Part 1

by Brett Rutherford

Adapted from Victor Hugo, l’Année Terrible, “July 1871”

 

[Poem XI]

1

This, from all that has gone before,
from the dark abyss where Fate itself
seems destined to go to die, the Furies,
hatred incarnate that howls from the graves,
this, my people, is what emerges at last:
a glimmer of clarity and certitude.

Progress, and brotherhood, and faith!
A clarion voice amid my solitude
affirms it, so let the crowd acclaim
our struggle’s coda with a loud cry.

The let hamlet, relieved and joyful
whisper it up to the great Paris,
and may the Louvre, a-tremble
pass the word to every cottage.

 

This dawning hour is as clear
    as the night was dark,
and from the fierce black sky we hear
the sound of something magnificent
giving itself great birth above us.

Even in our present shadow, we hear
the rustling of titanic wings above us,
and I, in these pages so full of shock
and horror, of mourning and battle,
of fears that will not let one sleep —
hear me, if anguish’s clamor
     broke out in spite of me,
if I let fall too many words
     of our own suffering,
if I negated hope, I disavow myself!
I erase my obscure sobbing
which I would rather have lost
than uttered. Words I crossed out
and never published, o so many!

 

I strive to be, above all this
the navigator serene, the one
who fears no shock
    as the deep waves batter him.
Yet I admit my doubts, the fear
that some hideous hand might hold
the past in talon clutches
and refuse to let it go.

 

What did I fear the most?
That crime would seize justice
in stranglehold, that some
grim shadow would smother
the star we needed most
to aim toward the solstice,
that kings with whips
would drive before them
conscience made blind
and progress lamed.

If all the human spirit’s pillars
(like law and honor, Jesus
and Voltaire, reason and virtue)

remained complicit in silence,
if Truth would put its finger
to its lips in cowardice,
this century would pass away
and never pay its debt to the past.
The ship of the world
     would tilt and sink,
and we would witness

    the slow devouring,
eternal and implacable,
into uncountable layers
of shadow upon shadow,
the slow disappearance
of all thinkers, one by one!

 

With shaking pen, I pause.
My voice cries, “No!”

You will remain, O France,
the vanguard, the first.

Do they think they can kill the light?

A vulture attacks the sun, and what
does the sun bleed? More light!

It can only shed more of itself.

What fool would think to hurt the sun?

All Hell, if it tries,
will only bring forth waves of dawn
from every gaping wound it make.
Thus France goes forth,
     her spear at her side,
and where she smites
     the trembling kings
will see the bursting-out of Freedom.

 

 

II

Is this a collapse around us?
No, it is a genesis.

O Paris, what does it matter to you,
bright, burning furnace, well of flame,
that a thick fog passes by,
that it comes sideways at you
as the blowing of one more wind,
a fray as meaningless
as a medieval joust?

Some puffing away at a bellows-forge,
what does that matter
when so many storms already torment you?

 

O proud volcano, already full
of explosions, noises, storms and thunder,
tremors that make the whole earth tremble,

the metals’ melting-pot, the hearth
at which souls set themselves on fire,
do you think God’s breath is punishing you?
Do you fear this is the end for you?

No! Wrath from on high
only rekindles your fire.

Your deep swell boils over.

Fusion, not fission, for the world!

 

Paris is like the sea, a force
that cannot stop itself. Its work
is never finished. God might as well
tell the pounding tides
     “That’s quite enough!”
as put a hold on Paris.
Sometimes a man,
     who leans toward your ringing hearth
thinks he sees hellfire instead
     of the rosy hue of dawn.
We trust you: you know what kind of fire
it takes to build and transform!

 

City, whoever irritates you
     can only make you foam.

The stones they hurl
     down into the seeming abyss
yield up from you a spit of sparks.

Kings come with feeble hands
     to cut and thrust at you.
With hammer-blows of beaten iron,
lit up with lightning at the Cyclops’ forge,
you laugh at their blows
    and cover them with stars.

 

O Destiny! With ease you tear those webs
set out to catch you, those gleaming traps
sepulchral spiders build by night
dotting the dawns in morning dew.

  

Saturday, March 1, 2025

Charles, My Son, I Feel Your Presence Now

Charles Hugo


by Brett Rutherford

Adapted from Victor Hugo, l’Année Terrible, “July 1871.”

 

 

X

Charles, my son, I feel your presence now.
Sweet martyr, beneath the earth
     that takes everyone,
I look for some sign of you
when through the tiny fissures of your tomb
pale dawn juts out its coruscating rays.

 

The dead, boxed up at last in their coffins,
attend to themselves in their final cradles,
and while I weep on bended knees, these two,
dear Georges and Jeanne, these little children sing.
Sing to me, unaware of my sorrows.
How like your father in both dark and light
you are, gloomed by his absented shadow,
yet gilded by his vague illumining.

 

Alas, what did we know, anyway,
if we were not aware of Death
alive and striding among us?

Do angels, enjoining amid the stars
look down from paradise and laugh at us?

 

Yet such a paradise is in the child.
Even the orphan has God inside him.
God, even as I suffer in my cloud
of sorrow, tries to defend these little ones
with the celestial glow of innocence.

 

Be joyful then. Children, go out and play!
Let me be overwhelmed, alone in grief.
So much has been borne, so much still to come!
It has never occurred to them to count
their years so few against mine so many,
to say “Grandfather has lived in this world
for near a hundred years, a century!”
At this age, a man is troubled by ghosts,
shadows and shadows and doubts and regrets.
He tallies up the good he did and asks —
“This much and more again, would that suffice?”

 

Is there less hate now that I’ve come and gone?
Have I treated my enemy brother,
and did he grasp the hand I extended?
Even best efforts, sometimes, are not enough.
Celebrations one day, remorse the next.

The irony is that I triumphed best
in heart and mind, in moments of defeat
because my greatest foe was Compromise.

 

Thus, seeing myself defeated, I grew.
That we still live, pain re-assures us.
Blood-lust has never been my nature.
Instead, I am the one blows fall upon.

 

Sad law, it seems that with vitality,
an even more vital illness tags along.
Young, unknown, one has a certain power.
In fame, one walks around as a target.
More branches than ever spread out from me,
and as they spread, my shadow terrifies.
It might not be safe to be around me.

 

I would spare you the gloom of my mourning,
you two, in your own charmed spell encircled.
You are the opening of souls in bloom,
and here with the dawn comes Nature immense.
Georges blooms, like a shrub that means to fill out
the empty, dismal field of my mourning.
Jeanne, in her flowering, corolla bright
that hides within, a still-trembling spirit.
Amid our noises, distantly, it speaks.

 

Let children stammer on and hesitate
(they know yet what misfortunes await them!)
as humble plants, vermilion-hued, exhale
the murmur of flowers, the buzz of bees,
in their tiny world not bound by limits.

 

That everything you see must slip away,
you all too soon shall learn, alas for you!
That only in a storm’s tumult and roar
does lightning come, our beaming torch and brand,
whenever we try to liberate the people,
that self-same Atlas who bears up the world.

 

What some say is Fate, is to others, Chance:
this you will learn, and will bear up under.
Humans are so augustly ignorant,
they must endure, adapt, in such a way
that later the truth seems what was dreamt of.

 

When I am gone to wherever it is
that one goes to after death, I suppose
I shall grasp only then my “Destiny,”
a topic on which I plead ignorance.
Will I look back at you, and hover there
all full of mystery and intimations?

 

Sure, I will carry within me always
the stigma of exile, thrown like a shroud
over your childhood, and the more recent wounds
by which one’s own justice and gentleness
was made to seem a crime, offense to all.

 

Once I am incorporeal, perhaps
I will glean why, while children sang
beneath my funeral boughs, while I
pled pity instead of retribution
to all who hear, as evil’s antipode,
was made to retreat in so much darkness.
Perhaps it makes more sense to ghosts.

 

Once I am beyond affront, and the sting
of bearing up to so many monsters,
I will know why
     implacable shadows follow me,
why there are lists
     of massacres one after another
why endless winter envelops me,
why everywhere I go
     I lie on someone’s grave
why I was weighed down
     with fights and tears and regrets
     and so many sad things,
and why,
     when you two were roses
God chose to make me a cypress tree.